Uncanny X-Men (1963 1st Series) UK Edition comic books 1970-1972

UK edition. Identical to US edition, but has 1/- cover price. First appearance of Sunfire. Sal Buscema cover pencils, cover inks by Tom Palmer. The Coming of Sunfire!, script by Roy Thomas, pencils by Don Heck, inks by Tom Palmer; Iceman, Beast, and Angel battle Sunfire, who destroys a monument in New York City; Sunfire, who talks to his uncle about Hiroshima, wants to destroy the Capitol in Washington, DC. The letters page also reveals that acclaimed author Daniel Keyes ("Flowers for Algernon") once did some editorial work for Marvel! 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Marie Severin, inks by Tom Palmer. Before I'd Be Slave..., script by Denny O'Neil, pencils by Neal Adams, inks by Tom Palmer; The X-Men make it back to the mansion after their harrowing battle with Magneto only to be commanded inside by Alex and Lorna; They learn that earth is about to be attacked by the alien Z'Nox but a plan has been made to counter the invasion--a plan formulated by none other than the "dead" Professor X; Xavier returns to his charges and explains that Changeling was masquerading as him when he was killed; The X-Men board the Z'Nox space ship and attack but it is the collective power of happy thoughts funneled through Xavier into his students that ultimately drives the aliens off. Letter from comics professional Doug Moench. 36 pgs. $0.15.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Marie Severin, inks by Sam Grainger. The Mutants and the Monster, script by Roy Thomas, pencils by Sal Buscema, inks by Sam Grainger; With Professor X in a coma after warding off the Z'Nox, the X-Men try to reach him and he mentally tells them one word, "Hulk"; The X-Men track down the jade giant and Jean's mental powers cause him to revert to Bruce Banner; Banner tells them that he has a machine that may save Xavier but Major Talbot shows up and causes him to transform to the Hulk again; The X-Men follow him into the desert and battle him at the site of an old lab where they are able to procure the piece of machinery that brings Professor X out of his coma; "And they fought happily ever after...??" 32 pages, full color.

UK edition. Identical to US edition. 52-page Giant. Cover pencils by Marie Severin, inks by Joe Sinnott. The Origin of Professor X, script by Stan Lee, pencils by Jack Kirby and Alex Toth, inks by Vince Colletta; Cerebro detects a powerful mutant and Xavier fears that he knows who it is; The X-Men prepare the mansion for an all out assault; As the mysterious villain batters his way through the mansion's defenses, Professor X tells his students his origin story and how his step-brother changed from tormenting bully to an unstoppable Juggernaut; reprinted from issue 12. Where Walks the Juggernaut, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Joe Sinnott; reprinted from issue 13. 52 pgs.

UK edition. Identical to US edition. 52-page Giant. Cover pencils by Jack Kirby, inks by Dick Ayers. Among Us Stalk the Sentinels, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Vince Colletta; After their battle with the Juggernaut, Xavier sends the X-Men on vacation; Reading a story in the paper about Dr. Trask and his story on the mutant menace, Professor X calls for a televised debate with the anthropologist; During the broadcast, Trask unveils his Sentinels, robots who were built to capture and nullify mutants, but things quickly get out of hand as the Sentinels proclaim themselves superior to puny humans and prepare to take over; Xavier calls his X-Men to help and they return to battle the Sentinels; When one of their number falls, the giant robots capture Trask and return to their base; The X-Men follow and find a hidden complex complete with devastating weaponry aimed directly at them; reprinted from issue 14. Prisoners of the Mysterious Master Mold, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Dick Ayers; reprinted from issue 15. 52 pgs.

UK edition. Identical to US edition. Cover art by Sal Buscema. The Supreme Sacrifice, script by Stan Lee, pencils by Jack Kirby (layouts) and Werner Roth [as Jay Gavin], inks by Dick Ayers; With the X-Men captured, Xavier heads back to investigate a fallen Sentinel to try and figure out what stopped it; The X-Men escape and battle the Sentinels but it is the timely intervention of Professor X and the self sacrifice of Dr. Trask that stops Master Mold and saves the day; reprinted from issue 15. Lo! Now Shall Appear-- the Mimic, script by Stan Lee, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; reprinted from issue 15. 52 pgs.

