Auctions: comic books 1924 or later

Original Art from Lady Death The Wild Hunt #3 (Unpublished) Page 12 Pencils by Jim Cheung, Inks by Mark Pennington

A moody, gorgeously inked page that finds Lady Death in mystical chains as a fight between her captors ensues. Pencil and ink on Crossgen Comic art board. 11" x 17".

Original Art from Loners #1 (2007) Page 13 Pencils & Inks by Karl Moline

An interesting series penned by the future EiC of Marvel Comics CB Cebulski, Loners followed a support group made up of former heroes trying to put their powers behind them. Here we catch up with Mattie Franklin (Spider Woman) and Chris Powell (Darkhawk) outside of the meeting where Mattie reveals to Chris that she's NOT trying to give up the hero game and in fact needs his help to take down an MGH operation! Signed by Moline in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Marc Spector: Moon Knight #52 (1993) Page 20 Pencils by James Fry, Inks by Chris Ivy

Marc Spector is finally getting his life back together and after handling deferred business at Spectorcorp, it's time for Moon Knight to hit the streets on patrol! On this frenetic and beautifully drawn action page, Moon Knight takes on two strange villains- Cubist and Glaze who were doing...something in Central Park. Fry and Ivy make a dynamite team here delivering some memorable panels, notably the second in which the entombed civilian has a very EC horror-esque face and in the following third panel with a great top-down shot of Moon Knight blastin' away! Signed by Fry in lower margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/4".

Original Art from New Avengers #47 (2009) Page 23 Pencils by Billy Tan, Inks by Matt Banning

Much of Brian Michael Bendis' revolutionary run on Avengers centered around Luke Cage, an 'everyman' type of hero in comparison to many of the other heroes who quickly became the heart of the team and the fan favorite. Here, Tan and Banning perfectly capture the shock and heightened emotion that readers would feel along with Luke when learning that his newborn daughter had been kidnapped by Skrull posing as Jarvis during Secret Invasion. It's framed wonderfully with massive devastation visible in the background that still doesn't seem to compare to the pain on Luke's face, powerfully depicted through Banning's heavy inks. Pencil and ink on Marvel Comics art board. 11" x 17 1/2".

Original Art from Notti & Nyce Halloween Special 2019 Page 15 Pencils and Inks by Ron Williams

It was all a dream! For the last several pages, Nastee has been fighting off a horde of zombie trick or treaters before being overrun! Here we see her woken up by Notti and Nyce returning from their night out. Pencil and ink on art board. 11" x 17". NOTE: The reverse features pencil art for a Justice League project by Williams, possibly a tryout page.

Original Art from Notti & Nyce Halloween Special 2019 Page 3 Pencils and Inks by Ron Williams

Though Notti and Nyce are ready to hit the town for some trick or treating on Halloween, Nastee is feeling a bit tired- much to Notti's displeasure! their Pencil and ink on art board. 11" x 17".

Original Art from Notti & Nyce Halloween Special 2019 Page 5 Pencils and Inks by Ron Williams

It's Halloween and with Notti & Nyce out on the town, Nastee is hoping for a quiet night at home before being interrupted by trick or treaters. They're probably just normal kids though. Surely. Pencil and ink on art board. 11" x 17".

Original Art from Notti and Nyce Unidentified Issue (2020) Page 1 by Ron Williams

A fantastic action splash of Nastee, in full superspy gear, running from a hail of bullets being fired at her from behind! Signed by the artist and top margin. Pencil and ink on art board. 11" x 17".

Original Art from Notti and Nyce Unidentified Issue (2020) Page 14 by Ron Williams

A great action page that sees Nastee confronted by Notti, who is actually aiming for the goon standing behind Nastee. Fantastic inking on the headshot in the final panel from Williams! Signed by the artist and top margin. Pencil and ink on art board. 11" x 17".

