Auctions: comic books in 'Comics Hobby'

New Teen Titans lot of 10

Issues 27N, 29, 30, 31D, 32, 33D, 34, 35, 36N, 37 of New Teen Titans (1980). Most will grade in the VG to FN range.

New Teen Titans lot of 10

Issues 3, 5D, 6, 9N, 10D, 11D, 15, 16D, 17 of New Teen Titans (1980), and issue 1 of New Teen Titans (1980) Annual. Most will grade in the VG to FN range.

New York World's Fair Map (1940 Hagstrom Company, Inc.)

New York World's Fair Map (1940 Hagstrom Company, Inc.). Advance copy for potential advertisers. 16.5" x 11", single sheet, full color. Multiple full length creases with some discoloring to rear.

Nightcrawler Lot of 4

Issues 1N and 2-4 of Nightcrawler (1985 1st Series). Most will grade in the FN to VG range.

Nintendo Power Lot of 10

Issues 40, 43-46, 49, 51, 56B, 57, 58 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD/VG to VG/FN range.

Nintendo Power Lot of 10

Issues 194, 195, 198, 202, 222, 223, 226-229 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD to VG+ range.

Nintendo Power Lot of 10

Issues 184-193 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD to VG/FN range.

Nintendo Power Lot of 10

Issues 174-183 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD+ to VG/FN range.

Nintendo Power Lot of 10

Issues 109, 110, 112, 121-127 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD to VG range.

Nintendo Power Lot of 10

Issues 81, 83, 87, 89, 95-97, 104-106 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD/VG to VG/FN range.

Nintendo Power Lot of 10

Issues 19, 22-25, 27, 29, 30, 35, 37 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the FR/GD to GD/VG range.

Nintendo Power Lot of 10

Issues 19, 21-27, 29, 30 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD+ to VG/FN range.

Nintendo Power Lot of 9

Issues 59-63, 65, 67, 69, 70 of Nintendo Power (1988-2012 Nintendo of America). Most will grade in the GD+ to VG.

Not Brand Echh Lot of 4

Issues 6, 8, 9, 11 of Not Brand Echh (1967). Most will grade in the FN to VF range, with #6 grading at GD-.

Nova Lot of 15

Issues 1-3, 7-17, and 19 of Nova (1976 1st Series). Most will grade in the FN to VG range.

O.M.A.C. #1 (2011) Cover Print by Keith Giffen, Scott Koblish, and Hi-Fi

High quality print on heavy stock. 9" x 12".

Original Art for the Bringing Up Father Comic Strip (4/5/1970) by Frank Fletcher

Pencil and ink on art board which has been affixed to a sheet of heavy board with glue on the reverse. Art measures 22 1/2" x 15", heavy board measures 16 1/2" x 25". NOTE: Heavy board displays some moisture damage on the reverse, which does not appear to have affected the art board that the strip is drawn on.

Original Art from Action Comics #363 (1968) Page 24 Pencils and Inks by Kurt Schaffenberger

The Maid of Might has her hands...full trying to deal with some extraterrestrial brats in this delightful page by the great Kurt Schaffenberger. When buildings and monuments across the world are mysteriously pulled into the sky, Supergirl leaps in to action only to find that the culprits are a couple of extraterrestrial children playing a game of Monopoly on a massive scale. Some beautiful work by Schaffenberger inking himself here, especially in the angry expression of Supergirl in the third panel. Pencil and ink on art board. 10 3/4" x 16 3/4".

Original Art from Alien Encounters #7 (1985) Page 3 Pencils and Inks by Bo Hampton

With a script from Bruce Jones, this grim entry in Eclipse's fantastic sci-fi anthology is an examination of the cycle of endless war that societies become trapped in. Hampton illustrates this beautifully in a packed panel page that sees two human fighters encounter an enemy alien soldier. Fantastic storytelling and emotion conveyed with a high level of craft! Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Alien Encounters #7 (1985) Page 4 Pencils and Inks by Bo Hampton

Beautiful work from Hampton on this page from a story about the cycle of endless war as two human fighters encounter an alien soldier in a fog-filled battlefield. A great display of Hampton's storytelling skills here in this packed page as the two humans skirt the lines of the Geneva Conventions. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Amazing Spider-Man Family #7 (2009) Page 20 Pencils by Val Semeiks, Inks by Mike Getty

With May's marriage to Jonah Jameson approaching, she invites Pete over and recounts the story of how she met and fell in love with Ben in this touching issue. With the night drawing to a close, Pete heads out and thinks on what he's just learned realizing that May, Ben, Richard, and Mary all had secrets that they kept. Also included is a copy of the published issue. Signed by Semeiks in lower Margin. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 15 Pencils by Karl Moline, Inks by Jim Fern

Having achieved empathy and understand thanks to a spell from Nico, the Runaways and the Avengers Academy make up after fighting one and a half super-powered battles over the Runaways' vagabond lifestyle in the wake of the Superhuman Registration Act. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 20 Pencils by Karl Moline, Inks by Jim Fern

