Modern Fantasy comic books issue 1
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Published Jun 2018 by Dark Horse.$5.00
$5.00
$4.00
$2.65
Written by Rafer Roberts. Art and Cover by Kristen Gudsnuk. A young Ranger woman who came to the city with dreams of adventure, her drug dealing reptilian wizard roommate, and her boisterous Dwarf maiden BFF embark on a modern day quest to save the world while struggling to keep their crappy day jobs and pay off their student loans. The roommates become embroiled in danger when one of their significant others finds himself taken by criminals, and the trio must save him. 28 pages, full color. Cover price $3.99.
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Published Jan 2019 by Dark Horse.
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1st printing. Collects Modern Fantasy (2018 Dark Horse) #1-4.
Written by Rafer Roberts. Art and cover by Kristen Gudsnuk.
A young Ranger woman who came to the city with dreams of adventure, her drug dealing reptilian wizard roommate, and her boisterous Dwarf maiden BFF embark on a modern-day quest to save the world while struggling to keep their crappy day jobs and pay off their student loans. Joined by a thief, an elf, a cleric, and a barbarian, the rag tag group are embroiled in an adventure involving magical amulets, the mafia, and a cult!
Softcover, 112 pages, full color.
NOTE: "The book is new, but this world, being well-built, already feels familiar. It's humorous and fun, with the potential to have a nice long run that will keep us interested for the foreseeable future." - Comic Crusaders Cover price $14.99. -
Wide Awake in Slumberland HC (2014) Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay #1-1STTags: Comic HistoryPublished Mar 2014 by University Press of Mississippi.
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1st printing. Written by Katherine Roeder. Art and cover by Winsor McCay. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dreams of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism. Hardcover, 8-in. x 11-in., 240 pages, PC/PB&W. Cover price $60.00.





