Comic books in 'X-Men'

UK edition. Identical to US edition. Cover art by George Tuska. The Mark of the Monster!, script by Roy Thomas, pencils by Don Heck, inks by George Tuska; the X-Men battle the Frankenstein monster, who is revealed SPOILER WARNING to be an android. The First Evil Mutant!--The Origins of the Uncanny X-Men, script by Roy Thomas, pencils by Werner Roth, inks by John Verpoorten; the origin of Jack ODiamond; Cyclops origin continued. 36 pgs.

UK edition. Identical to US edition. First appearance of Grotesk. Cover pencils by Don Heck, inks by George Tuska. Now Strikes...the Sub-Human!, script by Roy Thomas, pencils by Don Heck, inks by George Tuska; the X-Men battle the Grotesk, the last survivor of the Sub-Humans. The Living Diamond!--The Origins of the Uncanny X-Men, script by Roy Thomas, pencils by Werner Roth, inks by John Verpoorten; Jack O'Diamonds wants Scott Summers to help him battle Professor Xavier; Jack O'Diamonds turns himself into a Living Diamond. 36 pgs.

UK edition. Identical to US edition. Cover art by John Buscema. If I Should Die...!, script by Roy Thomas, pencils by Don Heck, inks by George Tuska; the X-Men battle Grotesk the Sub-Human. The End...Or the Beginning?--The Origins of the Uncanny X-Men, script by Roy Thomas, pencils by Werner Roth, inks by Herb Trimpe; Cyclops origin conclusion, the Living Diamond dies; includes Professor X. This issue contains a statement of ownership--average print run 445,763; average paid circulation 266,034. 36 pgs.

UK edition. Identical to US edition. "The Torch Is Passed...!" Script by Roy Thomas. Pencils by George Tuska. Inks by John Tartaglione. Cover by John Buscema. Following the tragic events of last issue, the downtrodden X-Men attend Professor X's funeral. The graveside service is briefly interrupted when the young mutants spot Quicksilver paying his respects from a distance. After the service the X-Men return to their Westchester mansion and listen to a posthumous message from their beloved mentor in which he, Charles Xavier, officially passes the torch to his students. In the meantime Quicksilver returns to Magneto's Atlantic Island lair! But the erstwhile avenger is plagued with doubts about his decision to ally himself and his sister with the Master of Magnetism again! However Pietro doesn't have time to brood once Cyclops and his teammates discover Magneto's Atlantic hideaway! And the familiar battle is quickly joined: the Brotherhood of Evil Mutants vs. the Uncanny X-Men! Cameo appearances by the Scarlet Witch and Toad. Second story: "Call Him... Cyclops" Script by Roy Thomas. Pencils by Werner Roth. Inks by John Verpoorten. This five-page feature explains Cyclops' powers. (Notes: Elements of the story continue from Avengers (1963-1996 1st series) #49 in which Pietro and Wanda were duped into rejoining the Brotherhood of Evil Mutants. This story was reprinted in Uncanny X-Men #91.) 32 pages.

UK edition. Identical to US edition. First silver age appearance of the golden age Red Raven in "Red Raven, Red Raven..." Plot by Roy Thomas. Script by Gary Friedrich. Art by Don Heck (layouts), Werner Roth (pencils), and John Tartaglione (inks). Cover by Don Heck (pencils) and John Tartaglione (inks) with Marie Severin (alterations). The Uncanny X-Men have gone down to defeat at the hands of the Brotherhood of Evil Mutants! But auspiciously for the young mutants, Quicksilver convinces Magneto to spare their lives and keep Professor X's charges as prisoners instead! While in captivity the resourceful Angel escapes from his cage! Warren wants to free his friends next; however, Cyclops tells him to leave now and fly to Avengers Mansion! Angel starts flying east where he unbelievably runs into Sky-Island - the home of Red Raven and the bird-people! Wow, what a blast from the past! Is Red Raven going to help Angel or harm him? Appearances by the Scarlet Witch and Toad. Second story: "The Iceman Cometh!" Script by Gary Friedrich. Pencils by George Tuska. Inks by John Verpoorten. This five-page story presents the origin of Iceman (aka Bobby Drake). Cameo appearances by Professor X and Cyclops. (Notes: Red Raven previously appeared in Red Raven Comics (1940) #1. The letters page includes a letter from comics artist Keith Giffen. This story was reprinted in Uncanny X-Men #92.) 32 pages.