Original Art from Papa Midnite #4 (2005) Page 17 Pencils by Tony Akins, Inks by Dan Green

A grim, brutal scene from colonial New York as the consequences of Papa Midnite's schemes hits home. With (supposed) aid from the trickster god Anansi, Papa Midnite has incited a slave rebellion- one intentionally meant to fail in order to strengthen the power of white Englishmen as Midnite's immortality comes from a curse that remains in place as long as white men rule the new world. With the colonial powers on the warpath, an innocent slave is caught in the streets and beaten as Fortune, one of them men aiding Midnite, begins to rethink his allegiances. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Peter Parker Spider-Man #44 (2002) Page 3 Pencils by Humberto Ramos, Inks by Wayne Faucher

A powerful splash from this intense issue that sees the return of the Green Goblin to Pete's life! In the midst of a torrential storm, Pete is troubled by a recurring nightmare and where else does one plagued by nightmares go than to their mother (figure)! A great example of Ramos' ability to create powerful and energetic figures, even in a 'civilian' scene! Signed by the artists in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: Title logo, credits, and indicia stats are reproductions.

Original Art from Peter Parker: Spider-Man #27 (2001) Page 14 Pencils by Mark Buckingham, Inks by Dan Green

Chaos in NYC! Electricity floods the streets as just about everything that needs power malfunctions on this scene-setting page. We also get some neat looking panels of the "pixilated disturbances" that reveal that Mendel Stromm aka The Robot Master may be behind these attacks! Signed by the artists on the reverse. Pencil and ink with printed stats on Marvel Comics art board. 11 1/4" x 17 1/4". NOTE: Page displays heavy staining on the reverse, small portions of which are visible on the front.

Original Art from Phantom Stranger #42 (2009) Page 2 Printed Pencils by Ardian Syaf, Inks by Vicente Cifuentes

From the Darkness of the Blackest Night emerges the Phantom Stranger! During DC's dead-raising event, many of DC's deceased (or, like the Stranger, otherwise occupied) heroes returned to their series with legacy-numbered one-shots to join the fight. This is a perfect first page for a Phantom Stranger story with a slow, dramatic zoom out from pitch black to the iconic visage of the Stranger, still partially in shadow. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Ravagers #11 (2013) Page 8 Printed Pencils by Diogenes Neves, Inks by Vicente Cifuentes

The teen team on the run won't be running for much longer! A phenomenal, full length image of Deathstroke emerging from a cloud of smoke is the gorgeous centerpiece to this great page as the Ravagers (plus Rose and Warblade) are confronted by DC's deadliest assassin. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Ravagers #12 (2013) Page 5 Printed Pencils by Diogenes Neves, Inks by Vicente Cifuentes

A big, brutal fight page as Beast Boy takes on Deathstroke! The Ravagers have their backs against the wall in this issue but they're not going down without a fight. Beautiful inks from Cifuentes here, perfectly capturing the textural contrast between BB's furry form and Deathstroke's high tech armor. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Secret Six #30 (2011) Page 1 Pencils and Inks by Jim Calafiore

A stealth Injustice crossover opens this issue with a gorgeous half-splash of Superman and Green Lantern duking it out! It's not the "actual" Injustice universe however, it's literally a video game being played by Eric Fine, a failson who's about to find out that he's the heir to a villainous legacy. Signed by the artist in lower right. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Silver Surfer: Loftier Than Mortals #2 (1999) Page 9 Pencils by Sal Velluto, Inks by Steve Geiger

DOOM! A great page from this miniseries that 'remixed' the classic FF storyline where Doom stole the Power Cosmic from Silver Surfer. Here we see the souped up Doom confronting the FF in their hometown of New York. Having already dispatched the Human Torch, Doom faces the The Thing and simply...snaps his arm off. It's a simple scene which in many ways enhances the horror of what Doom does. Velluto and Geiger are a great team, filling the page with a liveliness and sense of motion. Signed by Velluto in lower right. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Spider-Man: Black Suit & Blood #2 (2024) Page 9 Pencils by Marcelo Ferreira

A fantastic peek into Spidey's past from this anthology series taht revisits the black suit era as an aggro Spidey notices a familiar face at the Parker home- Flash Thompson! Ferreira's tight, detailed pencils shine on this page that sees Spidey giving in to his suits worst urges. Blue line and standard pencil on Marvel Comics art board. 11" x 17".

