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  • Item #64737033
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    Original Art from Django Unchained #3 (2013) Page 7 Inks by John Floyd, Printed Pencils by Denys Cowan
    Published 2013 by DC.

    Original Art from Django Unchained #3 (2013) Page 7 Inks by John Floyd, Printed Pencils by Denys Cowan

    jango's bounty hunter training progresses as he perfects his draw in this extremely cool page! Also included is a partial page with a redraw of the last panel from the full page. This change was likely done at the behest of editorial and was then scanned and placed over the scan of the full page digitally. Ink over printed pencils on comic art board. Full page measures 11" x 17", partial page measures 4 3/4" x 11". NOTE: Portions of the inks on the full page, mainly solid black areas, are also printed in addition to the pencils. All inks on the partial page are hand inked over printed pencils.

    Starts Jul 4
  • Item #63270217
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    Original Art from Doctor Strange #42 (1992) Page 26 Pencils and Inks by Geof Isherwood
    Published 1992 by Marvel.
    $750.00
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    • An Infinity War crossover! Rintrah is unexpectedly left on his own as Clea hops into a portal on an unknown mission while we Doctor Strange has already left with Galactus! Rich, beautiful work by Isherwood here, especially on Clea and Rintrah in the inset first panel! Signed by the artist in lower margin. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4".
    • This is a consignment item. A 3% buyer's premium ($22.50) will be charged at checkout.
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  • Item #64541476
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    Original Art from Doctor Strange #44 (1980) Page 11 Pencils by Gene Colan, Inks by Dan Green
    Published 1980 by Marvel.
    $600.00
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    • As Doctor Strange and his allies prepare for all out war with Shialmar's forces, Wong "spins a tale of betrayal and sacrifice" as he tells the story of Kan, his ancestor and once time lover of Shialmar. Here we see Kan and Shaialmar observing the aftermath of the war they fought against the Wizard Kings- and their betrayal at the hands of Vung and his masters the N'Garai. It's a beautiful page with great scene setting first panel and some of Colan's trademark figurework. Pencil and ink on Marvel Comics art board. 10 1/2" x 15 3/4".
    • This is a consignment item. A 3% buyer's premium ($18.00) will be charged at checkout.
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  • Item #63228130
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    Original Art from Doctor Strange #60 (1983) Page 12 Pencils by Dan Green, Inks by Terry Austin
    Published 1983 by Marvel.
    $1,800.00
    or Best Offer
    • Under the command of Dracula himself, a mob of vampires are assaulting Avengers mansion- and the only one who knows what's going on is the Master of the Mystic Arts himself (with a little assist from Hannibal King)! A great panel page with some great spell-slinging and an absolutely stunning second panel where Green and Austin render Dracula's thralls in heavy, spooky shadow. Signed by Green in lower margin. Pencil and ink on Marvel Comics art board. 11" x 16".
    • This is a consignment item. A 3% buyer's premium ($54.00) will be charged at checkout.
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  • Item #64395647
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    Original Art from Doom Patrol #20 (2011) Page 2 Pencils by Ron Randall, Inks by Art Thibert
    Published 2011 by DC.

    Original Art from Doom Patrol #20 (2011) Page 2 Pencils by Ron Randall, Inks by Art Thibert

    A great shot of Robotman, Mister Negative, and Elasti-Woman looking heroic as ever...even though they've just been deported! Having failed in their job as protectors of Oolong Island, the team arrives in Plinkett, Nevada looking for a fresh start- and a place to crash. Signed by Thibert in lower right. Pencil and ink on DC Comics art board. 11" x 17".

    Starts Jul 4
  • Item #57243374
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    Original Art from Fantastic Four #114 (1971), Page 21 by 'Big' John Buscema with inks by Frank Giacoia
    Published 1971 by Marvel.
    $5,700.00
    • Original Art from Fantastic Four #114 (1971), Page 21 by "Big" John Buscema with inks by Frank Giacoia. The first panel features Mr. Fantastic in a striking pose, looking out from the Baxter building and considering his next move. The rest of page follows the mysterious Over-Mind as he returns to his ship and tames a wild dog with his powers. Nice, tight line work on beautiful Bronze Age art! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.