UK edition. Identical to US edition. "When Mutants Clash!" Script by Gary Friedrich. Art by Don Heck (layouts), Werner Roth (pencils), and John Tartaglione (inks). Cover by John Buscema and George Tuska. Deep inside Magneto's island fortress, Cyclops realizes that he cannot wait any longer for the Angel to return! He has to break out of his cell now! And by narrowly focusing his powerful optic blasts he achieves his goal! However while Scott searches for Iceman and the Beast, a certain mutant speedster tracks his movements! When Pietro confronts the X-Men's leader, he gives him an opportunity to join Magneto's cause! But Scott refuses! And that means it's time for battle: Cyclops vs. Quicksilver! And the winner gets the Avengers next! Story concludes in Avengers #53. Appearances by the Scarlet Witch, Toad, and Marvel Girl. Avengers Lineup: Black Panther, Goliath (aka Hank Pym), Hawkeye, and the Wasp. Flashback cameo by Red Raven. Second story: "And the Mob Cried... Vengeance" Script by Gary Friedrich. Pencils by Werner Roth. Inks by John Verpoorten. This five-page story continues the origin of Iceman including his first meeting with Cyclops. (Note: This issue was reprinted in Uncanny X-Men #93 and also in Marvel Triple Action #45.) 32 pages.

UK edition. Identical to US edition. Cover pencils by Don Heck. The End of the X-Men!, script by Gary Friedrich, pencils by Don Heck (layouts) and Werner Roth, inks by John Tartaglione; The X-Men sit for the reading of Xavier's will by Foggy Nelson; Jugernaut returns from the Crimson Cosmos and finds himself in X-Mansion; Discovering that his hated half-brother is dead, Juggy goes on a rampage with the X-Men directly in his path; Once the dust has settled, Agent Duncan commands the X-Men to disband and they all go their separate ways. ...And Then There Were Two--The Origins of the Uncanny X-Men!, script by Gary Friedrich, pencils by George Tuska, inks by John Tartaglione; Cyclops and Iceman narrowly avoid getting lynched and Iceman joins the X-Men. 36 pgs.

UK edition. Identical to US edition. Cover pencils by Don Heck, inks by Frank Giacoia. The Warlock Wears Three Faces!, script by Gary Friedrich and Arnold Drake, pencils by Don Heck (layouts) and Werner Roth, inks by John Tartaglione; Iceman and Beast go with Vera and Zelda to watch Maha Yogi, a magician; Yogi, who is revealed to be Warlock, hypnotizes the crowd and everyone becomes a human bomb. I, the Iceman, script by Arnold Drake, pencils by Werner Roth, inks by John Verpoorten; explanation of Iceman's powers. 36 pgs.

UK edition. Identical to US edition. Cover pencils by John Romita, inks by Frank Giacoia. Beware Computo Commander of the Robot Hive!, script by Arnold Drake, pencils by Don Heck and Werner Roth, inks by John Verpoorten; Iceman and Beast go to California while Cyclops and Jean battle robots in New York; a giant robot named Computo makes small robot warriors; Quasimodo appears. Yours Truly the Beast, script by Arnold Drake, pencils by Werner Roth, inks by John Verpoorten; Beasts abilities explained. Letter to the editor from comic writer Tony Isabella. 36 pgs.

UK edition. Identical to US edition. First appearance of Lorna Dane (Polaris). Cover art by Jim Steranko. Who Dares Defy the Demi-Men?, script by Arnold Drake, pencils by Don Heck and Werner Roth, inks by John Tartaglione; Angel warns Jean about Cerebro beeping loudly, and she tells the other X-Men; a group commanded by Mesmero uses a machine (along with his powers) to turn latent mutants into full-fledged mutants in order to form his army; 1st appearance of Mesmero. A Beast Is Born--The Origins of the Uncanny X-Men, script by Arnold Drake, art by Werner Roth; how Beast got his powers. Letter to the editor from comic writer Tony Isabella. 36 pgs.