A sweet final page highlighting the relationship between Hank Pym and Tigra that has a...complicated history thanks to the Skrulls! Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Arena #13 (2013) Page 5 Pencils by Karl Moline, Inks by Mark Pennington

It's taken 13 issues, but someone has caught on to Arcade's abduction of several young heroes to compete in a battle to the death- The Runaways! Specifically, Molly Hayes who seems to be the only one who can see through Arcade's tricks and absolutely insists on investigating. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Batman #572 (1999) Page 1 Pencils by Damion Scott, Inks by John Floyd

Renee Montoya and her brother are being kept prisoner in this No Mans Land story. The cell, with its flowery bed spread and stuffed animals, shows an attempt to give her confinement a more homily feel- does her captor...care for her? Printed stat on DC comics art board. 11 1/4" x 17". NOTE: The art on this page is ENTIRELY made up of a printed stat with the exception of the top inch around the framing copy. It is likely a final proof that required more editing at the last second.

Original Art from Batman Grendel II #1 (1996) Page 7 by Matt Wagner

One of the best visual storytellers in comics, Matt Wagner turns in a beautiful page for the inciting event for his creation's second crossover with the Dark Knight! The Gotham City Museum is hosting an exhibit dedicated to the many villains who have plagued the city over the decades and the centerpiece is the skull of Hunter Rose, the original Grendel. With mobs of protestors gathered outside, Commissioner Gordon and the GCPD are out to keep the peace- though they might need some assistance if say, an enhanced assassin from the future chooses this moment and place to travel back in time! Signed by the artist in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Batgirl #1 (1997) Page 29 Pencils by Matt Haley, Inks by Karl Kesel

Coinciding with Batgirl's big screen debut in Batman & Robin, this one shot took place early in Barbara's career and told the story of her first encounter with the Joker- which has gone horrifyingly awry. After accidentally killing a thug attempting to take a family hostage and being knocked out by the Joker, Batgirl attempts to lead the only other survivor of the attack to safety. Signed by Kesel in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Detective Comics #417 (1971) Page 30 Pencils and Inks by Don Heck

A beautifully drawn page that also happens to be a crucial moment in Bat-lore from the great Don Heck! After Batgirl aids an overwhelmed Commissioner Gordon in taking down a group of cop-killing radicals (who were themselves being set up by the mob!), all that's left is for the two definitely-not-related crimefighters to head home. Heck's inking is outstanding here, especially in the close shot of Gordon's face in the the third panel. The most notable thing about this page however is that it reveals that Gordon, through some deductive reasoning worthy of the Dark Knight, has known for a while now that his daughter is Batgirl. Pencil and ink on art board. 10 1/2" x 16".

Original Art from Detective Comics #559 (1985) Page 17 Pencils by Gene Colan, Inks by Bob Smith

A nice panel page from a solid issue that finds the Dark Knight and the Emerald Archer at philosophical odds while trying to take down a corrupt chemical manufacturer! Some great panels on this page, especially the third featuring Canary in her new costume. Signed by Colan in lower margin. Pencil and ink on comic art board. 10 3/4" x 16 1/4".

Original Art from Dreadstar #51 (1990) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Eric Vincent

A nice sci-fi page with great creature design for this story set in the aftermath of a war (that Dreadstar and his crew helped win) that may not be as over as everyone seems to think! Signed by Wojtkiewicz in lower margin. Pencil and ink on First Comics art board.

Original Art from Elven #2 (1995) Page 15 Pencils by Aaron Lopresti, Inks by Hilary Barta

A great fight page punctuated with some of offbeat post-modernism that made the Malibu universe stand out! Elven, a heroine with great power and a mysterious connection to Prime, takes on a mysterious beast in her therapist's office as a news crew (called by the therapist) arrives to get the story. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Elven #2 (1995) Page 23 Pencils by Aaron Lopresti, Inks by Hilary Barta

Elven finds that her help isn't always appreciated after she nearly disembowels a man who drunk and annoying his girlfriend, flying off into the night and contemplating her mysterious origins. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Fantastic Four #275 (1985) Page 6 Pencils by John Byrne, Inks by Al Gordon

A...fantastic page from this solo Shulkie story from John Byrne who would go on to redefine the character in her own series just a few years later! After a sleazy paparazzo snaps some pictures of a topless She-Hulk on the roof of the Baxter Building, a chase ensues in the skies over New York, which Byrne and Gordon depict beautifully with some outstanding panels- especially the second and fourth! Pencil and ink on Marvel Comics art board. 10 3/4" x 16". NOTE: The image of the Chrysler building in the first panel is a pasted in stat.