  • Item #57243682
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    Original Art from Fantastic Four #114 (1971), Page 23 by 'Big' John Buscema with inks by Frank Giacoia
    Published 1971 by Marvel.
    $5,700.00
    • Original Art from Fantastic Four #114 (1971), Page 23 by John Buscema with inks by Frank Giacoia. The Over-Mind, an Eternal known also as Grom, makes his second appearance in comics in this powerful Bronze Age page. Over-Mind is seen here in all his powerful glory tossing aside scrap cars as well as opening his ship with telekinesis. A fantastic showcase for this deadly villain! Pencil and ink on art board. 15 3/4" x 10 3/4", B&W.
  • Item #57244964
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    Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott
    Published 1987 by Marvel.
    $5,000.00
    • Original Art from Fantastic Four #304 (1987), Page 20 by 'Big' John Buscema with inks by 'Joltin' Joe Sinnott. It's a battle for the ages as Quicksilver, mad with jealousy, kidnaps Alicia Masters and attacks the FF! On this very climactic page, Ben sets him up and Johnny knocks him down (with a PLOW!) ending the battle with a single flaming punch! A Bronze Age battle page at its best! Pencil and ink on art board. Signed by Sinnott on the reverse and dated 1/87. 16 1/2" x 10 3/4", B&W. Minor light glue staining.
  • Item #64739205
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    Original Art from Fantastic Four #308 (1987) Page 17 Breakdowns by John Buscema, Finishes by Joe Sinnott
    Published 1987 by Marvel.
    $525.00
    • A fantastic villain origin page from Big John and Joltin' Joe introduces us to Farouk Al-Fasaud, Oil Minister for the fictional Middle Eastern country of Aqiria whose manipulation of global markets (which made him the richest man in the world) was exposed by reporter Gregory Dunabr. In an attempt to get revenge on Dunbar, Farouk attempts to assassinate him with a blade but misses, striking the satellite uplink equipment and...somehow gaining electronic/digital powers. Well, it looks great, especially the horror-inspired second panel, the noirish third, and the action-packed sixth which is filled to the brim with Kirby Krackle! Signed by Sinnott in lower margin. Pencil and ink on Marvel Comics art board. 11" x 16 1/2".
  • Item #60960276
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    Original Art from Fantastic Four #388 (1994) Page 17 Pencils by Paul Ryan, Inks by Danny Bulanadi
    Published 1994 by Marvel.
    $1,612.00
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    • Time travel almost never works out the you want it to, even if you're in the Fantastic Four! After showing up in the Silver Age on the trail of the mysterious Dark Rider, the FF's 90's looks and attitudes find themselves tangling with their past selves- and the Avengers! Bulanadi does a beautiful job inking Ryan here, with a level of detail and texture not apparent in the colored published pages. Signed by Ryan in left margin. Pencil and ink on Marvel Comics art board. 11" x 17". NOTE: One word balloon is missing from the 6th panel ("YOW!").
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  • Item #60961836
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    Original Art from Fantastic Four #388 (1994) Page 29 Pencils by Paul Ryan, Inks by Danny Bulanadi
    Published 1994 by Marvel.
    $1,620.00
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    • A stunner of a first panel opens this tragic page! After the mysterious Dark Raider strikes a decisive blow, killing the Reed and Sue of the Silver Age the villain disappears into the time stream, leaving the Avengers and both groups of FFs to ponder their next move- with the Franklin Richards of the future making plans of his own. Signed by Ryan below third panel. Pencil and ink on Marvel Comics art board. 11" x 17".
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  • Item #64739701
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    Original Art from Fantastic Four #405 (1995) Page 1 Pencils by Paul Ryan, Inks by Dan Bulanadi
    Published 1995 by Marvel.
    $1,500.00
    • What a title page! An ancient temple in Brazil is found to hold a device which can turn people into Things and after defeating a group of mercenaries looking to use it for their own ends, team Fantastic decide to use it on the injured Ben who fought off a group Thing-ified mercs on his own. Will the machine heal Ben? Could it even restore him to his human form? Find out after a page turn, True Believer! Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: One caption box ("Revealed At Last" The Sinister Secret of Boris!") is missing from the page.