UK edition. Identical to US edition. Cover art by Jim Steranko. City of Mutants, script by Arnold Drake, pencils by Jim Steranko, inks by John Tartaglione; Mesmero captures Lorna Dane and Iceman; Mesmero tells everyone that Lorna Dane is Magneto's daughter. This Boy--This Bombshell!--The Origins of the Uncanny X-Men, script by Arnold Drake, pencils by Werner Roth, inks by John Verpoorten; the story of young Hank McCoy. 36 pgs.

UK edition. Identical to US edition. Cover art by Jim Steranko. The Devil Had a Daughter!, script by Arnold Drake, pencils by Jim Steranko, inks by John Tartaglione; the X-Men battle, Magneto, Mesmero, and company; Magneto tells everyone that Lorna Dane is his daughter. The Lure of the Beast-Nappers!--The Origins of the Uncanny X-Men, script by Arnold Drake, pencils by Werner Roth, inks by John Tartaglione; Beast's origin continues. 36 pgs.

UK edition. Identical to US edition. Cover pencils by Marie Severin, inks by Joe Sinnott. Twilight of the Mutants!, script by Arnold Drake, pencils by Don Heck and Werner Roth, inks by John Tartaglione; Eric the Red attacks Mesmero and his army; Eric defeats Mesmero and heads toward Magneto, who is injured; Marvel Girl, Angel, and Beast break into Mesmero's headquarters; Iceman gets caught in trap intended for Mesmero. The Crimes of the Conquistador!--The Origins of the Uncanny X-Men, script by Arnold Drake, pencils by Werner Roth, inks by John Verpoorten; Beast's origin continued. 36 pgs.

UK edition. Identical to US edition. Cover pencils by Barry Windsor-Smith [as Barry Smith], inks by Mike Esposito. The Rage of Blastaar!, script by Arnold Drake, pencils by Barry Windsor-Smith [as Barry Smith], inks by Mike Esposito [as Michael Dee]; Blaastar is accidentally brought back from the Negative Zone by Jean; Blaastar attacks the X-Men, who send him back to the Negative Zone. Welcome To the Club, Beast!--The Origins of the Uncanny X-Men, script by Arnold Drake, pencils by Werner Roth, inks by John Tartaglione; conclusion of Beast's origin. Letters to the editor from comics professionals Mark Gruenwald and Roy Thomas. 36 pgs.

UK edition. Identical to US edition. First appearances of Alex Summers (later Havok) and the Living Pharaoh. Cover pencils by Barry Windsor-Smith [as Barry Smith] and John Romita (on Living Pharaoh figure), inks by Vince Colletta. Wanted: Dead Or Alive--Cyclops!, script by Arnold Drake, pencils by Don Heck and Werner Roth, inks by Vince Colletta; the X-Men battle Ahmet "The Living Pharaoh" Abdol, who has captured Cyclops' younger brother, Alex; two cops try to arrest Cyclops for the murder of Abdol. The Million Dollar Angel--The Origins of the Uncanny X-Men, script by Arnold Drake, pencils by Werner Roth, inks by Vince Colletta; Angel's origin. A letter from comics professional Bob Wiacek. This issue contains a statement of ownership--average print run 415,200; average paid circulation 273,360. 36 pgs.

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UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Barry Windsor-Smith [as Barry Smith], inks by Vince Colletta. The Living Pharaoh!, script by Roy Thomas, pencils by Don Heck (layouts) and Werner Roth, inks by Vince Colletta; to try and discover the location of his brother Alex, Cyclops battles the Living Pharaoh; the X-Men look for Cyclops; Alex battles the Living Pharaoh. Where Angels Dare To Tread!--The Origins of the Uncanny X-Men, script by Roy Thomas, pencils by Werner Roth, inks by Sam Grainger; Angel becomes The Avenging Angel, with the red-and-black costume. 36 pgs.

