Comic Art
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Original Comic Art
- Comic Art: Cover 17 items
- Comic Art: Splash Page 27 items
- Comic Art: Double Page Splash 5 items
- Comic Art: Interior Page 277 items
- Comic Art: Double Page Spread 8 items
- Comic Art: Complete Story 8 items
- Comic Art: Comic Strip 57 items
- Comic Art: Unpublished Page 6 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Art from Avengers Academy #11 (2011) Page 3 Pencils by Tom Raney, Inks by Scott Hanna from Avengers Academy (2010) 11 2011 Marvel A magnificent splash that also serves as the title page for this issue showcasing the return of one of the Avengers' most dangerous foes- Korvac! In an attempt to bring Janet Van Dyne back to life, Avengers Academy student Veil has instead revived Carina Tivan, Michael Korvac's wife (and daughter of The Collector!), which has of course attracted Korvac's attention. Raney and Hanna inject a ton of power into this page with Korvac's form dissipating into massive clouds of energy- dotted with some Kirby Krackle! Signed by Raney in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Avengers Undercover #7 (2014) Page 20 Inks by Jason Gorder, Printed Pencils by Kev Walker from Avengers Undercover (2014) 7 2014 Marvel One of the most fun tropes in comics is a shocking last page villain reveal splash and this is a great example. Thought killed by a group of the teen heroes who survived Avengers Arena, it turns out that Arcade is still alive! After Ink over printed pencils on comic art board. 11" x 17". |
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Original Art from Batman One Bad Day: Ra's Al Ghul (2023) Page 6 Inks by Danny Miki, Printed Pencils by Ivan Reis from Batman One Bad Day Ras al Ghul (2023 DC) 1A 2023 DC "Every time I wake in a Lazarus pit, I forgot the world I'm being reborn into. Instead, I remember what was...and then comes the shock of the present" A powerful splash page from two of the best artists working in comics! A page definitely worth pouring over to appreciate the texture and detail in this scene of the Demon's Head rising once more. Reis' powerful figurework is given an incredible depth by Miki's inks with Al Ghul a striking and imposing presence amongst the wonderfully frenetic and detailed scenery! Signed by Miki in top right. Ink over printed pencils on branded comic art board (printed on the reverse of DC board). 11" x 17". |
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Original Art from Batman Streets of Gotham #1 (2009) Story Page 1 Pencils by Georges Jeanty, Inks by Karl Story from Batman Streets of Gotham (2009) 1A 2009 DC When you're in Gotham City, be sure to visit their famous gargoyles and brood in the rain a bit- it's the citywide pastime! Kate Spencer, the most recent character to bear the title of Manhunter, gets into the noir spirit of her new home city in this bold first page splash. Signed by Jeanty in lower margin. Blue-line pencil and ink on DC comics art board. 11" x 17". |
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Original Art from Captain America #10 (1997), Page 6 by Joe Bennett with Inks by Sandra Hope from Captain America (1996 2nd Series) 10 1997 Original Art for Captain America #10, Page 6 by Joe Bennett and Sandra Hope (1997). This striking splash page captures the bombast and style of the 90's in spectacular fashion as Captain America and the armored soldiers of SHIELD's Stealth Flight Gamma dive into action to take down the Sons of the Serpent. Pencil and ink on Image Comics art board. 11" x 17", B&W. Includes a copy of the original issue. |
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Original Art from Crux #22 (2003) Page 1 Pencils by Steve Epting, Inks by Roland Paris from Crux (2001) 22 2003 CrossGen Comics A powerful opening splash page that sees the Atlantean seer Verityn returning to Atlantis only to realize that something feels off. Pencil and ink on Crossgen comic art board. 11" x 17". |
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Original Art from Deadpool Badder Blood #3 (2023) Page 1 Pencils and Inks by Rob Liefeld from Deadpool Badder Blood (2023 Marvel) 3A 2023 Marvel "SOMEWHERE WITHIN THE SENTIENT TORTURE TESSERACT KNOWN AS KILLVILLE..." reads the opening caption on this incredible splash page from the legendary Rob Liefeld, and what a perfect way to begin a comic like this! Trapped within this Sentient Torture Tesseract, Wade finds himself confronted with a massive mirror image of himself infected by a Symbiote (in case the tongue didn't give it away!) and a fight for survival ensues. All of the raw power that made Liefeld a pillar in comic art is present on this stunner of a page. Signed by Liefeld, once in the lower left and in his stylized signature in the top right margin. Pencil and ink over printed roughs on Image Comics art board. 11" x 17". |
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Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio In auction ending January 14 from Green Arrow (1987 1st Series) 97 1995 DC A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh. |
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Original Art from Green Arrow #97 (1995) Page 24 Pencils by Rodolofo Damaggio In auction ending January 14 from Green Arrow (1987 1st Series) 97 1995 DC Don't call him Speedy! Things did not go...well when Ollie found out that Connor Hawke was actually his son and backup was needed. Why just grab one gun when you can bring the entire Arsenal? A great last-page splash with a downright iconic image of the former sidekick in his full tactical regalia! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh. |