Original Art from Superboy #7 (1990) Page 6 Pencils by Jim Mooney, Inks by Ty Templeton

It's science fair day at Shuster University and Superboy is the judge! The boy of steel's eye is caught by a flashy hologram project, disappointing one young hopeful seen in the last panel. Sure hope this oversight doesn't cause her to go off the deep end and use her advanced supersonics for evil! Signed by Templeton in gutter between 4th and 7th panels. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Teen Titans Annual #2 (2013) Page 23 Printed Pencils by Barry Kitson, Inks by Dan Green

Robin, Wonder Girl, and Superboy have found themselves thrust into a dark future! As they slowly learn what's become of their lives, Superboy comes to face to face with his future- as a genocidal madman! A great space battle page as the two boys Super duke it out in the stars before present-day Superboy sends his future self careening back to down to Earth! Ink over printed pencils on DC Comics art board. 11" x 17".

Original Art from The Spectre #20 (2002) Page 8 Pencils by Norm Breyfogle, Inks by Dennis Janke

A fantastic page from this issue of the series that focuses on a man named Tom Carol who has a pretty perfect life- well, a seemingly perfect life. Despite his success and happiness, Tom knows that something is amiss as his memories themselves push back against his self-examination, depicted beautifully here by Breyfogle and Janke. Signed by Breyfogle in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from The Terrifics #26 (2020) Page 13 Printed Pencils by Sergio Davila, Inks by Vicente Cifuentes

Someone (or something) has derailed Terrifitech's new mass transit system in Gateway City and the Terrifics are on the trail! Some well-framed panels of the team rushing into action give way to a great half-splash team shot of Mr. Terrific, Metamorpho, Plastic Man, and Phantom Girl as they finally set eyes on the villain behind this plot (spoiler: it's Staggotron!) Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from The Terrifics #26 (2020) Page 3 Printed Pencils by Sergio Davila, Inks by Vicente Cifuentes

A brand new day for Gateway City as Terrifitech and Stagg Industries present their Rapid Transit Holo-Pod System! A great title splash featuring the entire fan-favorite Terrifics team alongside Simon and Sapphire Stagg as well as Staggotron! For all the pomp and circumstance of this unveiling, the highlight here might just be the adorably grumpy face on Metamorpho. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Uncanny X-Men #19 (2017) Page 1 Pencils by Edgar Salazar

Beautiful, tight, detailed pencils from Edgar Salazar make this Psylocke spotlight page shine as the mutant ninja silently stalks the hallways of a massive base in the Savage Land looking for her prey- Magneto! Pencil on Marvel Comics art board. 11" x 17".

Original Art from Wonder Woman #755 (2020) Page 9 Printed Pencils by Jesus Merino, Inks by Vicente Cifuentes

Hard to ask for a better Donna Troy page than this! Boldly illustrated and beautifully laid-out, this dramatic standoff page perfectly captures this moment as Donna realizes the time for talking is over and readies herself for battle. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Wonder Woman #77 (2019) Page 14 Printed Pencils by Jesus Merino, Inks by Vicente Cifuentes

In the wake of Aphrodite's shocking death at the hands of Cheetah, Steve Trevor consoles her offspring Atlantiades (god of unions, androgyny, lust, and desire) with a mortal delicacy- a hot cup of coffee. Ink over printed pencils on art board. 11 3/4" x 16 1/2".

Original Art from Wonder Woman Agent of Peace #8 (2020) Page 15 Pencils by Paul Pelletier

A great page featuring Wonder Woman and one of her most prominent rogues, Cheetah! Exploring a cave on the trail of smugglers, Diana encounters Cheetah who seeks to steal power from an ancient god who it seems is much more powerful than she expected. Energetic, lively, and bold pencils from vet Pelletier and the centerpiece image of Wonder Woman singlehandedly stopping a cave-in is fantastic. Signed by the artist in lower left. Blue line and standard pencil on DC Comics art board. 11" x 17".

Original Art from World War Hulk #1 (2007) Pages 27-28 Pencils by John Romita Jr., Inks by Klaus Janson

An Incredible double page spread from two masters of comic art signals the official start of World War Hulk! After quickly dispatching Black Bolt on the moon and sending a message to earth demanding the presence of the Illuminati who shot him into space, it's time smash! Iron Man, clad in his Hulkbuster armor, and the Hulk collide in midair, sending shockwaves through New York City as some of the world's most powerful heroes cower in fear. The art is absolutely stunning in its original form, especially the care and detail put into the shockwaves in the central image. Pencil and ink on two sheets of Marvel Comics art board affixed to each other on the reverse with masking tape. 22" x 17 1/4".