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UK edition. Identical to US edition, but has 1/- cover price. Cover art by Neal Adams. What Is...the Power?, script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer; In the Egyptian desert, the X-Men battle the Living Pharaoh and his men; The Pharaoh takes off with Alex and siphons off his mutant powers to turn himself into the Living Monolith; As the X-Men battle the Monolith, Alex turns the tables by taking back his power and more, stopping the Monolith and destroying the ancient temple where he has been trapped; Alex warns his friends to stay away as he has no control over the destructive powers coursing through his body. The Flying A-Bomb!--The Origins of the Uncanny X-Men!, script by Roy Thomas, pencils by Werner Roth, inks by Sam Grainger; conclusion of Angel's origin. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. First appearance of Larry Trask. Cover pencils by Neal Adams, inks by Tom Palmer. The Sentinels Live!, script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer; Lorna is attacked by a Sentinel; Alex is paralyzed by his terrible and destructive new powers as the X-Men try to figure out how to help him; The Egyptian authorities arrive and the Living Pharaoh tells them to arrest the X-Men for the destruction of an ancient temple; Alex takes off in the conflict and is attacked by a Sentinel; Learning of the attack on Lorna, Iceman and Beast head back to the states to investigate; They catch a newscast where the son of Bolivar Trask proclaims to the world that the Sentinels are once again active and hunting for mutants. The Female of the Species!--The Origins of the Uncanny X-Men, script by Linda Fite, pencils by Werner Roth, inks by Sam Grainger; explanation of Marvel Girl's powers. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Neal Adams. Mission: Murder!, script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer; Sentinels attack Beast and Iceman and Bobby sacrifices himself so that Hank can escape; Angel flies back to the states with Cyclops and Jean following close behind; Iceman is taken to Trask's Sentinel base where he meets up with Lorna and Alex, now called Havok with a containment suit built by Trask; Sentinels gather mutants from around the world and bring them to Trask; Fearful of Larry's methods, Chalmers takes the medallion from around his neck and the Sentinels refuse to follow their master as he is revealed to be a mutant. 36 pgs. $0.15.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Neal Adams. Do Or Die, Baby!, script by Chris Claremont and Roy Thomas, pencils by Neal Adams, inks by Tom Palmer, colors by Neal Adams; With Larry Trask revealed to be a mutant, the Sentinels refuse to obey him any more as they continue to capture mutants and prepare to kill them; Cyclops, Jean and Beast mount an offensive to rescue their captured friends; Cyke, Jean and Hank disguise themselves as Quicksilver, Scarlet Witch and Toad as they battle the Sentinels; Cyclops tricks the Sentinels into flying into the sun; They rescue Havok but he is injured. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. 1st appearance of Sauron in "In the Shadow of Sauron!" Script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer. Appearances by Alex Summers, Lorna Dane, Quicksilver, the Scarlet Witch, the Toad, the Blob, Mastermind, the Vanisher, Unus the Untouchable, the Banshee, and Mesmero. Letter to the editor from comic writer Don McGregor. Adams cover.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Neal Adams. Monsters Also Weep!, script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer; The X-Men battle Sauron and his hypnotic powers but the villain gets away and the heroes do not make the connection between the flying dinosaur and Dr. Karl Lykos; Visiting Lykos, they find Alex restored to health and witness a reunion between Karl and his love, Tanya; Tanya's father arrives and forbids their love as the X-Men slink away from the uncomfortable domestic scene; Karl drains energy from Lorna and turns into Sauron once again; Once he changes back into Lykos, he confronts Tanya at their old mountain cabin and seemingly falls to his death as he runs away, afraid of trying to drain energy from the woman he loves. 36 pgs

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Neal Adams, inks by Tom Palmer. Strangers...In a Savage Land!, script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer; Angel searches for Sauron and ends up in the Savage Land where he is attacked by flying dinosaurs; He is rescued by Magneto and restored to health; The rest of the X-Men arrive in the Savage Land and hook up with Ka-Zar; Angel does not recognize Magneto who presents himself as a benefactor and protector of the Savage Land mutants. 32 pgs. $0.15. NOTE: 1994 JC Penney reprint exists. Can be identified by having a Stridex ad on the back cover.

