Comic books in 'Created outside the U.S.'

Issue 12. June 1999. German Edition. 6.5" x 10.25". 24 pages. Color. NOTE: All text in German.

Canadian Edition. Cover is identical to the USA Edition. Clearly identified in the indicia and has Canadian interior and back cover ads. Cover art by Maurice Whitman. Invasion? story, art by John Belcastro. The Sandhogs of Mars story, art by Maurice Whitman. The Changelings starring Space Rangers, inks by Bernard Sachs. Silence From Planetoid X, art by Bill Discount. Hijack On Alpha-7 story, pencils by Bill Benulis, inks by Jack Abel. 36 pgs. $0.10. Cover price $0.10.

Circa 1950. Cover from Planet Comics #61 (July 1949). Interior reprints select stories from random issues of this time period. The Lost World (George Evans), Star Pirate (Len Dodson), Mysta of the Moon (Ross Gallun), and Life on Other Worlds. 7.25 x 10.75, b&w interior, 28 pages.

Circa 1950. Cover from Planet Comics #59 (March 1949). Interior reprints select stories from random issues of this time period. The Lost World (George Evans), Star Pirate (Len Dodson), Mysta of the Moon (Ross Gallun), and Life on Other Worlds. 7.25 x 10.75, b&w interior, 28 pages.

Circa 1950. Cover from Planet Comics #63 (Winter 1949). Interior reprints select stories from random issues of this time period. The Lost World (George Evans), Star Pirate (Len Dodson), and Mysta of the Moon (Ross Gallun). 7.25 x 10.5, b&w interior, 28 pages.

British Edition. Not dated, circa 1950. Cover by Allen Anderson. Stories by Ray Bradbury, Keith Bennett, Edwin L. Graber, and Erik Fennel. Trimmed pulp, 6 3/4-in. x 9 3/4-in., 64 pages, black and white (text with illustrations).

British Edition. Not dated, circa 1951. Cover by Allen Anderson. Stories by Ray Bradbury, Alfred Coppel, Clyde Beck, Emmett McDowell, Margaret St. Clair, Alfred E. Maxwell, and Roger Dee. Trimmed pulp, 6 3/4-in. x 9 3/4-in., 64 pages, black and white (text with illustrations).

British Edition. Not dated, circa 1951. Cover by ??. Stories by Ray Bradbury, Alfred Coppel, Poul Anderson, and Margaret St. Clair. Trimmed pulp, 6 3/4-in. x 9 3/4-in., 66 pages, black and white (text with illustrations).

British Edition. Not dated, circa 1954. Cover by Kelly Freas. "The Golden Apples of the Sun" by Ray Bradbury, plus stories by Stanley Mullen, Fox B. Holden, and Theo L. Thomas. Trimmed pulp, 6 3/4-in. x 9 3/4-in., 66 pages, black and white (text with illustrations).

British Edition. Not dated, circa 1954. Cover by Kelly Freas. "A Sound of Thunder" by Ray Bradbury, plus stories by Charles A. Stearns, Fox B. Holden, and Jan Smith. Trimmed pulp, 6 3/4-in. x 9 3/4-in., 66 pages, black and white (text with illustrations).

Children's annual for Christmas 1910. Text stories with titles like "The Story of My Life" by a Polar Bear, "The Topsy Turvy Schoolroom," "Dame Owl's Singing Class," "Santa Claus and the Fairies" and dozens more. Illustrated by Mabel Lucie Attwell, Louis Wain and many other talented artists in tinted black and white, spot color and full color. Hardcover with laminated boards, no dust jacket. 7 1/2-in. x 9 12-in., 208 pages.

Children's annual for Christmas 1914. Cover by S.B. Pearse. Text stories with titles like "Reggie and Dolly Off For the Holidays," "The Dolls' Wedding," "Lost on Christmas Eve," "The Crystal Mountain" and dozens more. Illustrated by Louis Wain, Hilda Cowham and many other talented artists in tinted black and white, spot color and full color. Hardcover with laminated boards, no dust jacket. 7 1/2-in. x 9 12-in., 208 pages.

Children's annual for Christmas 1922. Text stories with titles like "The Story of My Life" by a Polar Bear, "The Topsy Turvy Schoolroom," "Dame Owl's Singing Class," "Santa Claus and the Fairies" and dozens more. Illustrated by W. Heath Robinson, Hilda Cowhan, A.E. Jackson and many other talented artists in tinted black and white, spot color and full color. Hardcover with laminated boards, no dust jacket. 7 1/2-in. x 9 12-in., 208 pages.

Issue 1. December 31, 1954. Spanish language reprint from Mexico of material from Northwest Mounties (1948). Matt Baker cover. 7.25" x 10". 32 pages. Color. NOTE: All text in Spanish.

UK Edition. Reprints King Features Popeye newspaper comics strips. "Popeye and the Sea Witch". 6 3/4" X 9 1/2". 28 pages. B&W.

