Amazing Spider-Man (1963 1st Series) UK Price Variant comic books 1971-1973

UK edition. Identical to US edition, but has 1/- cover price. Cover art by John Romita. When Iceman Attacks, script by Stan Lee, pencils by Gil Kane, inks by John Romita and Tony Mortellaro (backgrounds); Thinking Spidey is causing harm to Gwen Stacy, Iceman (of the original X-Men) intervenes and tries to defeat old Webhead; Later, once misunderstandings are resolved, the two team up to take down a crooked politician. Reprinted in Marvel Tales # 73. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. The Lady and -- the Prowler!, script by Stan Lee, art by John Romita Jr.; The Prowler is back!; But the return of this villain is the least of Peters worries because Gwen Stacy is leaving for England to stay with her uncle…for good; Hobie is worried that Spider-Man might have somehow framed him for Captain Stacy's death, and so changes to the Prowler and goes looking for Spider-Man. Reprinted in Marvel Tales # 74. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. Cover by John Romita Sr. On Wings of Death!, script by Stan Lee, pencils by John Romita Sr., inks by Sal Buscema; Peter Parker thinks back to how he first got his powers, and his origin is retold; Spider-Man attempts to rescue Aunt May after she is kidnapped by the Beatle. Reprinted in Marvel Tales # 75. 36 pgs., full color. $0.15.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by John Romita, inks by Sal Buscema. Trap For A Terrorist, script by Stan Lee, pencils by John Romita, inks by Sal Buscema; Peter heads for England looking for Gwendy but is forced to fight terrorists as Spider-Man; Realizing that Peter Parker can't show up with Spidey already swinging around, Pete heads home, leaving Gwendy in mourning for her father. Reprinted in Marvel Tales # 76. 32 pgs.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the first of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (Not that the Comics Code was pro-drug, of course. It's just that back then, comics couldn't mention drugs at all, even negatively.) Stan Lee published the stories anyway, which eventually led to a major revision in the code, allowing for anti-drug stories, plus other various things such as horror comics and vampires. (That's why there were suddenly tons of horror and mystery comics in the early seventies, shortly after the revision went into effect.) Anyway, back to the Spider-Man story at hand: the Green Goblin returns to annoy Spider-Man in "And Now, the Goblin." Script by Stan Lee, pencils by Gil Kane, and inks by Frank Giacoia. Kane cover. Reprinted in Marvel Tales # 77 and 191.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the second of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (See notes on issue 96 for more information.) Cover art by John Romita. "In the Grip of the Goblin!", script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia and John Romita (pages 7, 15, 16, and 19, credited as "Artist Emeritus"); Norman Osborn's Green Goblin identity has returned, and Spider-Man has stumbled across him; After a quick battle across the city, the Goblin escape, vowing to strike back at Spidey; Changing back to his civilian identity, Peter stresses over the damage the Goblin can cause now that he remembers Peter's real identity; Returning home, he finds Harry who is stressed out over his studies and over the turbulence in his relationship with Mary Jane; Peter discovers that Harry has been popping pills. Reprinted in Marvel Tales #78 and #191. 36 pgs., full color.

UK edition. Identical to US edition, but has 1/- cover price. This classic issue is the third of three that were not approved by the Comics Code Authority because of the (anti-)drug themed story. (See notes on issue 96 for more information.) The Green Goblin guest stars in "The Goblin's Last Gasp." Script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia. Kane cover. Reprinted in Marvel Tales # 79 and 191.

UK edition. Identical to US edition, but has 1/- cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. A Day in the Life of, script by Stan Lee, pencils by Gil Kane and Tony Mortellaro (backgrounds, signed), inks by Frank Giacoia; Peter gets an assignment to snap some pics of a prison riot and swings in as Spidey to get the inside scoop; Once the situation is resolved, Spider-Man appears on the Tonight Show and gives a speech on the rights of prisoners. Guest appearances by Johnny Carson and Ed McMahon. Reprinted in Marvel Tales # 80. 36 pgs.

UK edition. Identical to US edition, but has 1/- cover price. Spider-Man becomes more spidery than ever in "The Spider or the Man?" Script by Stan Lee; pencils by Gil Kane; inks by Frank Giacoia. Cameos by the Green Goblin, the Kingpin, Doctor Octopus, the Vulture, the Lizard, and Captain Stacy. John Romita Sr./Giacoia cover.