UK edition. Identical to US edition, but has 1/- cover price. Magneto and Ka-Zar guest star in "War in the World Below!" Script by Roy Thomas, pencils by Neal Adams, inks by Tom Palmer. First appearance of Lorelei. Adams/Palmer cover. This is a United Kingdom edition.

UK edition. Identical to US edition, but has 1/- cover price. First appearance of Sunfire. Sal Buscema cover pencils, cover inks by Tom Palmer. The Coming of Sunfire!, script by Roy Thomas, pencils by Don Heck, inks by Tom Palmer; Iceman, Beast, and Angel battle Sunfire, who destroys a monument in New York City; Sunfire, who talks to his uncle about Hiroshima, wants to destroy the Capitol in Washington, DC. The letters page also reveals that acclaimed author Daniel Keyes ("Flowers for Algernon") once did some editorial work for Marvel! 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Marie Severin, inks by Tom Palmer. Before I'd Be Slave..., script by Denny O'Neil, pencils by Neal Adams, inks by Tom Palmer; The X-Men make it back to the mansion after their harrowing battle with Magneto only to be commanded inside by Alex and Lorna; They learn that earth is about to be attacked by the alien Z'Nox but a plan has been made to counter the invasion--a plan formulated by none other than the "dead" Professor X; Xavier returns to his charges and explains that Changeling was masquerading as him when he was killed; The X-Men board the Z'Nox space ship and attack but it is the collective power of happy thoughts funneled through Xavier into his students that ultimately drives the aliens off. Letter from comics professional Doug Moench. 36 pgs. $0.15.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Marie Severin, inks by Sam Grainger. The Mutants and the Monster, script by Roy Thomas, pencils by Sal Buscema, inks by Sam Grainger; With Professor X in a coma after warding off the Z'Nox, the X-Men try to reach him and he mentally tells them one word, "Hulk"; The X-Men track down the jade giant and Jean's mental powers cause him to revert to Bruce Banner; Banner tells them that he has a machine that may save Xavier but Major Talbot shows up and causes him to transform to the Hulk again; The X-Men follow him into the desert and battle him at the site of an old lab where they are able to procure the piece of machinery that brings Professor X out of his coma; "And they fought happily ever after...??" 32 pages, full color.

UK edition. Identical to US edition. 52-page Giant. Cover pencils by Marie Severin, inks by Joe Sinnott. The Origin of Professor X, script by Stan Lee, pencils by Jack Kirby and Alex Toth, inks by Vince Colletta; Cerebro detects a powerful mutant and Xavier fears that he knows who it is; The X-Men prepare the mansion for an all out assault; As the mysterious villain batters his way through the mansion's defenses, Professor X tells his students his origin story and how his step-brother changed from tormenting bully to an unstoppable Juggernaut; reprinted from issue 12. Where Walks the Juggernaut, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Joe Sinnott; reprinted from issue 13. 52 pgs.

UK edition. Identical to US edition. 52-page Giant. Cover pencils by Jack Kirby, inks by Dick Ayers. Among Us Stalk the Sentinels, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Vince Colletta; After their battle with the Juggernaut, Xavier sends the X-Men on vacation; Reading a story in the paper about Dr. Trask and his story on the mutant menace, Professor X calls for a televised debate with the anthropologist; During the broadcast, Trask unveils his Sentinels, robots who were built to capture and nullify mutants, but things quickly get out of hand as the Sentinels proclaim themselves superior to puny humans and prepare to take over; Xavier calls his X-Men to help and they return to battle the Sentinels; When one of their number falls, the giant robots capture Trask and return to their base; The X-Men follow and find a hidden complex complete with devastating weaponry aimed directly at them; reprinted from issue 14. Prisoners of the Mysterious Master Mold, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Dick Ayers; reprinted from issue 15. 52 pgs.