New Zealand series. Reprints single page Popeye comic strips. Horizontal format, B&W.

Marvel UK

Marvel UK

Popeye and Swee'pea (Popeye y Cocoliso) is a Spanish language comic book collecting syndicated Popeye comic strips, with some Dagwood & Blondie mixed in. The strips are written and drawn by Harold Knerr, Chic Young, C.D. Russell, Bill Zaboly & Tom Sims. Not numbered - copyright 1947, circa 1948. 7 1/2-in. x 9 1/4., 36 pages, monotone blue/three-color.

Popeye & Los Dos Pillueolos.

Popeye & Rosario.

Australian comic series reprinting stories from Doll Man Quarterly. The Doll Man in "Death!" and "Stunt Man!". Both stories reprinted from Doll Man Quarterly #18. 7 1/2-in. x 10 3/4-in., 36 pages, black and white.

Published in Mexico. Weekly Spanish language horror comic with recurring main character Doctor Ursula Tamayo who is drawn into the terrifying world of demonic possessions. Art by Rafael Gallur. 4 1/2-in. x 7 1/4-in., 36 pages, black and white (sepia).

Published in Mexico. Weekly Spanish language horror comic with recurring main character Doctor Ursula Tamayo who is drawn into the terrifying world of demonic possessions. Art by Rafael Gallur. 4 1/2-in. x 7 1/4-in., 36 pages, black and white (sepia).

Published in Mexico. Weekly Spanish language horror comic with recurring main character Doctor Ursula Tamayo who is drawn into the terrifying world of demonic possessions. Art by Rafael Gallur. 4 1/2-in. x 7 1/4-in., 36 pages, black and white (sepia).

Published in Mexico. Weekly Spanish language horror comic with recurring main character Doctor Ursula Tamayo who is drawn into the terrifying world of demonic possessions. Art by Rafael Gallur. 4 1/2-in. x 7 1/4-in., 36 pages, black and white (sepia).

Collects Power Man and Iron Fist (1972 Hero for Hire) #79-80. Story by Mary Jo Duffy. Art by Kerry Gammill, and Ricardo Villamonte. First when a pack of robots go berserk, it's up to the Heroes for Hire to stop them before someone gets hurt. Then, Montenegro is back and he's taken a young girl hostage. Now, it's up to Power Man and Iron Fist stop this elusive foe. But that is easier said than done. 8" x 10 3/4", 42 pgs, full color. NOTE: All Text is in Spanish.

Add to cart Very Good $4.00

Add to cart Very Good $4.00

Reprint. Volume 537 of the "New" 2024 Edition of Amar Chitra Katha. Reprints material from the title Amar Chitra Katha (Indian 1967 India Book House). Prahlad: A Tale of Devotion from the Bhagawat Purana - Prahlad drove his monstrous father to a murderous rage. He insisted on praising Lord Vishnu who was considered a sworn enemy by his father Hiranyakashipu. When he tried to punish his disobedient son, Hiranyakashipu's potent poisons turned to nectar while his lethal weapons fell harmlessly away. In this tale of bloodthirsty revenge, Prahlad's only defense is his devotion which dramatically puts an end to all evil. 7-in. x 9 1/2-in., 32 pages, full color. Cover price $10.00.

Japanese Doujinshi/Fan Art Book. Cover and Art by Misoni. Fan Art Book featuring characters from the "Uma Mususme Pretty Derby" franchise. Japanese Language.

Australian Reprint. Cover by Jack Kirby and Joe Simon. Reprints stories from various issues of Prize Comics Western (1948-1956 Prize). "The Wagons Roll Westward" Story by Irv Weinstein, Art by George Gregg. "The Lazo Kid - Wild Hogs on the Border" Art by John Severin. 7 1/4" X 10 1/4", 28 pages, B&W.

Japanese Doujinshi/ Art Book. Art by Matsuzaki Miyuki (mmiuki). B&W. 16 pages. Japanese Language.

Add to cart FN+ 6.5 $13.00

Add to cart Fine $12.00

Reprints Cover and material from Horror Monsters (1961-1964 Charlton) #5. Charltons contribution to the monster craze of the 1950s and 60s. Issue #5 from 1962 features a truly grotesque cover and is edited by Ed Konick, bringing you all the fiendish features including Poes Tales of Terror – a monstrous trilogy starring those masters of the macabre, Price, Lorre and Rathbone. Will The Real Frankie Please Stand Up which Frankenstein monster is the real one? And Burn Witch Burn the most terrifying experience of your life! Plus the fantastic featurettes with the Pin-Up parade. Ghouls and Gags, Monster Mail and Frankenstein Forever. 7 1/2" X 10 1/4". 72 pages. B&W.

Add to cart Poor $6.00 View scans Spine split 90%. No Back Cover.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.

Punch is a British magazine of humor and satire that ran from 1841-1992, is renowned internationally for its wit and irreverence and introduced the term ' Cartoon '. 36 pages, B&W.