January Prime Auction
View the January Prime Auction | View My Bids | View all auction groups | Bidder Agreement
|
Auction questions? Want to sell in an upcoming auction? How to consign. Consignment Director Este Bagato 817-701-0702, auction@mycomicshop.com |
|
$106 16 bids |
|
Batman Sketch by Dick Giordano 2002 A fantastic sketch from legendary Batman artist Giordano who perfectly captures the grim determination of the Dark Knight here! Signed by the artist. Pencil and ink on heavy paper stock. 11" x 13 1/4", B&W. |
|
$38 11 bids |
|
Original Art for the Bringing Up Father Comic Strip (4/5/1970) by Frank Fletcher 1970 Pencil and ink on art board which has been affixed to a sheet of heavy board with glue on the reverse. Art measures 22 1/2" x 15", heavy board measures 16 1/2" x 25". NOTE: Heavy board displays some moisture damage on the reverse, which does not appear to have affected the art board that the strip is drawn on. |
|
$15 4 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (10/18 & 10/19 1993) by Frank Bolle 1993 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the building in panel one of the 10/18 strip is a pasted in printed stat. |
|
$16 4 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (10/23 & 10/24 1991) by Frank Bolle 1991 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the house in panel three of the 10/23 strip is a pasted in printed stat. |
|
$16 6 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (11/1 & 11/2 1991) by Frank Bolle 1991 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$11 4 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (11/27 & 11/28 1996) by Frank Bolle 1996 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$14 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (12/7 & 12/8 1992) by Frank Bolle 1992 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the house in panel one of the 12/7 strip is a pasted in printed stat. |
|
$6 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (5/22 & 5/23 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (5/26 & 5/27 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (6/30 & 7/1 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the hospital in panel one of the 6/30 strip is a pasted-in printed stat. |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/10 & 7/11 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the building in panel one of the 7/10 strip is a pasted-in printed stat. |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/12 & 7/13 1991) by Frank Bolle 1991 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/12 & 7/13 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$16 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/20 & 7/21 1994) by Frank Bolle 1994 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/3 & 7/4 1991) by Frank Bolle 1991 Pencil, ink, and screentone on art board. 9 1/2" x 14 1/2". |
|
$6 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (7/8 & 7/9 1991) by Frank Bolle 1993 Pencil, ink, and screentone on art board. 9 1/2" x 14 1/2". NOTE: Portions of some panels are pasted in stats with printed art. |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (8/1 & 8/2 1994) by Frank Bolle 1994 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the building in panel one of the 8/1 strip is a pasted-in printed stat. |
|
$6 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (8/12 & 8/13 1994) by Frank Bolle 1994 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the art in all panels of the 8/13 strip are pasted-in printed stats |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (8/17 & 8/18 1994) by Frank Bolle 1994 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (9/11 & 9/12 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the exterior image of the courthouse in panel one of the 9/11 strip is a pasted-in printed stat. |
|
$7 3 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (9/13 & 9/14 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the house in panel one of the 9/14 strip is a pasted-in printed stat. |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (9/17 & 9/18 1990) by Frank Bolle 1990 Pencil and ink on art board. 9 1/2" x 14 1/2". |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (9/6 & 9/7 1995) by Frank Bolle 1995 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The majority of the buildings in panel one of the 9/6 strip are pasted-in printed stats. |