Original Art from X-Men #174 (2005) Page 13 Pencils by Salvador Larroca

The Trial of Mystique! All of the X-Men are assembled to decide whether the shapeshifter will be allowed to remain with the team after...well, she did a lot of stuff but most recently she caused all sorts of interpersonal drama while posing as a 'new' mutant named Foxx. A great courtroom drama page packed with popular mutants! Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: The comic credits Danny Miki and Allen Martinez with inks and the page displays a Crime Lab Studios sticker which is the inking studio founded by Miki.

Original Art Unpublished Detective Comics Cover by Bo and Scott Hampton

A beautiful, richly textured piece from the brothers Hampton that sadly did not see print! Likely intended for a story involving Poison Ivy, the Hamptons do a brilliant job of contrasting the iconic figure of the Batman, typically found in concrete jungles, with the all-consuming and ever cycling growth of plant life. Signed by the artists in lower right margin. Also included is a letter of authenticity from Bo Hampton indicating the provenance of the piece. The original buyer's name has been redacted from the letter by MyComicShop at their request. Pencil and ink on DC Comics art board. 11" x 17".

Original Black Cat (1989) 2 CGC 9.4

Paper: White

Label #4699263021

Cover by Murphy Anderson. Stories and art by Bob Haney and Lee Elias. Reprints of Harvey's early female superhero Black Cat, a martial artist with a lasso and a double life as a Hollywood starlet. Black Cat's teen sidekick Kit is introduced. The mad arsonist (with a cool costume) called The Fire Bug burns down a circus, killing trapeze artists the Flying Westons. Black Cat saves their son Kit, who joins her in tracking down Fire Bug. Linda Turner films a Cleopatra movie. Fun cover by legendary artist Murphy Anderson. Flames Over Hollywood; The Black Cat Adopts a Kitten!; A Day in the Life of Linda Turner; The Crimson Raider; Mistaken Identity. 32 pages, Full Color. Cover price $2.00.

Original Cover Art for Red Hood and the Outlaws #25 (2018) by Trevor Hairsine with Prelims

A brutal cover for a brutal issue! Following Red Hood's (televised) murder of the Penguin, this issue sees Batman come a calling to lay down the law regarding extrajudicial murders in Gotham. It's a bold, powerful piece from Hairsine beautifully capturing the emotions behind the punches! Also included are a pencil prelim sketch and the finished pencils giving a fantastic look at Hairsine's process. Finished cover is ink over printed blue lines on art board and measures 11 3/4" x 16", finished pencils are standard pencil over printed blue lines on art board and measures 11 3/4" x 16", prelim sketch is pencil on paper and measures 8 1/4" x 11 3/4". The prelim sketch and finished pencils are signed.

Original Cover Art for Scion #40 (2003) Pencils by Luke Ross, Inks by John Dell

A terrific hero pose from Prince Ethan on the cover for this pivotal issue that sees him tested like never before! Also included is a copy of the published issue. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Cover Art for Wrapped in Plastic #13 (1994) Pencils and Inks by Craig Miller

An absolute stunner of a cover for "The Literary Issue" of the long-running Twin Peaks fanzine featuring Audrey Horne (played by Sherilyn Fenn) reclining with a good book, a piece of cherry pie that'll kill ya, and a damn fine coffee- hot! Pencil and ink on art board. 14" x 17".

Original Cover Art for Wrapped in Plastic #22 (1996) Pencils and Inks by Craig Miller

A beautifully drawn headshot of Mädchen Amick as Shelly Johnson (or Briggs) for this issue that takes a deep dive into Amick's short-lived series The Fifth Corner, which honestly sounds pretty interesting- thanks, Wrapped in Plastic! Also included is a copy of the published issue. Pencil and ink on art board. 12" x 15 3/4".

Original Cover Art for Wrapped in Plastic #3 (1993) Pencils and Inks by Craig Miller

A fantastic cover from this early issue (though noted as issue two here, it was used for issue three) of the long-running Twin Peaks fanzine shining a spotlight on Killer Bob, who had recently been explored more in depth in Fire Walk With Me. Pencil and ink on art board. 13 1/2" x 17". NOTE: Lower text box which reads "Killer Bob Issue!" is missing.

