Auctions: comic books 1926 or later

Original Art from Detective Comics #417 (1971) Page 30 Pencils and Inks by Don Heck

A beautifully drawn page that also happens to be a crucial moment in Bat-lore from the great Don Heck! After Batgirl aids an overwhelmed Commissioner Gordon in taking down a group of cop-killing radicals (who were themselves being set up by the mob!), all that's left is for the two definitely-not-related crimefighters to head home. Heck's inking is outstanding here, especially in the close shot of Gordon's face in the the third panel. The most notable thing about this page however is that it reveals that Gordon, through some deductive reasoning worthy of the Dark Knight, has known for a while now that his daughter is Batgirl. Pencil and ink on art board. 10 1/2" x 16".

Original Art from Detective Comics #559 (1985) Page 17 Pencils by Gene Colan, Inks by Bob Smith

A nice panel page from a solid issue that finds the Dark Knight and the Emerald Archer at philosophical odds while trying to take down a corrupt chemical manufacturer! Some great panels on this page, especially the third featuring Canary in her new costume. Signed by Colan in lower margin. Pencil and ink on comic art board. 10 3/4" x 16 1/4".

Original Art from Dreadstar #51 (1990) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Eric Vincent

A nice sci-fi page with great creature design for this story set in the aftermath of a war (that Dreadstar and his crew helped win) that may not be as over as everyone seems to think! Signed by Wojtkiewicz in lower margin. Pencil and ink on First Comics art board.

Original Art from Elven #2 (1995) Page 15 Pencils by Aaron Lopresti, Inks by Hilary Barta

A great fight page punctuated with some of offbeat post-modernism that made the Malibu universe stand out! Elven, a heroine with great power and a mysterious connection to Prime, takes on a mysterious beast in her therapist's office as a news crew (called by the therapist) arrives to get the story. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Elven #2 (1995) Page 23 Pencils by Aaron Lopresti, Inks by Hilary Barta

Elven finds that her help isn't always appreciated after she nearly disembowels a man who drunk and annoying his girlfriend, flying off into the night and contemplating her mysterious origins. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Fantastic Four #275 (1985) Page 6 Pencils by John Byrne, Inks by Al Gordon

A...fantastic page from this solo Shulkie story from John Byrne who would go on to redefine the character in her own series just a few years later! After a sleazy paparazzo snaps some pictures of a topless She-Hulk on the roof of the Baxter Building, a chase ensues in the skies over New York, which Byrne and Gordon depict beautifully with some outstanding panels- especially the second and fourth! Pencil and ink on Marvel Comics art board. 10 3/4" x 16". NOTE: The image of the Chrysler building in the first panel is a pasted in stat.

Original Art from Flash #104 (1995) Page 11 Pencils by Roger Robinson, Inks by Jasen Rodriguez

As exciting as Flash's speedy exploits are, the drama in Wally and Linda's relationship could be just as thrilling as evidenced by this great 'drama' page that finds the pair talking things out after it's revealed that the story Linda was investigating (and the imminent monster attack) involved an ex-husband that she never told Wally about. Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Flash #104 (1995) Page 2 Pencils by Roger Robinson, Inks by Jasen Rodriguez

An exciting and beautifully drawn page that finds Wally and Linda in a tight spot as Linda's reporting (and Wally's chasing after her) has led them both into a mysterious underground temple filled with Werewolf-like monsters who are somehow fast enough to challenge the Flash. Dynamic figure work and appropriately moody inking make this page a real eye-catcher! Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Freex #5 (1993) Page 21 Pencils by Ben Herrera, Inks by Larry Welch

The teenage science experiments known as the Freex are about to make a quick getaway after narrowly fending off the Master of The Hunt and his dog-men in this tense page that's capped off with a beautifully drawn final panel as they realize their enemy isn't completely dead! Signed by Herrera in lower margin. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2".

Original Art from Green Arrow #101 (1995) Page 12 Pencils by Rodolfo Damaggio, Inks by Robert Campanella

"He's the greatest guy and the biggest jerk I've ever known", a line from Black Canary that perfectly sums up her relationship with the recently deceased Oliver Queen as she receives the news of his death from Connor Hawke- along with the surprise that Connor is Ollie's son. It's a downbeat, heavy moment but this was the 90's and so it's punctuated with some beautifully drawn, sharply inked cheesecake! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17"

Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio

A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 2 Pencils by Rodolofo Damaggio

A dramatic page, and a pivotal moment for the Arrow clan as Ollie shares his feelings about Connor hiding the fact that he's his illegitimate son from him in this issue appropriately titled "Father's Day". Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 24 Pencils by Rodolofo Damaggio