|
$6 2 bids |
|
Original Art for the Heart of Juliet Jones Comic Strip (9/8 & 9/9 1994) by Frank Bolle 1994 Pencil and ink on art board. 9 1/2" x 14 1/2". NOTE: The exterior image of the courthouse in panel one of the 9/8 strip is a pasted-in printed stat. |
|
$866 41 bids |
|
Original Art from Action Comics #363 (1968) Page 24 Pencils and Inks by Kurt Schaffenberger 1968 The Maid of Might has her hands...full trying to deal with some extraterrestrial brats in this delightful page by the great Kurt Schaffenberger. When buildings and monuments across the world are mysteriously pulled into the sky, Supergirl leaps in to action only to find that the culprits are a couple of extraterrestrial children playing a game of Monopoly on a massive scale. Some beautiful work by Schaffenberger inking himself here, especially in the angry expression of Supergirl in the third panel. Pencil and ink on art board. 10 3/4" x 16 3/4". |
|
$43 11 bids |
|
Original Art from Alien Encounters #7 (1985) Page 3 Pencils and Inks by Bo Hampton 1986 With a script from Bruce Jones, this grim entry in Eclipse's fantastic sci-fi anthology is an examination of the cycle of endless war that societies become trapped in. Hampton illustrates this beautifully in a packed panel page that sees two human fighters encounter an enemy alien soldier. Fantastic storytelling and emotion conveyed with a high level of craft! Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2". |
|
$66 12 bids |
|
Original Art from Alien Encounters #7 (1985) Page 4 Pencils and Inks by Bo Hampton 1986 Beautiful work from Hampton on this page from a story about the cycle of endless war as two human fighters encounter an alien soldier in a fog-filled battlefield. A great display of Hampton's storytelling skills here in this packed page as the two humans skirt the lines of the Geneva Conventions. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2". |
|
$56 11 bids |
|
Original Art from Amazing Spider-Man Family #7 (2009) Page 20 Pencils by Val Semeiks, Inks by Mike Getty 2009 With May's marriage to Jonah Jameson approaching, she invites Pete over and recounts the story of how she met and fell in love with Ben in this touching issue. With the night drawing to a close, Pete heads out and thinks on what he's just learned realizing that May, Ben, Richard, and Mary all had secrets that they kept. Also included is a copy of the published issue. Signed by Semeiks in lower Margin. 11" x 17 1/4". |
|
$37 6 bids |
|
Original Art from Avengers Academy #28 (2012) Page 15 Pencils by Karl Moline, Inks by Jim Fern 2012 Having achieved empathy and understand thanks to a spell from Nico, the Runaways and the Avengers Academy make up after fighting one and a half super-powered battles over the Runaways' vagabond lifestyle in the wake of the Superhuman Registration Act. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
|
$40 13 bids |
|
Original Art from Avengers Academy #28 (2012) Page 20 Pencils by Karl Moline, Inks by Jim Fern 2012 A sweet final page highlighting the relationship between Hank Pym and Tigra that has a...complicated history thanks to the Skrulls! Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
|
$33 7 bids |
|
Original Art from Avengers Arena #13 (2013) Page 5 Pencils by Karl Moline, Inks by Mark Pennington 2013 It's taken 13 issues, but someone has caught on to Arcade's abduction of several young heroes to compete in a battle to the death- The Runaways! Specifically, Molly Hayes who seems to be the only one who can see through Arcade's tricks and absolutely insists on investigating. Signed by Moline in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". |
|
$51 12 bids |
|
Original Art from Batman #572 (1999) Page 1 Pencils by Damion Scott, Inks by John Floyd 1999 Renee Montoya and her brother are being kept prisoner in this No Mans Land story. The cell, with its flowery bed spread and stuffed animals, shows an attempt to give her confinement a more homily feel- does her captor...care for her? Printed stat on DC comics art board. 11 1/4" x 17". NOTE: The art on this page is ENTIRELY made up of a printed stat with the exception of the top inch around the framing copy. It is likely a final proof that required more editing at the last second. |
|
$41 6 bids |
|