Original Art from Flash #104 (1995) Page 11 Pencils by Roger Robinson, Inks by Jasen Rodriguez

As exciting as Flash's speedy exploits are, the drama in Wally and Linda's relationship could be just as thrilling as evidenced by this great 'drama' page that finds the pair talking things out after it's revealed that the story Linda was investigating (and the imminent monster attack) involved an ex-husband that she never told Wally about. Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Flash #104 (1995) Page 2 Pencils by Roger Robinson, Inks by Jasen Rodriguez

An exciting and beautifully drawn page that finds Wally and Linda in a tight spot as Linda's reporting (and Wally's chasing after her) has led them both into a mysterious underground temple filled with Werewolf-like monsters who are somehow fast enough to challenge the Flash. Dynamic figure work and appropriately moody inking make this page a real eye-catcher! Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Freex #5 (1993) Page 21 Pencils by Ben Herrera, Inks by Larry Welch

The teenage science experiments known as the Freex are about to make a quick getaway after narrowly fending off the Master of The Hunt and his dog-men in this tense page that's capped off with a beautifully drawn final panel as they realize their enemy isn't completely dead! Signed by Herrera in lower margin. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2".

Original Art from Green Arrow #101 (1995) Page 12 Pencils by Rodolfo Damaggio, Inks by Robert Campanella

"He's the greatest guy and the biggest jerk I've ever known", a line from Black Canary that perfectly sums up her relationship with the recently deceased Oliver Queen as she receives the news of his death from Connor Hawke- along with the surprise that Connor is Ollie's son. It's a downbeat, heavy moment but this was the 90's and so it's punctuated with some beautifully drawn, sharply inked cheesecake! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17"

Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio

A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 2 Pencils by Rodolofo Damaggio

A dramatic page, and a pivotal moment for the Arrow clan as Ollie shares his feelings about Connor hiding the fact that he's his illegitimate son from him in this issue appropriately titled "Father's Day". Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 24 Pencils by Rodolofo Damaggio

Don't call him Speedy! Things did not go...well when Ollie found out that Connor Hawke was actually his son and backup was needed. Why just grab one gun when you can bring the entire Arsenal? A great last-page splash with a downright iconic image of the former sidekick in his full tactical regalia! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Hawkman #23 (1995) Page 11 Pencils by Steve Lieber, Inks by Curt Shoultz

It's an intergalactic rescue mission as Hawkman and other Justice Leaguers assault the Tormock homeworld to save Guy Gardner! This beautifully inked page sees Hawkman, Wonder Woman, and Probert (a mercenary who managed to snag some Green Lantern powers!) commandeering a Tormock ship. Signed by Lieber in last panel. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Hybrid Bastards! #3 (2007) Page 13 by Kate Glasheen

The trial of the century takes off with Cotton getting the upper hand on Zeus and his lawyer, Athena, thanks to the help of some last minute surprise witnesses. This is the beginning of the end for this "alleged" mobster when his own wife, Hera, and second cousin, Hypnos, start to sing about all of the king of the gods not so virtuous deeds. Watercolor and ink on heavy stock. 11" X 14".

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Original Art from Jaguar #5 (1991) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Jose Marzan Jr.

With narration from the new Jaguar, Maria De Guzman, about the purpose of Universities we get a classic sci-fi trope and a great opening page as we witness an ambitious experiment going awry! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Ken Branch

Tensions are high in the League as they rocket towards an alien army bent on invading earth, thanks in no small part to Blue Devil's flippant attitude towards the danger they face. A great character moment on this page as Devil gets some advice from the League's former "jerk", Guy Gardner. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 14 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks

While the majority of the League is in space trying to stop an invasion of Earth, Metamorpho and Crimson Fox are on a much more personal mission- tracking down the assassin who killed the previous Crimson Fox. Some great shots of both heroes here showing off the excellent character designs. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 15 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks

A great chaotic action page as the League's ship is attacked sending the heroes scrambling to control the situation. Nice images of just about every hero involved thanks to the packed and detailed panels. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #103 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

After a particularly difficult experience fending off an alien invasion, Fire and Icemaiden's relationship can be described as tense at best. Here we see Fire grappling with some past abandonment trauma- though Icemaiden aims to prove she won't leave her teammate. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 10 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

A break from the superheroic mayhem of the rest of the issue for a look at the simmering political thriller that will soon be a problem for the League! Here we see the results of The Arcana's schemes as a senatorial hopeful's car is blown up and Leonidas gets the "good" news. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 5 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

After the shocking last page stinger of the last issue that saw the team discover Obsidan stabbing himself repeatedly (to no effect) in a suicide attempt, the League is taking their teammate to get some help- but what help can a therapist be to someone who can only see the darkness? Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board with vellum overlay with a stat for the background of panel 3. Additionally, the same artwork on the stat is on a sheet of acetate affixed to the page with tape. 11 1/2" x 16 1/2".

Original Art from Justice League America #106 (1995) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

Nuklon's attempt to help his buddy Obsidian's mental state continues to go...not great in this page that's clearly (if also a bit clumsily) telegraphing the eventual revelation that Obsidian is gay. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".