Auctions: comic books 1962 or later

Original Art for the Heart of Juliet Jones Comic Strip (11/1 & 11/2 1991) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (11/27 & 11/28 1996) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (12/7 & 12/8 1992) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the house in panel one of the 12/7 strip is a pasted in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (5/22 & 5/23 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (5/26 & 5/27 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (6/30 & 7/1 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the hospital in panel one of the 6/30 strip is a pasted-in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (7/10 & 7/11 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the building in panel one of the 7/10 strip is a pasted-in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (7/12 & 7/13 1991) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (7/12 & 7/13 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (7/20 & 7/21 1994) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (7/3 & 7/4 1991) by Frank Bolle

Pencil, ink, and screentone on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (7/8 & 7/9 1991) by Frank Bolle

Pencil, ink, and screentone on art board. 9 1/2" x 14 1/2". NOTE: Portions of some panels are pasted in stats with printed art.

Original Art for the Heart of Juliet Jones Comic Strip (8/1 & 8/2 1994) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the building in panel one of the 8/1 strip is a pasted-in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (8/12 & 8/13 1994) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the art in all panels of the 8/13 strip are pasted-in printed stats

Original Art for the Heart of Juliet Jones Comic Strip (8/17 & 8/18 1994) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (9/11 & 9/12 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the exterior image of the courthouse in panel one of the 9/11 strip is a pasted-in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (9/13 & 9/14 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the house in panel one of the 9/14 strip is a pasted-in printed stat.

Original Art for the Heart of Juliet Jones Comic Strip (9/17 & 9/18 1990) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2".

Original Art for the Heart of Juliet Jones Comic Strip (9/6 & 9/7 1995) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the buildings in panel one of the 9/6 strip are pasted-in printed stats.

Original Art for the Heart of Juliet Jones Comic Strip (9/8 & 9/9 1994) by Frank Bolle

Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the courthouse in panel one of the 9/8 strip is a pasted-in printed stat.

Original Art from Action Comics #363 (1968) Page 24 Pencils and Inks by Kurt Schaffenberger

The Maid of Might has her hands...full trying to deal with some extraterrestrial brats in this delightful page by the great Kurt Schaffenberger. When buildings and monuments across the world are mysteriously pulled into the sky, Supergirl leaps in to action only to find that the culprits are a couple of extraterrestrial children playing a game of Monopoly on a massive scale. Some beautiful work by Schaffenberger inking himself here, especially in the angry expression of Supergirl in the third panel. Pencil and ink on art board. 10 3/4" x 16 3/4".

Original Art from Alien Encounters #7 (1985) Page 3 Pencils and Inks by Bo Hampton

With a script from Bruce Jones, this grim entry in Eclipse's fantastic sci-fi anthology is an examination of the cycle of endless war that societies become trapped in. Hampton illustrates this beautifully in a packed panel page that sees two human fighters encounter an enemy alien soldier. Fantastic storytelling and emotion conveyed with a high level of craft! Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Alien Encounters #7 (1985) Page 4 Pencils and Inks by Bo Hampton

Beautiful work from Hampton on this page from a story about the cycle of endless war as two human fighters encounter an alien soldier in a fog-filled battlefield. A great display of Hampton's storytelling skills here in this packed page as the two humans skirt the lines of the Geneva Conventions. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Amazing Spider-Man Family #7 (2009) Page 20 Pencils by Val Semeiks, Inks by Mike Getty

With May's marriage to Jonah Jameson approaching, she invites Pete over and recounts the story of how she met and fell in love with Ben in this touching issue. With the night drawing to a close, Pete heads out and thinks on what he's just learned realizing that May, Ben, Richard, and Mary all had secrets that they kept. Also included is a copy of the published issue. Signed by Semeiks in lower Margin. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 15 Pencils by Karl Moline, Inks by Jim Fern

Having achieved empathy and understand thanks to a spell from Nico, the Runaways and the Avengers Academy make up after fighting one and a half super-powered battles over the Runaways' vagabond lifestyle in the wake of the Superhuman Registration Act. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Academy #28 (2012) Page 20 Pencils by Karl Moline, Inks by Jim Fern

A sweet final page highlighting the relationship between Hank Pym and Tigra that has a...complicated history thanks to the Skrulls! Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Avengers Arena #13 (2013) Page 5 Pencils by Karl Moline, Inks by Mark Pennington

It's taken 13 issues, but someone has caught on to Arcade's abduction of several young heroes to compete in a battle to the death- The Runaways! Specifically, Molly Hayes who seems to be the only one who can see through Arcade's tricks and absolutely insists on investigating. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Batman #572 (1999) Page 1 Pencils by Damion Scott, Inks by John Floyd

Renee Montoya and her brother are being kept prisoner in this No Mans Land story. The cell, with its flowery bed spread and stuffed animals, shows an attempt to give her confinement a more homily feel- does her captor...care for her? Printed stat on DC comics art board. 11 1/4" x 17". NOTE: The art on this page is ENTIRELY made up of a printed stat with the exception of the top inch around the framing copy. It is likely a final proof that required more editing at the last second.