Original X-Men (2024 Marvel) 1E CGC 9.8

Paper: White

"Virgin" Edition.

Label #4397673001

Limited 1 for 100 Retailer Incentive Variant Cover. Written by Christos Gage. Art by Greg Land. Cover by Ryan Stegman. THE OG 5 ON AN ALL-NEW ADVENTURE! Cyclops, Marvel Girl, Beast, Iceman and Angel - the first and greatest heroes to bear the X-Men name - once traveled into their own futures and reset the course of history. Now another multiversal mystery calls them forth. When the dust settles, one hero will remain, trapped in the world as we know it. With shocking surprise guests and heart-pounding twists and turns, Christos Gage and Greg Land kick off a story that will shake the whole MU! 40 pages, full color. Rated T+ Cover price $5.99.

Other Worlds (1949-1953 Clark Publishing) 1st Series 11 VG/FN 5.0

No. 11 - May , 1951. 5.25" x 7.5", 162 pages, B&W. Cover price $0.35.

Our Army at War (1952) 112 CGC 4.5

Paper: Off white to white

Label #4388597012

Cover art by Joe Kubert. Battle Shadow starring Sgt Rock, script by Bob Kanigher, art by Joe Kubert. The Fighting Blip, script by Bob Haney, art by Jack Abel. Tell It to The Marines, script by Hank Chapman, art by Jack Abel. 36 Pages, Full Color. Cover price $0.10.

Our Army at War (1952) 115 CGC 5.5

Paper: Off white to white

Label #4388597013

Cover art by Joe Kubert. Rock's Battle Family starring Sgt Rock, script by Bob Kanigher, art by Joe Kubert. No Glory For George, script by Hank Chapman, art by Jack Abel. Kindergarten Fighter, script by Bob Haney, art by Jack Abel. 36 Pages, Full Color. Cover price $0.12.

Our Army at War (1952) 168 CGC 6.0

Paper: Off white to white

Label #4663948007

Cover art by Joe Kubert. I Knew the Unknown Soldier starring Sgt. Rock, script by Bob Kanigher, art by Joe Kubert. War mysteries unlocked. Second Chance for a Deadman, script by Howard Liss, art by Jack Abel. 36 Pages, Full Color. Cover price $0.12.

Our Army at War Lot of 10

Issues 183, 213, 214, 215, 220, 223, 226, 228, 229, and 233 of Our Army at War (1952). Most will grade in the VG to FN range.

Our Army at War Lot of 5

Issues 184, 194, 198, 242, and 248 of Our Army at War (1952). Most will grade in the GD to VG range.

Our Army at War Lot of 8

Issues 145, 182, 183, 186, 193, 196, 199, and 200 of Our Army at War (1952). Most will grade in the GD to VG range.

Our Army at War Lot of 9

Issues 234, 235, 238, 240, 241, 243, 244, 245, and 246 of Our Army at War (1952). Most will grade in the VG to FN range.

Our Army at War Lot of 9

Issues 183, 186, 202, 204, 207, 208, 209, 210, and 211 of Our Army at War (1952). Most will grade in the VG to FN range with #202 grading GD+

Our Army at War Lot of 9

Issues 233, 234, 235, 236, 237, 238, 240, 241, and 243 of Our Army at War (1952). Most will grade in the VG to FN range.

Our Fighting Forces (1954) 57 GD/VG 3.0

Cover detached at one staple. Water damage.

"A Tank For Sarge," "The Frogman and the Porpoise," and "Soften 'Em Up!" 36 Pages, Full Color. Cover price $0.10.

Our Fighting Forces (1954) 63 VG- 3.5

Cover detached at one staple. Chipping.

Gunner and Sarge in "A Lifeline For Sarge!" Also "Frogman in a Fog" (art by Joe Kubert) and "They Took Away the Sky!" (art by Russ Heath). Full-page ad for Sea Devils # 1. 36 Pages, Full Color. Cover price $0.10.

Our Fighting Forces (1954) 100 CGC 8.0

Paper: Off white to white

Label #4672211011

Gene Colan art. 36 Pages, Full Color. Cover price $0.12.