  • Item #61093415
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    Original Art from Fathom #5 (2006) Page 19 Pencils by Koi Turnbull, Inks by Jason Gorder
    Published 2006 by Aspen.
    $260.00
    • A long-awaited reunion between father and daughter quickly turns to panic as Aspen's appearance at her adopted father's desert home triggers a trap set by Maylander. Some fantastic sequential work by the artists here as Captain Matthew's expression turns from warmth to terror in an instant. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".
    • This is a consignment item. A 3% buyer's premium ($7.80) will be charged at checkout.
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  • Item #61093399
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    Original Art from Fathom #8 (2006) Page 4 Pencils by Koi Turnbull, Inks by Jonathan Glapion
    Published 2006 by Aspen.
    $260.00
    • A romantic scene on the beach as Aspen and Chance mourn their lack of alone time in a quiet moment before she heads off to the city of Saba. Also included is a copy of the published issue. Pencil and ink on Aspen Comics art board. 11" x 17".
    • This is a consignment item. A 3% buyer's premium ($7.80) will be charged at checkout.
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  • Item #57797645
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    Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey
    Published 1956 by Harvey.
    $725.00
    • Original Art from First Love Illustrated #60 (1956 Harvey), Page 25 'Acceptable Accessories!' Pencils and Inks by Tom Hickey. A check list for the essential accessories- Hats, Gloves, Leather Belts, Jewelry, Purses, and Opera Pumps. All finely illustrated by Tom Hickey. Pencil and ink on art board. 15" x 22", B&W.
  • Item #57793349
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    Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias
    Published 1956 by Harvey.
    $1,750.00
    • Original Art from First Love Illustrated #77 (1956 Harvey) Complete 6-Page Story 'Too Young to Know!', Pencils by Lee Elias. The art for this story, first published in First Romance Magazine #8 (1951), is especially interesting as you can see the many, many edits to it that were made to both art and text in the previously published story due to the recently implemented Comics Code! The final panel of the third page has a paste-in edit that's loose enough to see the original underneath where a kiss on the neck was removed! Pencil, ink, and correction fluid on art board. Pages measure 15" x 20". Note: Several paste-in edits, both art and text, are partially detached due to age.
  • Item #57794084
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    Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited
    Published 1956 by Harvey.
    $950.00
    • Original Art from First Love Illustrated #90 (1956 Harvey) Complete 6-Page Story 'Choose Well, My Heart!', Artist(s) Uncredited. A dramatic tale of a woman forced to choose between her poor but loving boyfriend and a rich guy who hit her with his car. Pencil and ink on art board. Pages measure 14" x 19".
  • Item #64107675
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    Original Art from Flash #107 (1995) Page 1 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1995 by DC.
    $500.00
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    • Underworld Unleashed hits the Scarlet Speedster! The opening page to this event tie-in issue finds the Shadow Thief (Carl Sands) making his deal with Neron for some buffed up powers, namely a new Shadow Suit that allows him to extend his powers past his body to other people and objects. Great layout from Jimenez and beautiful inks from veteran Marzan! Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64107678
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    Original Art from Flash #107 (1995) Page 11 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1995 by DC.
    $300.00
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    • While Flash continues to search for clues as to why Shadow Thief is targeting Solar City, Captain Marvel switches back to Billy Batson so he can focus on his day job as a reporter for WHIZ and do a big bantering with his colleagues- including Linda Park! Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64107676
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    Original Art from Flash #107 (1995) Page 3 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1995 by DC.
    $500.00
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    • WHIZ radio reporter Billy Batson is assigned to cover the opening of Solar City, a solar-powered island resort- and it's a good thing too as he quickly finds that Captain Marvel's presence is also required! With trouble imminent, we get a fantastic page-length vertical panel of Billy calling down the lightning with the magic word SHAZAM. Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64107677
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    Original Art from Flash #107 (1995) Page 8 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1995 by DC.