Don't call him Speedy! Things did not go...well when Ollie found out that Connor Hawke was actually his son and backup was needed. Why just grab one gun when you can bring the entire Arsenal? A great last-page splash with a downright iconic image of the former sidekick in his full tactical regalia! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Hawkman #23 (1995) Page 11 Pencils by Steve Lieber, Inks by Curt Shoultz

It's an intergalactic rescue mission as Hawkman and other Justice Leaguers assault the Tormock homeworld to save Guy Gardner! This beautifully inked page sees Hawkman, Wonder Woman, and Probert (a mercenary who managed to snag some Green Lantern powers!) commandeering a Tormock ship. Signed by Lieber in last panel. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Hybrid Bastards! #3 (2007) Page 13 by Kate Glasheen

The trial of the century takes off with Cotton getting the upper hand on Zeus and his lawyer, Athena, thanks to the help of some last minute surprise witnesses. This is the beginning of the end for this "alleged" mobster when his own wife, Hera, and second cousin, Hypnos, start to sing about all of the king of the gods not so virtuous deeds. Watercolor and ink on heavy stock. 11" X 14".

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Original Art from Jaguar #5 (1991) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Jose Marzan Jr.

With narration from the new Jaguar, Maria De Guzman, about the purpose of Universities we get a classic sci-fi trope and a great opening page as we witness an ambitious experiment going awry! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Ken Branch

Tensions are high in the League as they rocket towards an alien army bent on invading earth, thanks in no small part to Blue Devil's flippant attitude towards the danger they face. A great character moment on this page as Devil gets some advice from the League's former "jerk", Guy Gardner. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 14 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks

While the majority of the League is in space trying to stop an invasion of Earth, Metamorpho and Crimson Fox are on a much more personal mission- tracking down the assassin who killed the previous Crimson Fox. Some great shots of both heroes here showing off the excellent character designs. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #101 (1995) Page 15 Pencils by Chuck Wojtkiewicz, Inks by Ande Parks

A great chaotic action page as the League's ship is attacked sending the heroes scrambling to control the situation. Nice images of just about every hero involved thanks to the packed and detailed panels. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #103 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

After a particularly difficult experience fending off an alien invasion, Fire and Icemaiden's relationship can be described as tense at best. Here we see Fire grappling with some past abandonment trauma- though Icemaiden aims to prove she won't leave her teammate. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 10 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

A break from the superheroic mayhem of the rest of the issue for a look at the simmering political thriller that will soon be a problem for the League! Here we see the results of The Arcana's schemes as a senatorial hopeful's car is blown up and Leonidas gets the "good" news. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #105 (1995) Page 5 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

After the shocking last page stinger of the last issue that saw the team discover Obsidan stabbing himself repeatedly (to no effect) in a suicide attempt, the League is taking their teammate to get some help- but what help can a therapist be to someone who can only see the darkness? Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board with vellum overlay with a stat for the background of panel 3. Additionally, the same artwork on the stat is on a sheet of acetate affixed to the page with tape. 11 1/2" x 16 1/2".

Original Art from Justice League America #106 (1995) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

Nuklon's attempt to help his buddy Obsidian's mental state continues to go...not great in this page that's clearly (if also a bit clumsily) telegraphing the eventual revelation that Obsidian is gay. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #107 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

Jungle Action! In the midst of a world-wide monster attack, Crimson Fox is drawn to the jungles of Thailand where she finds Power Girl being attacked by a mysterious and feral leopard/human hybrid. Thankfully Kara wakes up to land the final blow on the feline creature- but the fight isn't over yet! Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #108 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Drew Geraci

A battle long in the making, Scarabus is finally having it out with the League- and Power Girl's infant son who has suddenly become a full grown adult man named Equinox! A great fight panel between Scarabus and Wonder Woman stands out here showing off the villain's delightfully creepy design. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz. Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #110 (1996) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg

There's trouble down Texas way! The League heads down to Dos Rios, Texas after hearing reports that local vigilante El Diablo/town councilman Rafael Sandoval is in trouble. Here we see Hawkman and Fire doing a bit of detective work- and dropping the subtleties! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2"

Original Art from Justice League America #110 (1996) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg

While Yazz and Icemaiden work on a merchandising deal for the League, Nuklon and Obsidan have more important matters to discuss. Signed by Wojtkiewicz in lower margin. Wojtkiewicz plays out the dramatics well here with his panel progression and facial expressions. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2"

Original Art from Justice League America #111 (1996) Page 3 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg

A captivating opening to this issue that reveals the history of the mysterious group Arcana that's been pulling strings in the pages of JLA for a while contrasted with the history of Aztec king Netzahualcoyotl who's currently possessing the body of Texas vigilante El Diablo. All that AND the revelation to the rest of the League that Blue Devil has been working (somewhat unwittingly) with an agent of Arcana! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #112 (1996) Page 16 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg

A page full of heroes! With the JLA's base on The Refuge in "Purge Mode", the heroes not on the ship race to rescue their allies. Great shots of Green Lantern, Wonder Woman, and Flash here as they head off into space! Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #113 (1996) Page 18 Pencils by Chuck Wojtkiewicz, Inks by Will Blyberg

Freed from intergalactic slaver Flicker by Power Girl's rage, the JLA prepares to head back to earth to end their final adventure together. Some great touches on this page from the hand-drawn onomatopoeia of El Diablo removing the teleporter from Flicker's body, to the silhouette of the team saying goodbye to Yazz. Signed by Wojtkiewicz in lower margin. Pencil, ink, and screentone on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #93 (1994) Page 20 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak

A surprise attack from the horrific Scarabus has the League reeling- though his true target is Power Girl's newborn son! Thankfully, it's revealed here that the child possesses powers of his own as he forms a force field to save himself and his mother-though their final destination of Atlantis will likely bring some more challenges! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board with vellum overlay that has additional art. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 17 Pencils by Chuck Wojtkiewicz, Inks by Rich Rankin

The League has been adjusting to their new base of operations on the Overmaster's former ship, though the fact that it's still inhabited is a bit of a hiccup! Thankfully, some help from future JLA ally Yazz convinces most of the aliens to call of their attack...most. Also included with this page is a piece of vellum with various sketches by Wojtkiewicz- including one of Yazz, likely as part of his first appearance in this issue. Signed by Wojtkiewicz in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Rich Rankin

Though the threat of an alien ambush on the League's new headquarters has passed, Hawkman recognizes the species the ringleader hails from- and it doesn't bode well for earth! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #95 (1995) Page 7 Pencils by Chuck Wojtkiewicz

It may not seem so at a glance, but this is a terrifying page! Imagine scoring a date with a Brazilian model/superhero and hitting the club for a night on the town only to be chased off the dancefloor by an angry mob who hates your moves and THEN you find out there's no chemistry with your date. This is the reality for Albert Rothstein (aka Nuklon) on this fantastically drawn page that perfectly captures the sitcom-esque appeal of this era of the League. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Bob Dvorak, Rich Rankin.

Original Art from Justice League America #98 (1995) Page 12 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak

In the wake of Max Lord's death, several Leaguers decide to come to the aid of a woman with a vague problem- her town has become 'strange'. Incognito, Nuklon, Hawkman, Wonder Woman, and Crimson Fox check out the local diner for a bit of intel and receive some less than stellar service from the waitress! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League America #98 (1995) Page 13 Pencils by Chuck Wojtkiewicz, Inks by Bob Dvorak

Wojtkiewicz and Dvorak absolutely nail the americana-noir in this tense scene as disguised Leaguers Wonder Woman, Hawkman, Nuklon, and Crimson Fox investigate a small town at the behest of a resident. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #61 (1994) Page 14 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore

The Justice League is in peril on this great action page that sees the extraterrestrial Family easily taking down the heroes as they search for their son- who just happens to be the mysterious League ally Godfrey! Great character design on The Family's Angstra in the first panel and a chilling close to this page as matriarch Matilda tosses aside Flash's lifeless body in silhouette. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #62 (1994) Page 15 Pencils by Chuck Wojtkiewicz

A nice example of teamwork from this version of the League who are often bickering! In the shadow of a colossal alien foe so powerful he has his own gravity, Doctor Light leads the team in forming a lens to enhance her own power- and hopefully stop "Daddy"! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Michael Oeming, Rich Ranking, and Don Hillsman.

Original Art from Justice League International #63 (1994) Page 15 Pencils by Chuck Wojtkiewicz

Following Metamorpho's hunch, the team heads to Africa to track down the "Old Culture" conspiracy and finds a hidden city full of ruins and advanced technology. This gorgeous half splash features a great large panel of the mysterious city as well as a fantastic hero shot of Metamorpho springing into action. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". NOTE: Multiple inkers are credited for this issue- Bob Dvorak and Rich Rankin.