Original Art from Batman Gotham Knights #37 (2003) Page 17 Pencils by Roger Robinson, Inks by John Floyd 2003 After having to call in Metamorpho to stop a Kobra terrorist plot, Batman turns to Spoiler to run down her failures on this mission. Pencil and ink on DC Comics art board. 11 1/4" x 17". |
|
$35 4 bids |
|
Original Art from Batman Gotham Knights #47 (2004) Page 15 Pencils by Roger Robinson, Inks by John Floyd 2004 Drama in the Bat-Family! Alfred, Leslie, Dick, and Tim sit down with Bruce to have a conversation about Bane- who Bruce has gifted a shot at redemption along with the means to track down his birth father and not everyone is happy about that. Pencil and ink on DC Comics art board. 11 1/4" x 17". |
|
$40 5 bids |
|
Original Art from Batman Gotham Knights #49 (2004) Page 17 Pencils by Charlie Adlard, Inks by John Floyd 2004 The Bat Family strikes! As Bane and his newly discovered father King Snake finally grasp the weapon that will help King Snake take control of KOBRA, Batman and Robin spring into action! Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17" |
|
$56 6 bids |
|
Original Art from Batman Gotham Knights #49 (2004) Page 18 Pencils by Charlie Adlard, Inks by John Floyd 2004 The Bat family has closed in on Bane and his biological father King Snake as they attempt to loot a powerful weapon and in the heat of the fight, Bane makes choice- the man who once broke the Bat sacrifices himself to save the Bat! Pencil and ink on DC Comics art board. 11 1/4" x 17" |
|
$11 3 bids |
|
Original Art from Batman Gotham Knights #9 (2000) Page 18 Pencils by Roger Robinson, Inks by John Floyd 2000 In the midst of a dramatic rooftop battle with Hugo Strange, Batman suddenly leaped off of Wayne Tower and landed perfectly in the Batmobile- which suddenly exploded! A stunned Hugo Strange looks down at the carnage from above while Dick Grayson tries a bit of undercover work to get in the building and get at Strange Pencil and ink on DC Comics art board. 11 1/4" x 17". |
|
$130 10 bids |
|
Original Art from Batman: Batgirl #1 (1997) Page 29 Pencils by Matt Haley, Inks by Karl Kesel 1997 Coinciding with Batgirl's big screen debut in Batman & Robin, this one shot took place early in Barbara's career and told the story of her first encounter with the Joker- which has gone horrifyingly awry. After accidentally killing a thug attempting to take a family hostage and being knocked out by the Joker, Batgirl attempts to lead the only other survivor of the attack to safety. Signed by Kesel in lower margin. Pencil and ink on DC Comics art board. 11" x 17". |
|
$56 7 bids |
|
Original Art from Birds of Prey #127 (2009) Page 18 Pencils by Claude St. Aubin, Inks by John Floyd 2009 A bittersweet final page to this long running, fan favorite series! With Barbara Gordon/Oracle deciding to take some time to figure out who she is and what she wants to do, Huntress and Misfit ride off into the sunset! Pencil and ink on DC Comics art board. 11 1/2" x 17". |
|
$475 22 bids |
|
Original Art from Detective Comics #417 (1971) Page 30 Pencils and Inks by Don Heck 1971 A beautifully drawn page that also happens to be a crucial moment in Bat-lore from the great Don Heck! After Batgirl aids an overwhelmed Commissioner Gordon in taking down a group of cop-killing radicals (who were themselves being set up by the mob!), all that's left is for the two definitely-not-related crimefighters to head home. Heck's inking is outstanding here, especially in the close shot of Gordon's face in the the third panel. The most notable thing about this page however is that it reveals that Gordon, through some deductive reasoning worthy of the Dark Knight, has known for a while now that his daughter is Batgirl. Pencil and ink on art board. 10 1/2" x 16". |
|
$404 24 bids |
|
Original Art from Detective Comics #559 (1985) Page 17 Pencils by Gene Colan, Inks by Bob Smith 1985 A nice panel page from a solid issue that finds the Dark Knight and the Emerald Archer at philosophical odds while trying to take down a corrupt chemical manufacturer! Some great panels on this page, especially the third featuring Canary in her new costume. Signed by Colan in lower margin. Pencil and ink on comic art board. 10 3/4" x 16 1/4". |
|
$78 5 bids |
|
Original Art from Dreadstar #51 (1990) Page 1 Pencils by Chuck Wojtkiewicz, Inks by Eric Vincent 1990 A nice sci-fi page with great creature design for this story set in the aftermath of a war (that Dreadstar and his crew helped win) that may not be as over as everyone seems to think! Signed by Wojtkiewicz in lower margin. Pencil and ink on First Comics art board. |