    $500.00
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    • An unexpected team-up for Wally and Billy as Flash and Captain Marvel find themselves battling a powered-up Shadow Thief on the futuristic island resort of Solar City! Left in the dark as the villain makes his escape, the color-coordinated pair shake off the shadows and get back in the fight giving us the rare site of Flash being left in the dust! Another great feature of this page is present in that last panel- in order to achieve the effect of the speed lines as Captain Marvel zooms away, Marzan inked them fully and then scored the page to break them up! Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64107739
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    Original Art from Flash #110 (1996) Page 9 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $700.00
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    • Anxious to take the fight directly to the mysterious villain Savitar, Flash quickly dispatches wayward speedster and former "Lady Flash" Christina Alexandrova before making a sneaky approach on the Big Bad, though judging by that ominous smile in the last panel this isn't gonna go Wally's way! Signed in top margin (beneath overlay) by Jimenez. Pencil and ink on DC Comics art board with acetate overlay featuring additional inks affixed at the top with tape.
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  • Item #64108054
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    Original Art from Flash #111 (1996) Page 10 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $700.00
    or Best Offer
    • Savitar's coast-to-coast rampage begins to take focus as he leads Wally towards the town of Manchester, Alabama- where Linda Park is! The second panel features a great close shot of the two speedsters as Wally realizes he needs to draw Savitar away, pushing himself to the limit in order to get the villain's attention. Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64108052
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    Original Art from Flash #111 (1996) Page 5 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $700.00
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    • Flash's confrontation with Savitar goes coast to coast! Speeding back and forth across the country trying to mitigate the collateral damage, Flash is barely able to keep up with the villain. As a bonus we get a semi-cameo from the then-dead Green Arrow as Savitar smashes a statue dedicated to the Emerald Archer. with Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64108053
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    Original Art from Flash #111 (1996) Page 6 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $700.00
    or Best Offer
    • A great villain showcase page for Savitar as he uses his mastery of the Speed Force to fling an ocean buoy at Flash and quickly heal the injuries he sustained from the blowback. Signed by Jimenez in top margin. Pencil and ink on DC Comics art board with acetate overlay that includes some additional inks for panel 2. The overlay was at one point attached to the page on the left edge but has become detached. 11 1/2" x 16 1/2".
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  • Item #64108306
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    Original Art from Flash #114 (1996) Page 11 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $500.00
    or Best Offer
    • Pinballing through time, Wally finds himself in the 30th century alongside Barry Allen's future-born twin children Don and Dawn Allen! Unfortunately, the future isn't as advanced as Wally had hoped as the trio stumble into a "rally" against Earth's entry into the United Planets- one that's quickly devolving into a lynching. This is a nice hero moment as Wally finds himself the only one willing to stand up for justice in this time. Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64108307
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    Original Art from Flash #114 (1996) Page 12 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $500.00
    or Best Offer
    • Flung to the 30th century, Wally West quickly finds himself in the middle of a protest against Earth's joining the United Planets- a protest that has quickly devolved into the lynching of a Coluan. Only Wally seems interested in stopping the brutality, but quickly finds himself a victim as well as the angry mob labels him a "Scarlet Rigellian" and begins to attack in this harrowing scene. Signed by Jimenez in lower margin. Pencil and ink on DC Comics art board with acetate overlay featuring additional inks affixed to the top with tape. 11 1/2" x 16 1/2".
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  • Item #64108308
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    Original Art from Flash #114 (1996) Page 13 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $500.00
    or Best Offer
    • Finding himself in the 30th century, Wally West comes upon the lynching of a Coluan and becomes the target of the mob himself! His only hope for escape lies in Don and Dawn Allen, the twin children of Barry who themselves weren't too happy to see the man who knew their father better than they ever could. A dramatic, harrowing page thanks to the perfect mixture of DC lore, real world parallels, and family dynamics! Signed by Jimenez in top margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64108305
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    Original Art from Flash #114 (1996) Page 14 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $700.00
    or Best Offer
    • A bold page that finds Flash and an innocent Coluan apprehended by an anti-alien mob in the 30th century! Though technology as advanced quite a bit, the brutality of man is the same as ever evidenced by the futuristic tools used to 'brand' offworlders with an image of earth. Thankfully it looks like a rescue is at hand in the dynamic last panel! Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #64108309
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    Original Art from Flash #114 (1996) Page 15 Pencils by Oscar Jimenez, Inks by Jose Marzan Jr.