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Original Art from JLA #17 (1998) Page 22 Pencils by Arnie Jorgenson, Inks by Mark Pennington from JLA (1997) 17 1998 DC A splash so great, it needs a role call- we've got Electric Blue Superman, Wonder Woman, Aquaman (spear hand era), Flash (Wally), Green Lantern (Kyle), Batman, Martian Manhunter, Catwoman, Plastic Man, Orion, Big Barda, Oracle, Steel, Huntress, and of course- Zauriel! This fantastic full team splash is a pleasant bit of hopefulness after the team just barely fended off an attack from the mysterious Prometheus. Signed by Pennington in lower left (personalized). Pencil and ink on DC Comics art board. 11" x 17". |
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Original Art from Justice League #9 (1987) Page 1 Pencils by Kevin Maguire, Inks by Al Gordon from Justice League America (1987) 9 1987 DC A fantastic title splash page from this landmark iteration of the Justice League that saw the team get a surprising new lineup and expand their operations to a truly global scale! In the wake of the revelations from the Guardians that Manhunters have been infiltrating earth disguised as humans, the team mulls over next steps as they head into Bialya. Signed by Maguire in lower margin. Pencil and ink on DC Comics art board. 11" x 16 1/4". |
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Original Art from Justice League International #65 (1994) Page 2 Pencils by Chuck Wojtkiewicz In auction ending January 14 from Justice League Europe (1989) 65 1994 DC Now that's how you open a comic book! In the midst of the Judgement Day storyline with the League scrambling, Booster Gold miraculously gets up and walks out of the operating room- despite the fact that he has no vital signs whatsoever. It's a bold, striking image that sets up the surprising revelation that since Overmaster's attack life on earth has been 'frozen' with no births or deaths reported! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2. NOTE: Multiple inkers are credited for this issue- Bob Dvorak, Robert Jones, and Rich Rankin. |
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Original Art from Mantra #6 (1993) Page 11 Pencils by Terry Dodson, Inks by Andrew Pepoy In auction ending January 14 from Mantra (1993 1st Series) 6 1993 Malibu Graphics Inc. Where better to spend Christmas Eve than...the moon?? A great shocker of a splash page as Mantra finds themself teleported to the moon after seeing a vision of Lukasz's face in it. Great composition from Dodson with Mantra's cape sweeping across the page and framing the Apollo lander and earth above it! Speaking of the lander, the top half of the craft was airbrushed out when someone realized that that portion was what brought the astronauts back! Signed by Dodson in lower margin. Pencil and ink on art board. 11 1/2" x 17". |
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Original Art from Millie the Model #123 (1964) Page 14 Pencils and Inks by Stan Goldberg from Millie the Model (1945 Marvel) 123 1964 Marvel A beautiful fashion page featuring Millie's supporting (and in Chili's case, unsupportive) cast! Pencil and ink on art board. 13 3/4" x 21 3/4". |
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Original Art from Modeling With Millie #32 (1963) Page 12 Pencils and Inks by Stan Goldberg from Modeling with Millie (1963) 32 1963 Marvel A classic fashion page by comics veteran Stan Goldberg who does some especially neat work on the textures of these fan-designed outfits. Pencil and ink with title logo stat on art board. 13 1/2" x 21", B&W. |
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Original Art from Notti & Nyce Halloween Special 2019 Page 2 Pencils and Inks by Ron Williams In auction ending January 14 from Notti & Nyce Halloween Special (2017 Counterpoint) 2019A.NAUGHTY 2019 Counterpoint Does it count as cosplay if it's Halloween? The deadly duo known as Notti and Nyce debut their costumes- Spider-Gwen and Marilyn Monroe! Pencil and ink on art board. 11" x 17". |
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Original Art from Peter Parker Spider-Man #44 (2002) Page 3 Pencils by Humberto Ramos, Inks by Wayne Faucher In auction ending January 14 from Peter Parker Spider-Man (1999) 44 2002 Marvel A powerful splash from this intense issue that sees the return of the Green Goblin to Pete's life! In the midst of a torrential storm, Pete is troubled by a recurring nightmare and where else does one plagued by nightmares go than to their mother (figure)! A great example of Ramos' ability to create powerful and energetic figures, even in a 'civilian' scene! Signed by the artists in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: Title logo, credits, and indicia stats are reproductions. |