|
$13 4 bids |
|
Original Art from Elven #2 (1995) Page 15 Pencils by Aaron Lopresti, Inks by Hilary Barta 1995 A great fight page punctuated with some of offbeat post-modernism that made the Malibu universe stand out! Elven, a heroine with great power and a mysterious connection to Prime, takes on a mysterious beast in her therapist's office as a news crew (called by the therapist) arrives to get the story. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8". |
|
$11 4 bids |
|
Original Art from Elven #2 (1995) Page 23 Pencils by Aaron Lopresti, Inks by Hilary Barta 1995 Elven finds that her help isn't always appreciated after she nearly disembowels a man who drunk and annoying his girlfriend, flying off into the night and contemplating her mysterious origins. Signed by Lopresti in lower margin. Pencil and ink on Malibu Comics art board 12" x 17 3/8". |
|
$2,550 33 bids |
|
Original Art from Fantastic Four #275 (1985) Page 6 Pencils by John Byrne, Inks by Al Gordon 1985 A...fantastic page from this solo Shulkie story from John Byrne who would go on to redefine the character in her own series just a few years later! After a sleazy paparazzo snaps some pictures of a topless She-Hulk on the roof of the Baxter Building, a chase ensues in the skies over New York, which Byrne and Gordon depict beautifully with some outstanding panels- especially the second and fourth! Pencil and ink on Marvel Comics art board. 10 3/4" x 16". NOTE: The image of the Chrysler building in the first panel is a pasted in stat. |
|
$53 6 bids |
|
Original Art from Flash #104 (1995) Page 11 Pencils by Roger Robinson, Inks by Jasen Rodriguez 1995 As exciting as Flash's speedy exploits are, the drama in Wally and Linda's relationship could be just as thrilling as evidenced by this great 'drama' page that finds the pair talking things out after it's revealed that the story Linda was investigating (and the imminent monster attack) involved an ex-husband that she never told Wally about. Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". |
|
$56 15 bids |
|
Original Art from Flash #104 (1995) Page 2 Pencils by Roger Robinson, Inks by Jasen Rodriguez 1995 An exciting and beautifully drawn page that finds Wally and Linda in a tight spot as Linda's reporting (and Wally's chasing after her) has led them both into a mysterious underground temple filled with Werewolf-like monsters who are somehow fast enough to challenge the Flash. Dynamic figure work and appropriately moody inking make this page a real eye-catcher! Signed by Robinson in lower margin. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2". |
|
$10 6 bids |
|
Original Art from Freex #5 (1993) Page 21 Pencils by Ben Herrera, Inks by Larry Welch 1993 The teenage science experiments known as the Freex are about to make a quick getaway after narrowly fending off the Master of The Hunt and his dog-men in this tense page that's capped off with a beautifully drawn final panel as they realize their enemy isn't completely dead! Signed by Herrera in lower margin. Pencil and ink on Malibu Comics art board. 11 1/2" x 17 1/2". |
|
$160 20 bids |
|
Original Art from Green Arrow #101 (1995) Page 12 Pencils by Rodolfo Damaggio, Inks by Robert Campanella 1995 "He's the greatest guy and the biggest jerk I've ever known", a line from Black Canary that perfectly sums up her relationship with the recently deceased Oliver Queen as she receives the news of his death from Connor Hawke- along with the surprise that Connor is Ollie's son. It's a downbeat, heavy moment but this was the 90's and so it's punctuated with some beautifully drawn, sharply inked cheesecake! Signed by Damaggio in top margin. Pencil and ink on DC Comics art board. 11" x 17" |
|
$110 9 bids |
|
Original Art from Green Arrow #97 (1995) Page 1 Pencils by Rodolofo Damaggio 1995 A dramatic opening to this issue, part of Ollie's last arc (for a while, anyway) before his shocking death! Having learned secondhand that Connor Hawke is his son, Ollie is NOT happy about being deceived by the young hero and wants to make that clear. It's a big moment in the story that ups the stakes for what's to come! Signed by Damaggio in lower margin. Pencil, ink, and screentone on DC Comics art board. 11" x 17". NOTE: Multiple inkers are credited for this issue- Gerry Fernandez, Frank McLaughlin, and Rob Leigh. |