    Published 1996 by DC.
    $500.00
    or Best Offer
    • Just as Flash and the Coluan he was attempting to save from a xenophobic mob in the 30th century were about to be murdered, two mysterious whirlwinds appear to scatter the crowd! Who could be at the center of storm? Don and Dawn Allen, twin children of Barry who, despite their aversion to heroics, step in to save the day. Signed by Jimenez in top margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".
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  • Item #62454529
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    Original Art from Flash #208 (2004) Page 18 Pencils by Howard Porter, Inks by John Livesay
    Published 2004 by DC.
    $250.00
    • In dealing with the emotional fallout of having the Spectre erase the knowledge of his identity from everyone on earth, Wally West is going through a bit of a (lowercase) crisis. After being rescued from a Rogues attack by Jay Garrick and Bart Allen, the trio of speedsters are invited to take a look at the new Flash Museum. Porter and Livesay do some tremendous scene work on this page, with the intricately drawn tile mosaic (donated by Bruce Wayne!) and the display of D-list heroes. Pencil and ink on DC Comics art board. 11 1/2" x 17".
  • Item #62454530
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    Original Art from Flash #208 (2004) Page 19 Pencils by Howard Porter, Inks by John Livesay
    Published 2004 by DC.
    $275.00
    • Much of Geof Johns' DC work revolves around the theme of legacy, and his Flash run is no different. Porter and Livesay do a beautiful job of conveying that in this emotional page that finds Wally West scrambling to make sense of his life in the wake of The Spectre erasing his identity from the minds of everyone on earth- including his friends. Signed by Porter in lower margin. Pencil and ink on DC Comics art board. 11" x 17".
  • Item #63554051
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    Original Art from Flash #247 (2009) Page 12 Pencils by Jim Calafiore, Inks by Drew Geraci
    Published 2009 by DC.
    $600.00
    • A fantastic 3/4 splash from the final issue of Wally's Flash series! With Linda barely clinging to life, Jai and Iris kidnapped, and his powers on the fritz, Wally is gonna need some help. Thankfully he's got some powerful friends as we see Cyborg, Arsenal, Beast Boy (in bear form), and Nightwing bust into Queen Bee's hideout alongside the Scarlet Speedster to rescue the kids. Pencil and ink on DC comics art board. 11 1/2" X 17".
  • Item #64062077
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    Original Art from Flash 80-Page Giant #1 (1998) Page 56 Pencils by Oscar Jimenez, Inks by Eduardo Alpuente
    Published 1998 by DC.
    $700.00
    or Best Offer
    • The time-hopping Flash of the Future John Fox finds himself in a time period where nuclear war is imminent- so imminent that within minutes he finds himself on top of a just-launched warhead on this thrilling page! Signed by Jimenez in top right margin. Pencil and ink on Image Comics art board with vellum overlay for additional effects attached at the top with tape. Board measures 11" x 17", overlay is slightly wider.
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  • Item #64062078
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    Original Art from Flash 80-Page Giant #1 (1998) Page 57 Pencils by Oscar Jimenez, Inks by Eduardo Alpuente
    Published 1998 by DC.
    $500.00
    or Best Offer
    • A nice cliffhanger page as John Fox, the time-hopping Flash of the Future attempts to use his powers to turn a nuclear missile intangible with his speed powers...if he has enough TIME! Signed by Jimenez in top right margin. Pencil and ink on Image Comics art board with vellum overlay for additional effects attached at the top with tape. Board measures 11" x 17", overlay is slightly wider.
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  • Item #64062079
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    Original Art from Flash 80-Page Giant #1 (1998) Page 58 Pencils by Oscar Jimenez, Inks by Eduardo Alpuente
    Published 1998 by DC.