UK edition. Identical to US edition. Cover art by Sal Buscema. The Supreme Sacrifice, script by Stan Lee, pencils by Jack Kirby (layouts) and Werner Roth [as Jay Gavin], inks by Dick Ayers; With the X-Men captured, Xavier heads back to investigate a fallen Sentinel to try and figure out what stopped it; The X-Men escape and battle the Sentinels but it is the timely intervention of Professor X and the self sacrifice of Dr. Trask that stops Master Mold and saves the day; reprinted from issue 15. Lo! Now Shall Appear-- the Mimic, script by Stan Lee, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; reprinted from issue 15. 52 pgs.

UK edition. Identical to US edition. Cover pencils by Jack Kirby, inks by Dick Ayers. And None Shall Survive, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Dick Ayers; n the aftermath of their battle with the Sentinels, Hank, Bobby and Scott are taken to the hospital with injuries; Iceman is delirious in a coma but his companions recover quickly; When Warren's parents call and say they are dropping by for a visit, Angel flies back to the mansion where he is attacked by a mysterious stranger; Xavier and Cyclops, worried with no word from Angel, also return home and are attacked; Beast and Jean are the last to show up and are also taken down; As Warren's parents arrive at the mansion, they are greeted by Magneto; reprinted from issue 17. If Iceman Should Fail, script by Stan Lee, pencils by Werner Roth, inks by Dick Ayers; reprinted from issue 18. 52 pgs.

UK edition. Identical to US edition. Cover pencils by Werner Roth, inks by Dick Ayers. I, Lucifer..., script by Roy Thomas, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; ; story of how Prof. X lost use of legs; reprinted from issue 20. 36 pgs. $0.15.

UK edition. Identical to US edition. Final 52-page giant. Cover pencils by Werner Roth, inks by Dick Ayers. From Whence Comes... Dominus?, script by Roy Thomas, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; the X-Men battle Lucifer, The Supreme One; reprinted from issue 20. The Plague of... the Locust!, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; reprinted from issue 24. 52 pgs.

