| Issue | #17 |
| Published | January-February 1953 |
| Cover Price | 0.10 USD |
| Pages | 36 |
| Editing | Al Feldstein |
| Genre | Science Fiction; Fantasy |
| Pencils | Al Feldstein |
| Inks | Al Feldstein |
| Reprinted | in Weird Fantasy (Gemstone, 1994 series) #17 (October 1996) |
| Genre | science fiction |
| Script | Al Feldstein |
| Pencils | Joe Orlando |
| Inks | Joe Orlando |
| Colors | Marie Severin |
| Reprinted | in Weird Fantasy (Gemstone, 1994 series) #17 (October 1996) |
| Genre | science fiction |
| Script | Al Feldstein |
| Pencils | Will Elder |
| Inks | Will Elder |
| Colors | Marie Severin |
| Reprinted | in Weird Fantasy (Gemstone, 1994 series) #17 (October 1996) |
| Letters | typeset |
| Genre | science fiction |
| Script | Al Feldstein |
| Pencils | Al Williamson |
| Inks | Al Williamson |
| Colors | Marie Severin |
| Reprinted | in Weird Fantasy (Gemstone, 1994 series) #17 (October 1996) |
| Synopsis | This story basically serves as a allegory for human's ethical progress failing to keep pace with his technological progress. It describes an automatic house that continues to function long after the people that once lived there have been reduced to dust stains on the wall by nuclear holocaust. |
| Genre | science fiction |
| Script | Ray Bradbury; Albert B. Feldstein (adaptation) |
| Pencils | Wally Wood |
| Inks | Wally Wood |
| Colors | Marie Severin |
| Reprinted | in Tomorrow Midnight (Ballantine Books, 1966 series) #U2142 (June 1966); in Weird Fantasy (Gemstone, 1994 series) #17 (October 1996); in Ray Bradbury Chronicles (Bantam Spectra Books; Byron Preiss Visual Publications, 1992 series) #3 |