Comic books 1952 w/ month not specified

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Sunday Pix Vol. 5 (1952). Pencils by Andre LeBlanc, a Brazilian artist who worked with Eisner on "The Spirit," and with Sy Barry on "The Phantom." LeBlanc also did work on Flash Gordon, Apt. 3-G, and Rex Morgan, M.D. newspaper strips. 7 x 10, 12 pages. These were available through mail subscription only. Published by David C. Cook Publishing.

Cover art by Bill Everett. Molu's Secret!, script by Stan Lee, art by Carmine Infantino. Death and Mr. Marko, art by Joe Sinnott. Vampire, Beware!, script by Stan Lee, art by Bill Everett. The Return Trip, art by Cal Massey. The Man in Black, art by Sy Grudko. The Ugly Man, script by Stan Lee, art by Joe Maneely. Skin-Deep, art by Syd Shores. 52 pgs. $0.10. Cover price $0.10.

Cover art by Russ Heath. Horror Story, art by George Tuska. Back from the Dead!, art by Joe Maneely. The Striped Suit!, art by Jim Mooney. Boiling Point, art by Carmine Infantino. 36 pgs. $0.10. Cover price $0.10.

Stories and art by George Evans, Mike Sekowsky, and Daniel Sheldon. Pre-Code crime comics from Fawcett with an emphasis on suspense. Mute Mario witnesses a murder on a construction site, and soon finds himself walled up with the victim, in a story with art by EC legend George Evans. John plots to murder his business partners with a car bomb, only to learn his wife is in the same car, resulting in a suspenseful highway chase. A serial killer stalks red-haired people in the city of Claxton, but Ann is determined not to be the 13th victim. The Wall! The Wall! Behind the Wall!; The Last Stop; The Long Chase; The Great Likeness; The Butcher. 32 pages, Full Color. Cover price $0.10.

Pre-Code crime comics from Fawcett with an emphasis on suspense. Elderly Mr. Freely wonders why all the residents in his "home for the aged" look like they've been traumatized. Pat survives being shot in an armed robbery, but awakens without a memory of the killer's identity. Rick and Eddie rob and murder a fortune-teller, but not before he predicts "death by water." Classic bondage cover by an unknown artist. The Torture Room; A Pattern for Murder; Paper Bag Bandit; Death by Water! 32 pages, Full Color. Cover price $0.10.

Stories and art by Bernard Baily and others. Drama and melodrama entwine in this early romance comic. Artists' model Paula gets a big break when famous Peter hires her, but struggling artist Bob sees the woman inside. Norma's brother Fred hates her boyfriend Eddie, but a boating accident makes her wonder if Fred was right all along. Secretary Sheila fakes her way into an editing gig to be closer to writer's son Dan, but sooner or later they're going to want that manuscript. The Painting of Paula; Camera Capers; Heartbreak Was My Destiny; Borrowed Life. 32 pages, Full Color. Cover price $0.10.

Add to cart FR 1.0 $7.00 View scan 5.75" Cumulative spine split. Cover detached.

Photo cover. "I Was a Percentage Girl," art by Bernard Baily; Supermarket clerk Shirley is engaged to mechanic Dan; they are saving their money to get married and buy a "service station and motor court upstate"; Dan gets his draft notice, which puts their plans on hold; Shirley makes friends with bargirl Dotty and becomes a "percentage girl," getting a cut of what their dates spend at a nightclub. "Age 18 Attractive… Will Marry Man with Wealth"; Esther loves Danny but they both live in poverty; When Esthers father has a heart attack and has to stop working, she decides to place a personal ad offering herself as a wife for a wealthy man; Elias, a wealthy, widowed farmer, responds; Esther agrees to marry him and move away, but her parents refuse to go along. Picture Biography of Anthony Curtis. "Love Lesson" text story. Courtship Customs fact page. "A Fool in Love"; Kitty is engaged to Emory; She asks his boss to excuse Emory from a business trip so they can prepare for their wedding, which makes Emory angry; When Emorys mother dies, he says his father will have to live with him and Kitty after their marriage; To avoid this, Kitty goes to a matrimonial agency and finds a new wife for the elder Kendall. 36 pgs., full color. Cover price $0.10.

Stories and art by Bernard Baily and others. Drama and melodrama entwine in this early romance comic. Surviving an injury in the Korean War, Lydia awakens from a year-long coma to discover that her best friend Elaine has married her fiance Ben. Sandy meets handsome, white-coated mechanic Dan while he's fixing her headlight, but she can't tell him she's covering up a hit-and-run accident. Laura's beauty makes it easy to win over any man, except for Ralph, the one she really wants. Diary Treachery; Love on the Run; Auden the Author; The Girl Who Lied; The Heart Is the Loser. 32 pages, Full Color. Cover price $0.10.

Stories and art by Bernard Baily, Daniel Sheldon and Howard Boughner. Drama and melodrama entwine in this early romance comic. Dottie's boyfriend Jimmy returns after two years in the service, but she's dismayed to find him more interested in mature pursuits than parties. Gloria loves Greg and wants to win him away from fiancee Jean, a competition that soon turns deadly. Gale's boyfriend Carl wants her to quit working for her tyrannical boss, but that puts her in an awkward position. I Wanted to Make Him Jealous; Dizzy Daisy; The Accuser; New Copilot; Tears for Tomorrow. 32 pages, Full Color. Cover price $0.10.

Stories and art by Marc Swayze and John Martin. Drama and melodrama entwine in this early romance comic. Linda sees Dave as an escape from her impoverished past, but doesn't expect to fall in love. Alice will do anything to get out of her small town of Willow Falls, so even though she loves hometown TV salesman Chick, she heads to the jungle with big-game hunter Les. Redheaded Claudia sets out to steal her identical twin's fiance Mark, by playing the old twin-sister switcheroo. Shadow of My Beloved; No Love for Me; Whipped Up Romance; Romance the World Over; The Letter. 32 pages, Full Color. Cover price $0.10.

Add to cart VG 4.0 $22.00 View scan Water damage.

Sweethearts was the first monthly romance title. Annette hopes to marry Murray so he'll take her out of her tiny little seacoast town and its fishing community, but it turns out those are the things he likes best about her world. Postwar WAC (female military officer) Edna has the chance to marry into a wealthy, connected family, but she falls for middle-class reporter Hank. Nina falls for handsome David, but when they keep running into each other, he thinks she's spying on him. Plus the winners of the third "Ideal Man" reader essay contest offer a glimpse of the '50s. A Stranger to Her Own; You Cant Chain the Man You Love; This Time for Love. 32 pages, Full Color. Cover price $0.10.

1st printing. By Robert E. Howard. The People of the Black Circle; The Slithering Shadow; The Pool of the Black One; and Red Nails. Hardcover, Text.

Canadian Edition. Reprints "Survival or Death" (art by Jack Davis), a Vault of Horror story, "The Thing in the 'Glades" (art by Al Williamson--his only story for Crypt), "Kamen's Kalamity" (art by Jack Kamen, who draws himself, Gailes, and Feldstein in the story; Graham Ingels, Johnny Craig, and Davis each draw themselves), and "Buried Treasure" (art by Ingels). Davis cover. Cover price $0.10.

UK Edition.

UK Edition.