UK edition. Identical to US edition, but has 6p cover price. Regular-sized, 20-cent cover price begins. Cover art by Bill Everett. The Power and the Pendant, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; while taking Jean to Metro College, the X-Men stop to help an orphanage that is on fire; in Central America, El Tigra and co. look for Mayan gold of Kukulcan; ; reprinted from issue 25.. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. Holocaust, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; the X-Men (sans Marvel Girl) battle Kukulcan; Cyclops accidentally hits Angel with an optic blast. A Marvel Masterwork Pin-Up of Professor X, Cyclops, Jean Grey, Iceman, Angel, and Beast, pencils by Jack Kirby; ; reprinted from issue 26.. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by John Romita. Re-Enter: The Mimic, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; Angel rests in the way of getting the wake of getting hit with Cyclops' optic blast; Mimic recovers his powers and memories; the X-Men battle the Puppet Master; Cameos by Spider-Man and the Fantastic Four; ; reprinted from issue 27.. A Marvel Masterwork Pin-Up of Jean Grey, pencils by Jack Kirby, inks by Chic Stone. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane. The Wail of the Banshee, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; Banshee is apparently a villain working with Ogre and the Factor Three; Banshee steals imported tobacco and a painting called the Gaelic Landscape; the X-Men test Mimic's powers; reprinted from issue 28.. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by George Tuska, inks by Vince Colletta. When Titans Clash, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; X-Men battle Mimic and the Super Adaptoid, which is an android that copies the Avengers' powers; reprinted from issue 29. Cover reprint, pencils by Werner Roth, inks by John Tartaglione. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by George Tuska. The Menace of Merlin!, script by Roy Thomas, pencils by Jack Sparling, inks by John Tartaglione; the X-Men battle Warlock, who reveals that he used to be Merlin the Magician;Thor cameo; reprinted from issue 30. Cover reprint, pencils by Jack Kirby. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. We Must Destroy the Cobalt Man, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; The X-Men are given a weekend off and head out for some fun; Cyke and Angel visit Jean in college and find her engaged with brothers Ted and Ralph Roberts; Ralph, who used to work for Tony Stark, takes them all to his lab where he puts on his new Cobalt Man suit to impress his brother; Going a little batty, Cobalt Man wrecks the lab and heads out to Stark Industries to confront his old boss; The X-Men assemble to battle him before his suit becomes radioactive and blows up; Iron Man and Juggernaut cameos; reprinted from issue 31. Cover reprint, art by Dan Adkins. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. Beware the Juggernaut, My Son, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; the X-Men attend Iceman's 18th birthday party; Xavier works on Juggernaut, who is unconscious in the basement of the mansion; reprinted from issue 32. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, John Verpoorten, Werner Roth, and John Romita (alterations), inks by Gil Kane, John Verpoorten, and John Romita (alterations). Into the Crimson Cosmos, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; Juggernaut rampages to Factor Three headquarters; Professor X shows Jean a story about the ruby of Crimson Bands; Cameos by Doctor Strange and the Ancient One; reprinted from issue 33. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by Dan Adkins. War In a World of Darkness, script by Roy Thomas, art by Dan Adkins; ; Ted Roberts warns Jean that her brother has been captured; Angel and Iceman help her find him; Mole Man attacks the X-Men; reprinted from issue 34. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by Dan Adkins. Along Came a Spider, script by Roy Thomas, pencils by Werner Roth, inks by Dan Adkins; Banshee calls to the X-Men for help against a mysterious spider creature, and when the young mutants run across Spider-Man, they mistake him for their foe and a battle ensues; reprinted from issue 35. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Ross Andru, inks by George Roussos. Mekano Lives, script by Roy Thomas, pencils by Ross Andru, inks by George Roussos; the X-Men try to make money to go to Europe, where the Factor Three is; they battle Mekano and save the Central Library; reprinted from issue 36. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Jack Kirby, Don Heck, John Romita, and John Verpoorten (alterations), inks by George Roussos, John Romita, and John Verpoorten. We, the Jury, script by Roy Thomas, pencils by Ross Andru, inks by Don Heck; the X-Men battle the Factor Three in Europe; the Mutant-Master holds Professor X and Banshee captive; Juggernaut cameo; reprinted from issue 37. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by Dan Adkins. The Sinister Shadow of Doomsday, script by Roy Thomas, pencils by Don Heck, inks by George Roussos; Mutant Master tells the Changeling about his plans to initiate the human in a third world war; Marvel Girl, Beast and Angel go to Europe; Iceman and Cyclops go to Washington; reprinted from issue 38. The Spirit of Swami River, script by Stan Lee, pencils by Steve Ditko; reprinted from Amazing Adult Fantasy #9.

UK edition. Identical to US edition. Cover art by George Tuska. The Fateful Finale, script by Roy Thomas, pencils by Don Heck, inks by Vince Colletta; Mastermind and Unus attack Cyclops and Iceman; Marvel Girl frees herself and others from jail and convince the Russians that Blob has a bomb and wants to initiate WWIII; the mutants battle the Mutant Master; reprinted from issue 39. Mister Universe, script by Stan Lee, art by Steve Ditko; reprinted from Amazing Adult Fantasy #10. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by George Tuska and Marie Severin (alterations). The Mark of the Monster, script by Roy Thomas, pencils by Don Heck, inks by George Tuska; the X-Men battle the Frankenstein monster, who is revealed SPOILER WARNING to be an android; reprinted from issue 40. Thru the Lens, art by Joe Maneely. 36 pgs.

UK edition. Identical to US edition, but has 7p cover price. Cover inks by Frank Giacoia. Now Strikes the Sub-Human, script by Roy Thomas, pencils by Don Heck, inks by George Tuska; the X-Men battle the Grotesk, the last survivor of the Sub-Humans; reprinted from issue 41. For the Rest of Your Life!, script by Stan Lee, art by Steve Ditko; Jupiter's courts are thought soft, but their convicts are actually imprisoned for life within an illusion of freedom; reprinted from Amazing Adult Fantasy #11. 36 pgs.