Original Art from Justice League International #64 (1994) Page 11 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore

The Cadre, a group of people given power by a mysterious benefactor with the goal of bringing ancient cultures back to dominance get a surprise from Metamorpho here as he reveals they're working for an alien! The fantastic second panel emphasizes the great designs on the villains and Gilmore's inking adds a lot of impact to the final panel. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #64 (1994) Page 19 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore

A dramatic villain death opens this page as The Immortal is struck down by his mysterious "Master" from beyond! In the aftermath, the League pulls itself back together in this packed page. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #64 (1994) Page 8 Pencils by Chuck Wojtkiewicz, Inks by Craig Gilmore

Investigating a hidden city in the jungles of Africa on the trail of a conspiracy, Metamorpho charges ahead and enters a hidden chamber to find the body of an old League foe! Great design on Rex here as well in the impactful reveal of the Dreamslayer. Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Justice League International #65 (1994) Page 2 Pencils by Chuck Wojtkiewicz

Now that's how you open a comic book! In the midst of the Judgement Day storyline with the League scrambling, Booster Gold miraculously gets up and walks out of the operating room- despite the fact that he has no vital signs whatsoever. It's a bold, striking image that sets up the surprising revelation that since Overmaster's attack life on earth has been 'frozen' with no births or deaths reported! Signed by Wojtkiewicz in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2. NOTE: Multiple inkers are credited for this issue- Bob Dvorak, Robert Jones, and Rich Rankin.

Original Art from Kamandi Challenge #7 (2017) Page 22 Pencils by Dan Jurgens, Inks by Klaus Janson

Kamandi's first kiss! In this chapter of the challenge, which saw each issue feature a different creative team who picked up the story from where the last left it, Kamandi finds himself fighting alongside the canine crew known as the Bulldog Britanneks. With the battle won (for now), Kamandi continues on his search for his parents- but not before receiving his thanks. Signed by Jurgens in lower left margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Loners #4 (2007) Page 9 Pencils & Inks by Karl Moline

An interesting series penned by the future EiC of Marvel Comics CB Cebulski, Loners followed a support group made up of former heroes trying to put their powers behind them in Los Angeles. Here we catch up with Johnny Gallo (Ricochet) and Julie Power as they live the LA dream- getting discovered! Not as actors, unfortunately, but as stunt performers thanks to their powers...which they aren't supposed to be using. Signed by Moline in the lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Mantra #2 (1995) Story Page 1 Pencils by Chuck Wojtkiewicz, Inks by Terry Austin

Part of the Phoenix Resurrection storyline that was serialized in the back of each of the recently relaunched Ultraverse titles, this title page does a solid job of introducing readers to the new Mantra, teenager Lauren Sherwood. Signed by Wojtkiewicz in lower margin. Pencil and ink on Malibu Comics art board. 12" x 17 1/2".

Original Art from Mantra #2 (1995) Story Page 3 Pencils by Chuck Wojtkiewicz, Inks by Terry Austin

The final page to this short backup story intended as a primer for new readers in the wake of Malibu being purchased by Marvel, the new Mantra Lauren Sherwood finds herself with an unexpected dinner guest- Gateway, the teleporting mutant! Silent as usual, he disappears without a trace leaving Lauren with an omen of what's to come as she ponders her new life as Mantra! Signed by Wojtkiewicz in lower margin. Pencil and ink on Malibu Comics art board. 12" x 17 1/2".

Original Art from Mantra #6 (1993) Page 11 Pencils by Terry Dodson, Inks by Andrew Pepoy

Where better to spend Christmas Eve than...the moon?? A great shocker of a splash page as Mantra finds themself teleported to the moon after seeing a vision of Lukasz's face in it. Great composition from Dodson with Mantra's cape sweeping across the page and framing the Apollo lander and earth above it! Speaking of the lander, the top half of the craft was airbrushed out when someone realized that that portion was what brought the astronauts back! Signed by Dodson in lower margin. Pencil and ink on art board. 11 1/2" x 17".

Original Art from Night Nurse #4 (1973) Page 2 Pencils and Inks by Win Mortimer

A great page from this gothic story that finds Christine Palmer, The Night Nurse, approaching a remote mansion in the middle of a rainstorm. Here we get a short recap of Palmer's somewhat tragic history that's led her to accept this mysterious job. Absolutely beautiful work by Mortimer here, especially in the inking on the closeup of Christine in panel three. Pencil and ink on comic art board. 10 1/2" x 16". NOTE: Panels two and three and a portion of panel six have been affixed to the rest of the board with tape and glue on the reverse, likely due to heavy revisions after the initial page was completed.

Original Art from Notti & Nyce Halloween Special 2019 Page 1 Pencils and Inks by Ron Williams

A classic opening for a horror tale as bad girl assassins Notti, Nyce, and Nastee sit around a fire pit on Halloween- what could go wrong? Pencil and ink on art board. 11" x 17".