UK edition. Identical to US edition, but has 1/- cover price. First appearance of Morbius the vampire in "A Monster Called Morbius." Script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia. Guest appearance by Dr. Curtis Connors (the Lizard). Spider-Man still has six arms in this issue. Kane cover.

UK edition. Identical to US edition, but has 8p cover price. 52-page giant. Cover pencils by Gil Kane, inks by Frank Giacoia. Origin and second appearance of Morbius in Vampire at Large!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Spider-Man versus Morbius versus the Lizard and we learn the origin of Morbius; Plus, Doc Connors prepares a serum that cures Spidey of his six-arm problem. The Morbius story continues in Marvel Team-Up 3. 52 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. Walk the Savage Land!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Afraid of falling circulation numbers, Jonah decides to track down a sensational scoop about a strange monster in the Savage Land; With Peter and Gwendy in tow, Jonah reaches his destination and the trio are quickly set upon by savages. Dick Cavett cameo. Reprinted in Marvel Tales # 81/82. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by Gil Kane, inks by Frank Giacoia. The Beauty and the Brute!, script by Roy Thomas, pencils by Gil Kane, inks by Frank Giacoia; Spider-Man and Ka-Zar against Kraven the Hunter in the Savage Land. Reprinted in Marvel Tales # 82/83. 36 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover by Gil Kane and Frank Giacoia. First appearance of the Spider Slayer robot in The Spider Slayer!, script by Stan Lee, pencils by Gil Kane, inks by Frank Giacoia; Spencer Smyth builds J. Jonah Jameson a new Spider-Slayer robot, but JJJ doesnt know that Smyth has his own plans for the hunting-killing machine; Smythe uses cameras to spy on Spider-Man and watch him unmask. Reprinted in Marvel Tales # 84. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover pencils by John Romita, inks by Frank Giacoia. Dr. Curtis Connors (the Lizard) in "Squash! Goes The Spider!", script by Stan Lee, pencils by John Romita, inks by Frank Giacoia; Spider-Man notices a security camera recording him changing back into Peter Parker and webs it up, however he is too late as Spencer Smythe (who had taken control of the camera) had already taken a picture of Spider-Man's real face; Deciding to err on the side of caution, Spider-Man pays a visit to Curt Connors and uses his lab to create a synthetic mask based on his own face to try and reverse any potential compromise the camera has caused his secret identity; Peter goes out with Gwen Stacy. Reprinted in Marvel Tales # 85. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Jr. and Frank Giacoia. Spidey Smashes Through!, script by Stan Lee, pencils by John Romita Sr., inks by Frank Giacoia; Spider-Man faces off against the upgraded Spider-Slayer; Spider-Man defeats all four leaders, then returns to Smythe's hideout, where he finds Smythe inside the Spider Slayer; And if he survives this bout, hell have a few words for J. Jonah Jameson when hes done. Reprinted in Marvel Tales # 86. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "Vengeance From Viet Nam!", script by Stan Lee, pencils by John Romita, inks by John Romita and Tony Mortellaro; Watching Flash Thompson being led into a car by military personnel, Spider-Man finds something wrong and decides to follow them; The car that he's following is then attacked by followers of the Monks of the Light, and their leader the Giant One; Spider-Man gets in the middle and manages to defeat them all, web up the followers, however the Giant One manages to escape; Grabbing Flash and bringing him to a safe location, Flash tells Spider-Man the reason why the followers of the Monks of the Light were after him: While fighting in Vietnam, Flash was injured in combat and stumbled across the hidden temple of the followers. Reprinted in Marvel Tales #87. Letter to the editor from David Michelinie, who would later write Spider-Man himself. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Sr. Enter: Dr Strange!, script by Stan Lee, pencils by John Romita, inks by John Romita Sr. and Tony Mortellaro; Spider-Man and Dr. Strange rescue Flash Thompson from the Vietnamese monks who mistakenly blame him for the death of their high priest during the war. Reprinted in Marvel Tales # 88. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "To Stalk a Spider!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; Kraven the Hunter, who is still recovering from injuries following his battle against Spider-Man and Ka-Zar in the Savage Land, recruits the Gibbon to battle Spider-Man on his behalf; The Gibbon agrees to do his bidding, as Kraven appeals to the rejects desire to get back at everyone who's ever laughed at him; Web-slinging to Aunt May's, Peter finds a note there from her saying that she's gone away for a while. Spidey leaves when the police arrive, and soon Spider-Man is blamed for kidnapping May Parker. Reprinted in Marvel Tales # 90. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. Doctor Octopus, the Beetle, and the Gibbon have cameos "Spidey Cops Out!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; After dropping off the Gibbon at the local hospital, Spider-Man resumes his search for Aunt May; Spidey goes after kidnappers and, near the end, faces Doctor Octopus. Reprinted in Marvel Tales #91. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. First appearance of Hammerhead in They Call The Doctor...Octopus!, script by Gerry Conway, pencils by John Romita and Jim Starlin, inks by John Romita and Tony Mortellaro; While Dr. Octopus is on a crime spree, Spider-Man is weakened by an ulcer due to stress and his concern for his missing aunt. Reprinted in Marvel Tales # 92. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. Gang War, Shmang War! What I Want to Know Is...Who the Heck Is Hammerhead?, script by Gerry Conway, pencils by John Romita and Jim Starlin, inks by John Romita and Tony Mortellaro; Dr. Octopus and Hammerhead are at war, with Spider-Man against them both; origin of Hammerhead. Reprinted in Marvel Tales # 93. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. The Last Battle!, script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; In the midst of the war between Dr. Octopus and Hammerhead, Spider-Man finds himself held at gunpoint by Aunt May. Reprinted in Marvel Tales # 94. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. Cover art by John Romita. Suddenly...The Smasher!, script by Stan Lee and Gerry Conway, pencils by John Romita, inks by Jim Mooney and Tony Mortellaro; Spidey tackles the Smasher, a ten foot goon who is busting up a billboard for political candidate Richard Raleigh; Finding that his friends are in Raleigh's camp, Pete attends a political rally but, during Raleigh's speech, the roof start to fall in on the crowd. Suddenly, the Smasher! reprints approximately the first twenty pages of "Lo, This Monster" from the Spectacular Spider-Man #1 magazine, though many pages have been redrawn or touched up by John Romita Sr., and the Man Monster has been renamed Smasher. The new dialogue is by Gerry Conway. Because the 1968 magazine is black-and-white, this marks the story's first appearance in color. New cover by Romita. Reprinted in Marvel Tales # 95. 32 pgs.