Original Art from Batman Gotham Knights #37 (2003) Page 17 Pencils by Scott Beatty, Inks by John Floyd

After having to call in Metamorpho to stop a Kobra terrorist plot, Batman turns to Spoiler to run down her failures on this mission. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #47 (2004) Page 15 Pencils by Scott Beatty, Inks by John Floyd

Drama in the Bat-Family! Alfred, Leslie, Dick, and Tim sit down with Bruce to have a conversation about Bane- who Bruce has gifted a shot at redemption along with the means to track down his birth father and not everyone is happy about that. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #49 (2004) Page 17 Pencils by Charlie Adlard, Inks by John Floyd

The Bat Family strikes! As Bane and his newly discovered father King Snake finally grasp the weapon that will help King Snake take control of KOBRA, Batman and Robin spring into action! Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17"

Original Art from Batman Gotham Knights #49 (2004) Page 18 Pencils by Charlie Adlard, Inks by John Floyd

The Bat family has closed in on Bane and his biological father King Snake as they attempt to loot a powerful weapon and in the heat of the fight, Bane makes choice- the man who once broke the Bat sacrifices himself to save the Bat! Pencil and ink on DC Comics art board. 11 1/4" x 17"

Original Art from Batman Gotham Knights #9 (2000) Page 18 Pencils by Roger Robinson, Inks by John Floyd

In the midst of a dramatic rooftop battle with Hugo Strange, Batman suddenly leaped off of Wayne Tower and landed perfectly in the Batmobile- which suddenly exploded! A stunned Hugo Strange looks down at the carnage from above while Dick Grayson tries a bit of undercover work to get in the building and get at Strange Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Grendel II #1 (1996) Page 7 by Matt Wagner

One of the best visual storytellers in comics, Matt Wagner turns in a beautiful page for the inciting event for his creation's second crossover with the Dark Knight! The Gotham City Museum is hosting an exhibit dedicated to the many villains who have plagued the city over the decades and the centerpiece is the skull of Hunter Rose, the original Grendel. With mobs of protestors gathered outside, Commissioner Gordon and the GCPD are out to keep the peace- though they might need some assistance if say, an enhanced assassin from the future chooses this moment and place to travel back in time! Signed by the artist in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman: Batgirl #1 (1997) Page 29 Pencils by Matt Haley, Inks by Karl Kesel

Coinciding with Batgirl's big screen debut in Batman & Robin, this one shot took place early in Barbara's career and told the story of her first encounter with the Joker- which has gone horrifyingly awry. After accidentally killing a thug attempting to take a family hostage and being knocked out by the Joker, Batgirl attempts to lead the only other survivor of the attack to safety. Signed by Kesel in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Birds of Prey #127 (2009) Page 18 Pencils by Claude St. Aubin, Inks by John Floyd

A bittersweet final page to this long running, fan favorite series! With Barbara Gordon/Oracle deciding to take some time to figure out who she is and what she wants to do, Huntress and Misfit ride off into the sunset! Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Detective Comics #417 (1971) Page 30 Pencils and Inks by Don Heck

A beautifully drawn page that also happens to be a crucial moment in Bat-lore from the great Don Heck! After Batgirl aids an overwhelmed Commissioner Gordon in taking down a group of cop-killing radicals (who were themselves being set up by the mob!), all that's left is for the two definitely-not-related crimefighters to head home. Heck's inking is outstanding here, especially in the close shot of Gordon's face in the the third panel. The most notable thing about this page however is that it reveals that Gordon, through some deductive reasoning worthy of the Dark Knight, has known for a while now that his daughter is Batgirl. Pencil and ink on art board. 10 1/2" x 16".

Original Art from Detective Comics #559 (1985) Page 17 Pencils by Gene Colan, Inks by Bob Smith

A nice panel page from a solid issue that finds the Dark Knight and the Emerald Archer at philosophical odds while trying to take down a corrupt chemical manufacturer! Some great panels on this page, especially the third featuring Canary in her new costume. Signed by Colan in lower margin. Pencil and ink on comic art board. 10 3/4" x 16 1/4".