UK edition. Identical to US edition. Cover pencils by Jack Kirby, inks by Dick Ayers. And None Shall Survive, script by Stan Lee, pencils by Jack Kirby and Werner Roth, inks by Dick Ayers; n the aftermath of their battle with the Sentinels, Hank, Bobby and Scott are taken to the hospital with injuries; Iceman is delirious in a coma but his companions recover quickly; When Warren's parents call and say they are dropping by for a visit, Angel flies back to the mansion where he is attacked by a mysterious stranger; Xavier and Cyclops, worried with no word from Angel, also return home and are attacked; Beast and Jean are the last to show up and are also taken down; As Warren's parents arrive at the mansion, they are greeted by Magneto; reprinted from issue 17. If Iceman Should Fail, script by Stan Lee, pencils by Werner Roth, inks by Dick Ayers; reprinted from issue 18. 52 pgs.

UK edition. Identical to US edition. Cover pencils by Werner Roth, inks by Dick Ayers. I, Lucifer..., script by Roy Thomas, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; ; story of how Prof. X lost use of legs; reprinted from issue 20. 36 pgs. $0.15.

UK edition. Identical to US edition. Final 52-page giant. Cover pencils by Werner Roth, inks by Dick Ayers. From Whence Comes... Dominus?, script by Roy Thomas, pencils by Werner Roth [as Jay Gavin], inks by Dick Ayers; the X-Men battle Lucifer, The Supreme One; reprinted from issue 20. The Plague of... the Locust!, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; reprinted from issue 24. 52 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by John Romita. Re-Enter: The Mimic, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; Angel rests in the way of getting the wake of getting hit with Cyclops' optic blast; Mimic recovers his powers and memories; the X-Men battle the Puppet Master; Cameos by Spider-Man and the Fantastic Four; ; reprinted from issue 27.. A Marvel Masterwork Pin-Up of Jean Grey, pencils by Jack Kirby, inks by Chic Stone. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane. The Wail of the Banshee, script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers; Banshee is apparently a villain working with Ogre and the Factor Three; Banshee steals imported tobacco and a painting called the Gaelic Landscape; the X-Men test Mimic's powers; reprinted from issue 28.. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by George Tuska, inks by Vince Colletta. When Titans Clash, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; X-Men battle Mimic and the Super Adaptoid, which is an android that copies the Avengers' powers; reprinted from issue 29. Cover reprint, pencils by Werner Roth, inks by John Tartaglione. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by George Tuska. The Menace of Merlin!, script by Roy Thomas, pencils by Jack Sparling, inks by John Tartaglione; the X-Men battle Warlock, who reveals that he used to be Merlin the Magician;Thor cameo; reprinted from issue 30. Cover reprint, pencils by Jack Kirby. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. We Must Destroy the Cobalt Man, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; The X-Men are given a weekend off and head out for some fun; Cyke and Angel visit Jean in college and find her engaged with brothers Ted and Ralph Roberts; Ralph, who used to work for Tony Stark, takes them all to his lab where he puts on his new Cobalt Man suit to impress his brother; Going a little batty, Cobalt Man wrecks the lab and heads out to Stark Industries to confront his old boss; The X-Men assemble to battle him before his suit becomes radioactive and blows up; Iron Man and Juggernaut cameos; reprinted from issue 31. Cover reprint, art by Dan Adkins. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. Beware the Juggernaut, My Son, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; the X-Men attend Iceman's 18th birthday party; Xavier works on Juggernaut, who is unconscious in the basement of the mansion; reprinted from issue 32. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, John Verpoorten, Werner Roth, and John Romita (alterations), inks by Gil Kane, John Verpoorten, and John Romita (alterations). Into the Crimson Cosmos, script by Roy Thomas, pencils by Werner Roth, inks by John Tartaglione; Juggernaut rampages to Factor Three headquarters; Professor X shows Jean a story about the ruby of Crimson Bands; Cameos by Doctor Strange and the Ancient One; reprinted from issue 33. 36 pgs.