    $700.00
    or Best Offer
    • John Fox, the time-travelling Flash of the Future arrives in the year 2945 and almost immediately finds himself attempting to stop a nuclear war! On this climactic page we see that John was able to dispose of a missile's nuclear warhead, but the missile itself is still barreling towards its target! Signed by Jimenez in top right margin. Pencil and ink on Image Comics art board with vellum overlay for additional effects attached at the top with tape. Board measures 11" x 17", overlay is slightly wider.
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  • Item #64062080
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    Original Art from Flash 80-Page Giant #1 (1998) Page 59 Pencils by Oscar Jimenez, Inks by Eduardo Alpuente
    Published 1998 by DC.
    $300.00
    or Best Offer
    • John Fox, the time-displaced Flash of the Future, has averted nuclear armageddon for the world of 2945 but the war still marches on! As Fox is thrust back into the timestream, the kindly couple who helped him get his bearings prepare to save their daughter in a very familiar way! Signed by Jimenez in top right margin. Pencil, ink, and screentone on Image Comics art board. 11" x 17".
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  • Item #63556792
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    Original Art from Flash 80-Page Giant #2 (1999) Page 24 Pencils by Mike Collins, Inks by Tom Palmer
    Published 1999 by DC.
    $450.00
    • In the "Last Dance" story from this oversized anthology special, we see Wally as he tries to juggle all of his new responsibilities as the Flash with his active night life- by trying to be in three places at once! As Wally rushes from one date to another, he realizes the ladies will have to wait because the Flash is needed! A fantastic, boldly drawn panel of Wally readying his suit caps off this beautiful page. Signed by Mike Collins and Tom Palmer in the lower right margin. Pencil and ink on DC comics art board. 11" X 17".
  • Item #63556544
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    Original Art from Flash Annual #3 (1989) Page 4 Pencils and Inks by Don Simpson
    Published 1989 by DC.
    $300.00
    • From "A Chunk at the JLI!" Chunk and Wally attempt to build the Flash's Matter Transferal Tube but, due to an error while using Bart Sturm's Amplifying helmet, Wally's brain is fried. What follows is a light hearted, slapstick story where our two heroes ruin the day of a certain Green Lantern. Fantastic work on this page the great Simpson who's very much in his element with this story. Also included is Simpson's full-sized prelim for the page. Final page is pencil and ink on DC comics art board and measures 11" X 16 1/4", prelim page pencil and ink on paper and measures 12" x 19". Both pages are signed by Simpson in the lower right. Prelim page is folded.
  • Item #61087505
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    Original Art from GI Combat #202 (1977) Page 49 Pencils and Inks by Romeo Tanghal
    Published 1977 by DC.
    $325.00
    • From the short and nasty story titled "AWOL...Until DOOMSDAY", a great page that sees some nazis get their comeuppance! After massacring a group of Canadian soldiers and dumping their bodies in the river, the nazis decide to go for a swim themselves- not realizing that retribution can happen in an instant as they're grabbed from below. Pencil and ink on comic art board. 10 1/2" x 15 3/4"
    • This is a consignment item. A 3% buyer's premium ($9.75) will be charged at checkout.
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  • Item #61090623
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    Original Art from GI Combat #206 (1978) Page 18 Pencils and Inks by ER Cruz
    Published 1978 by DC.
    $325.00
    • From the OSS story titled "The 2 Faces of the General" a dramatic opening scene of General Eisenhower being assassinated by Axis forces...or was he? The shocking opening is revealed to be staged for the benefit of the real Eisenhower in the beautifully drawn fourth panel, contrasting the action of opening with the shadow world of intelligence operations. Pencil and ink on comic art board. 10 1/2" x 15 1/2".
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  • Item #61093169
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    Original Art from GI Combat #225 (1981) Page 24 Pencils & Inks by ER Cruz
    Published 1981 by DC.
    $325.00
    • A prime example of how suited Cruz's art was to depicting the espionage of World War 2! Under orders from Control, operative Phoenix has snuck himself into Italy to ambush and capture Hitler's head of chemical weapons. Cruz's inking truly shines here, especially in the first panel as the mounted nazis are bathed in machine gun fire. Pencil and ink on comic art board. 10 1/2" x 15 3/4".