UK edition. Identical to US edition, but has 6p cover price. "The Deadly Designs of the Disruptor" continues reprinting pages from "Lo, This Monster" in Spectacular Spider-Man #1 (1968)--see comments on Amazing Spider-Man 116 for details. However, there is quite a bit of new material here by scripter Gerry Conway, penciller John Romita Sr., and inkers Romita, Jim Mooney, and Tony Mortellaro. New cover by Romita. Reprinted in Marvel Tales # 117.

UK edition. Identical to US edition, but has 6p cover price. "Countdown to Chaos" concludes the storyline that reprints pages from "Lo, This Monster" in Spectacular Spider-Man #1 (1968)--see comments on Amazing Spider-Man 116 for details. However, there is also new material here by scripter Gerry Conway, penciller John Romita Sr., and inkers Romita, Jim Mooney, and Tony Mortellaro. New cover by Romita. Reprinted in Marvel Tales # 97. Letter to the editor by comics writer Mike Baron (Nexus).

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita. "The Gentleman's Name Is... Hulk!", script by Gerry Conway, pencils by John Romita, inks by John Romita and Tony Mortellaro; Peter visits Aunt May at her new home in Westchester, which is being guarded by gunmen of Doctor Octopus; He was asked to deliver an urgent telegram by Mrs. Watson; He is concerned as to the importance of Aunt May to Doc Octopus after he overhears a conversation by the guards; Peter excuses himself, heads back to his apartment to read the telegram, but runs into Harry and his father Norman; Harry appears sick and is whisked away by his father; Peter decides to head to Montreal, using the paper's resources to find out about the mysterious Mr. Rimbaud and gets involved in a fight with The Hulk; Green Goblin cameo. 36 pgs., full color.

UK edition. Identical to US edition, but has 6p cover price. Cover by John Romita Sr. The Fight and The Fury!, script by Gerry Conway, pencils by Gil Kane and Paul Reinman (art assist), inks by John Romita and Tony Mortellaro; Peter Parker is in Montreal in response to a mysterious telegram to Aunt May; While he's there, Spider-Man battles the Hulk, with General Ross being a nuisance. Announcement of FOOM (Friends of Ol' Marvel) fan club with list of premiums and a mail-in coupon. Ad for the Dracula Lives magazine, art by Gene Colan. 36 pgs., full color.