Comic Art
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Original Comic Art
- Comic Art: Cover 17 items
- Comic Art: Splash Page 27 items
- Comic Art: Double Page Splash 5 items
- Comic Art: Interior Page 277 items
- Comic Art: Double Page Spread 8 items
- Comic Art: Complete Story 8 items
- Comic Art: Comic Strip 57 items
- Comic Art: Unpublished Page 6 items
- Drawings, Sketches, Paintings, etc.
- Prints and Lithographs
- Production Art
- Animation Art
- Wall Art/Posters
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Original Unused Cover Art for Teenage Mutant Ninja Turtles #14B (2012) by Kevin Eastman from Teenage Mutant Ninja Turtles (2011 IDW) 14B 2012 It doesn't get better than this for TMNT fans! All four Turtles, Master Splinter, April, and Casey Jones all on one page drawn by creator Kevin Eastman! Atmosphere just drips off this page thanks to Eastman's heavy, blocky inks and clever use of ink splatter. Initially drawn as a variant cover, the piece was redrawn for final publication by Eastman to remove April and Casey and add some decoration to the sewer at the request of editorial. Also included is a copy of the published issue signed and remarked by Eastman as well as copy of the Teenage Mutant Ninja Turtles Time Capsule, a packet put together by Eastman that includes a signed photo and letter as well as reproductions of early TMNT art and materials. Includes a certificate sticker on the reverse signed by Eastman. Pencil and ink on comic art board. 11" x 17". |
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Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #4 (Unpublished) by Frank McLaughlin 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #4's Judomaster story sees Judomaster and Tiger wrapping up from last issue's adventure before shifting focus to the next threat- the rise of Swordmaker! Pencil and ink DC Comics art board. 11 1/4" x 16 1/2", B&W. |
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Original Art for a Judomaster Story from Blockbuster/Comics Cavalcade Weekly #5 (Unpublished) by Frank McLaughlin 1980s DC An interesting artifact from DC's acquisition of Charlton, Blockbuster (as it's titled on the page) or Comics Cavalcade Weekly was intended to be an anthology showcase for the Charlton heroes who editorial did not think could support their own books. Further, the series would have also included reprints of the Superman Sunday strips to attract readers. The first issue of the series would have sported a cover by Dave Gibbons, who of course went on to co-create Watchmen which used the Charlton heroes as the basis for its main cast. This page from what was intended to be Blockbuster #5's Judomaster story sees the criminal element that haunts the Geisha Gardens bar realize that maybe they should have joined up with Swordmaster when he asked the first time! Pencil and ink DC Comics art board with vellum overlay for the effects in the second to last panel. 11 1/4" x 16 1/2", B&W. |
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Original Art Unpublished Alpha Flight Story (c. Early 90's) Page 1 Pencils by June Brigman, Inks by Bruce Patterson In auction ending January 14 1990s Marvel A fantastic title page splash for this unpublished inventory story with a great image of Heather Hudson, Vindicator, standing tall as she coordinates rescue efforts in the wake of an avalanche. Brigman and Patterson do a neat trick here, slowly dropping detail from the image as the eye moves further 'back' into it, creating a great sense of focus on our hero. Pencil and ink on Marvel Comics Art board. 11" x 17 1/4". |
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Wolverine/Gambit Tryout Pages by Mike Leonard 2000s This pair of pages from Leonard is a great example of sequential action storytelling in comics with the first page's near splash of Wolverine leaping after a shadowy figure transitioning to the next page's close-in shots of a thrilling sequence of action. Pencil on art board. Both measure 11" x 17" |
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Original Art Unpublished Captain America Story (c. 1970's) Page 13 Pencils and Inks by Jack Abel 1970s An emotional moment from this inventory story finds Cap confronted with his World War 2 past by a man who was unwittingly caught up in an espionage plot and imprisoned for decades because of it. Not only do we get a nice hero shot of Cap in panel two, we get to see Cap's true power as he immediately displays empathy towards the man. Pencil and ink on Marvel Comics art board. 11" x 17". |