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Original Art from Red Goblin #9 (2023) Page 3 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 9 2023 Marvel While there are certainly some downsides to having a symbiote attached to you as a child, there is the fact that you could show up to your bully's house in the middle of the night and scare the bejeezus him as Normie Osborn does here! A fantastic splash here with the Red Goblin in all of his horrifying glory. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Red Goblin #10 (2024) Page 12 Inks by Roberto Poggi, Printed Pencils by Chris Campana from Red Goblin (2023 Marvel) 10 2024 Marvel A fantastic splash that gives the Red Goblin the hero spotlight he's finally earned! After bonding with the symbiote named Rascal, Normie Osborn has been having trouble controlling the symbiote's base urge to, ya know, eat people. In this final issue, the collateral damage during a fight with his friend Venom (Dylan Brock) convinces the child and the symbiote to join the side of angels as he leaps into action to save some civilians. Ink over printed pencils on Marvel Comics art board. 11" x 17". |
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Original Art from Sandman Universe Nightmare Country #5 (2022) Page 7 by Aaron Campbell from Sandman Universe Nightmare Country (2022 DC) 5A 2022 DC An absolutely incredible splash page that revisits one of the most iconic (and creepy) moments from the Doll's House arc of the original Sandman series! Reborn in this new series, The Corinthian recalls his last moments before being unmade at the Cereal Convention, which was in actuality a convention for serial killers. Campbell's technique is just astounding here from the smudging used to give Morpheus a glow to the beautiful linework that plays wonderfully with the painted background. Signed by the artist in lower margin. Mixed media on heavy art stock. 11" x 17". |
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Original Art from She-Hulk #19 (2007) Page 4 Pencils by Rick Burchett, Inks by Cliff Rathburn from She-Hulk (2005 2nd Series) 19 2007 Marvel Goodman, Lieber, Kurtzberg & Holliway have a new client- and Jennifer Walters isn't going to like it! A great title page splash reveal to open this issue as Jen's coworker and rival Mallory Book is introduced to her new client- The Leader! Signed by Burchett in lower left. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
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Original Art from Silver Surfer #123 (1996) Page 22 Pencils by Ron Garney, Inks by Bob Wiacek from Silver Surfer (1987 2nd Series) 123 1996 A tremendous villain-introducing last page splash caps off this otherwise quiet and somewhat maudlin issue that sees the Surfer returning to earth in the wake of the Onslaught saga to find the Fantastic Four missing. It looks like Norrin won't have much time to continue pondering the nature of existence as he'll have to tangle with Bounty! Fantastic design by Garney here, wonderfully embellished with harsh, moody lighting from Wiacek's inks! Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4". |
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Original Art from Superboy #16 (1991) Page 2 Pencils by Curt Swan, Inks by Kim DeMulder from Superboy (1990 2nd Series) 16 1991 DC It doesn't get much more iconic than this! Legendary Superman artist Curt Swan and comics veteran Kim DeMulder deliver a title page with everything you could ask for in a Superman page- the Man of Steel flying over an astonished crowd, ads for LexCorp and the Daily Planet, and of course a time-displaced and confused Clark Kent smack dab in the middle of it. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: One stat is missing from the page, an ad for a WGBS late night show that should be right above the Daily Planet ad. |
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Original Art from Wolverine Origins #31 (2009) Page 2 Pencils by Yanick Paquette, Specific Inker Not Credited from Wolverine Origins (2006) 31 2009 "Let's get to work." says Wolverine on this fantastic title splash that sees everyone's favorite Canadian killing-enthusiast teaming up with his estranged son Daken to track down the killer of his biological mother. Paquette's bold figure work shines here with the clawther and son team primed and ready for action. The inkers credited in this issue are Serge LaPointe and Michel Lacombe. Signed by Paquette in bottom margin. Pencil and ink on Marvel Comics art board. 10 3/4" x 17". |
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Original Art from Batman Gotham Knights #38 (2003) Page 5 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A phenomenal title page splash of Huntress, although that appears to be Helena Wayne's Huntress costume- not Helena Bertinelli's. It's a telegraphing of the story to come that finds Helena drugged and in the custody of Checkmate who have suddenly taken an interest in Gotham's vigilantes. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #38 (2003) Page 6 Pencils by Roger Robinson, Inks by John Floyd 2003 DC A great mirror to the title page that immediately precedes this page that saw Huntress in the exact same pose clad in the Bronze Age Huntress costume, here we get the reveal that she's actually locked in a padded cell and being monitored by someone with an affinity for blondes. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
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Original Art from Batman Gotham Knights #42 (2003) Page 1 Pencils by David Ross, Inks by John Floyd 2003 DC As the Bat-Family struggles with Alfred's worsening condition, questions arise as to the cause of the illness and how to prevent a mass pandemic. A great title page that contrasts Leslie Thompkins and Bruce wonderfully. Pencil and ink on DC Comics art board. 11 1/4" X 17". |