Original Art from Dreadstar #51 (1990) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Eric Vincent

A nice sci-fi page with great creature design for this story set in the aftermath of a war (that Dreadstar and his crew helped win) that may not be as over as everyone seems to think! Signed by Wojtkiewicz in lower margin. Pencil and ink on First Comics art board.

Original Art from Elven #2 (1995) Page 15 Pencils by Aaron Lopresti, Inks by Hilary Barta

A great fight page punctuated with some of offbeat post-modernism that made the Malibu universe stand out! Elven, a heroine with great power and a mysterious connection to Prime, takes on a mysterious beast in her therapist's office as a news crew (called by the therapist) arrives to get the story. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Elven #2 (1995) Page 23 Pencils by Aaron Lopresti, Inks by Hilary Barta

Elven finds that her help isn't always appreciated after she nearly disembowels a man who drunk and annoying his girlfriend, flying off into the night and contemplating her mysterious origins. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8".

Original Art from Fantastic Four #275 (1985) Page 6 Pencils by John Byrne, Inks by Al Gordon

A...fantastic page from this solo Shulkie story from John Byrne who would go on to redefine the character in her own series just a few years later! After a sleazy paparazzo snaps some pictures of a topless She-Hulk on the roof of the Baxter Building, a chase ensues in the skies over New York, which Byrne and Gordon depict beautifully with some outstanding panels- especially the second and fourth! Pencil and ink on Marvel Comics art board. 10 3/4" x 16". NOTE: The image of the Chrysler building in the first panel is a pasted in stat.

Original Art from Flash #104 (1995) Page 11 Pencils by Roger Robinson, Inks by Jasen Rodriguez

As exciting as Flash's speedy exploits are, the drama in Wally and Linda's relationship could be just as thrilling as evidenced by this great 'drama' page that finds the pair talking things out after it's revealed that the story Linda was investigating (and the imminent monster attack) involved an ex-husband that she never told Wally about. Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Flash #104 (1995) Page 2 Pencils by Roger Robinson, Inks by Jasen Rodriguez

An exciting and beautifully drawn page that finds Wally and Linda in a tight spot as Linda's reporting (and Wally's chasing after her) has led them both into a mysterious underground temple filled with Werewolf-like monsters who are somehow fast enough to challenge the Flash. Dynamic figure work and appropriately moody inking make this page a real eye-catcher! Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Freex #5 (1993) Page 21 Pencils by Ben Herrera, Inks by Larry Welch

The teenage science experiments known as the Freex are about to make a quick getaway after narrowly fending off the Master of The Hunt and his dog-men in this tense page that's capped off with a beautifully drawn final panel as they realize their enemy isn't completely dead! Signed by Herrera in lower margin. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2".

Original Art from Green Arrow #101 (1995) Page 12 Pencils by Rodolfo Damaggio, Inks by Robert Campanella

"He's the greatest guy and the biggest jerk I've ever known", a line from Black Canary that perfectly sums up her relationship with the recently deceased Oliver Queen as she receives the news of his death from Connor Hawke- along with the surprise that Connor is Ollie's son. It's a downbeat, heavy moment but this was the 90's and so it's punctuated with some beautifully drawn, sharply inked cheesecake! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17"

Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio

A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 2 Pencils by Rodolofo Damaggio

A dramatic page, and a pivotal moment for the Arrow clan as Ollie shares his feelings about Connor hiding the fact that he's his illegitimate son from him in this issue appropriately titled "Father's Day". Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Green Arrow #97 (1995) Page 24 Pencils by Rodolofo Damaggio

Don't call him Speedy! Things did not go...well when Ollie found out that Connor Hawke was actually his son and backup was needed. Why just grab one gun when you can bring the entire Arsenal? A great last-page splash with a downright iconic image of the former sidekick in his full tactical regalia! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh.

Original Art from Hawkman #23 (1995) Page 11 Pencils by Steve Lieber, Inks by Curt Shoultz

It's an intergalactic rescue mission as Hawkman and other Justice Leaguers assault the Tormock homeworld to save Guy Gardner! This beautifully inked page sees Hawkman, Wonder Woman, and Probert (a mercenary who managed to snag some Green Lantern powers!) commandeering a Tormock ship. Signed by Lieber in last panel. Pencil and ink on DC Comics art board. 11" x 17".