    • This is a consignment item. A 3% buyer's premium ($9.75) will be charged at checkout.
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  • Item #63270426
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    Original Art from Girls' Romances #134 (1968) Page 10 Pencils by Jack Sparling
    Published 1968 by DC.
    $325.00
    or Best Offer
    • Paula's romantic misadventures have come to an end in light of refraining from documenting everything about her relationship with Rudy in her diary- a revelation she comes to for herself in the optimistic final panel. Pencil and ink on art board. 10 3/4" x 16".
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  • Item #63270424
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    Original Art from Girls' Romances #134 (1968) Page 5 Pencils by Jack Sparling
    Published 1968 by DC.
    $350.00
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    • Paula's obsession with documenting her romantic adventures in her diary leads her on trip down memory lane as she remembers her past paramours- and what led to their breakups! Pencil and ink on art board. 10 3/4" x 16".
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  • Item #63270425
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    Original Art from Girls' Romances #134 (1968) Page 6 Pencils by Jack Sparling
    Published 1968 by DC.
    $375.00
    or Best Offer
    • Paula's breakup with Stan is depicted here in a beautifully dramatic fashion as she realizes that her obsession with documenting everything in her diary may be what's causing her relationships to fizzle out. A fantastic example of the dramatic framing that makes romance comics a great showcase for visual storytelling. Pencil and ink on art board. 10 3/4" x 16".
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  • Item #63124732
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    Original Art from Graphic Storytelling and Visual Narrative (1996) Page 9 by Will Eisner
    Published 1996
    $2,000.00
    • A true master of sequential art, Will Eisner's instructional/theory works are required reading not only for artists but fans as well. This chapter title page from early in the book features a beautifully drawn single image filled with Eisner's beautiful inks. The central image is pencil and ink on art board which has been pasted into the larger page from the back. Text is a stat, but the graph is hand drawn. 10 1/2" x 14".
  • Item #63124733
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    Original Art from Graphic Storytelling and Visual Narrative (1996) Page by 10 Will Eisner
    Published 1996
    $2,100.00
    • The legendary Will Eisner's mastery of sequential art is illustrated (both figuratively and literally) on this page with a simple but beautiful example of how the medium of comics works. Pencil and ink on art board. 10 1/2" x 14".
  • Item #61076288
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    Original Art from Green Lantern Corps #63 (2011) Page 2 Pencils & Inks by Joe Prado
    Published 2011 by DC.
    $415.00
    • A fantastic showcase for Boodikka, a Lantern from a warrior society (and one time sexual partner of Lobo!) who eventually gave up much of her organic body to become an Alpha Lantern. Here we see her in all three forms- as an Alpha Lantern grappling with her new life, as a warrior on the planet Bellatrix, and as a member of the Green Lantern Corps! Signed by the artist in bottom margin. Pencil and ink on DC COmics art board.
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  • Item #63230066
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    Original Art from Guardians of the Galaxy #5 (2019) Page 18 Pencils and Inks by Geoff Shaw
    Published 2019 by Marvel.
    $375.00
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    • Thanos is dead, long live Thanos! After Gamora assassinated her father to stop him from once again using the Infinity Gems, the galaxy has been in chaos- chaos orchestrated by Hela in order to set the conditions to bring Thanos back. After springing her trap and placing Thanos' consciousness in the body of Eros (Starfox), here we see the pair examining the new body she has constructed for the Mad Titan! Red pencil and ink over printed roughs on art board. 11" x 17".
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  • Item #64257999
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    Original Art from Icon vs. Hardware #2 (2023) Page 12 Printed Pencils by Denys Cowan, Inks by John Floyd
    Published 2023 by DC.
    $213.00
    or Best Offer
    • As Curtis Metcalf (Hardware) deals with the problems that come along with becoming a major defense contractor, Icon continues his mission to stabilize the world- something he finds is more difficult than he'd like! Cowan and Floyd combine powerful figure work and energetic background flourishes here to create an incredible sense of battlefield atmosphere. Ink over printed pencils on comic art board. 11" X 17".
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