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Comic books in 'Comics Hobby'

  • Issue #10
    Cartoonist Profiles (1977) 10

    June 1971. Dan DeCarlo interview, Leobnard Starr, Bill Gaines. Cover blurb: "The bearded MADman shown here was honored at a recent surprise party and presented with a souvenir book containing a number of drawings done especially for the occasion by various MAD Magazine artists. Shown here is a drawing by George Woodbridge. Not shown here is an attached dial by means of which the dialogue in the balloons can be changed. Photos and other details inside this issue." Cover price $2.50. Cover price $2.50.

  • Issue #20
    Cartoonist Profiles (1977) 20

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $2.50.

  • Issue #23
    Cartoonist Profiles (1977) 23

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. In this issue: Garry Wills, Andrew Greeley, Paul Greenberg, Doonesbury, Ziggy, Tank McNamara, Spidey Super Stories, Don Wright, Shelby Kelly interview, Walt Disney Studios of the 1930s, Tony Di Preta interview, and more. 8.5-in. x 11-in.; black and white; 56 pages on slick white paper. Cover price $3.00.

  • Issue #26
    Cartoonist Profiles (1977) 26

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. In this issue: Johnny Hart interview, Harvey Kurtzman interview, Jeff Millar/Bill Hinds (Tank McNamara) interview, Fred Gardineer, Harry Hershfield, Norman Mingo interview, Roger Bradfield (Dooley's World) interview, The Little King, Charles R. Bowers animation, and more. 8.5-in. x 11-in.; black and white; 68 pages on slick white paper. Cover price $3.00.

  • Issue #31
    Cartoonist Profiles (1977) 31

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $3.00.

  • Issue #34
    Cartoonist Profiles (1977) 34

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $3.00.

  • Issue #35
    Cartoonist Profiles (1977) 35

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. In this issue: Star Hawks (Ron Goulart/Gil Kane), Charles Schulz in London, Frank McLaughlin interview, Bill Hoest interview, Tintin, Hanna-Barbera animation, Burne Hogarth, Raggedy Ann & Andy animated film, and more. 8.5-in. x 11-in.; black and white; 92 pages on white paper. Cover price $3.00.

  • Issue #37
    Cartoonist Profiles (1977) 37

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. In this issue: interviews with Al Capp, Gil Kane, and Otto Messmer (Felix the Cat), and more. 8.5-in. x 11-in.; black and white; 68 pages on white paper. Cover price $3.00.

  • Issue #38
    Cartoonist Profiles (1977) 38

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. This issue features John and Allen Saunders (Mary Worth, Steve Roper & Mike Nomad), Edwina, "Inside Woody Allen" by Stu Hample, Mort Walker, working in animation in 1923 New York, TV cartoon commercials, editorial cartoonist Newton Thomas Pratt, John F. Langton, Walt Disney's "Pete's Dragon," Sherlocko the Monk, Roy Crane sketchbook, and more. Bonus fold-out poster with self-portraits of the 1970 membership of the National Cartoonists Society (10.75 x 64 in.). Cover price $3.50.

  • Issue #40
    Cartoonist Profiles (1977) 40

    December 1978. Cover blurb: "This is the beginning of an episode in 'Kerry Drake' - based on the real Museum of Cartoon Art. For the story of how it came about read: 'A Paean to my Peers.'" Cover price $3.50.

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    $20 CARTOONIST PROfiles #40 December 1978 John Romita GARFIELD Jim Davis FINE

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  • Issue #41
    Cartoonist Profiles (1977) 41

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $3.50.

  • Issue #42
    Cartoonist Profiles (1977) 42

    June 1979. Cover blurb: "When we interviewed cartoonist Stan Drake about his new syndicated panel 'Pop Idols,' and about his upcoming portrait show featuring 50 famous cartoonists, we said we'd like to feature one of the portraits on our cover. But Stan didn't want to appear to favor one cartoonist over another, so he suggested we solve the problem by using his portrait of your editor, Jud Hurd." Cover price $3.50.

  • Issue #43
    Cartoonist Profiles (1977) 43

    September 1979. Cover blurb: "On April 1, 1979, the day when the new comic strip 'Zeus!' made its newspaper debut, a surprise party was arranged in Honolulu for its creator, Corky Trinidad, by members of 'The House of Cartoons,' Hawaii's Cartoonists' Association. Shown here (L to R) are Gary Kato, George Lee, Corky Trinidad, Don Dougherty, Karen Wong, Dennis Fujitake and Dave Thorne. Zeus! is being distributed by The Register & Tribune Syndicate. Story in this issue." Cover price $3.50.

  • Issue #45
    Cartoonist Profiles (1977) 45

    March 1980. Cover blurb: "Pope John Paul II has just been presented here with a book of Mickey Mouse's adventures, by Franco Fossati from the Press Office of 'Mostra Internazionale dei Cartoonists' in Rome. This photo was sent to us by Carlo Chendi of Rapallo, Italy. Carlo is the well-known writer of Italian comics and an organizer of comics congresses. He writes that The Pope knows Mickey Mouse very well and would like to find time for reading again the stories of the agreeable mouse." Cover price $3.50.

  • Issue #46
    Cartoonist Profiles (1977) 46

    Artist Bob Zschiesche cover featured. Zschiesche saw his cartoons first published in a nationally distributed magazine called Open Road for Boys. In 1943, at the age of 15, Zschiesche began taking classes at the Chicago Academy of Fine Arts. Instructors included Dick Calkins, creator of Buck Rogers. After completing the two-year course, Zschiesche found employment as a mail-boy at the Chicago Tribune. The Tribune editorial cartoonists took time to look over Zschieche´s drawings and recommended him for a job as assistant to Frank King, creator of Gasoline Alley. Cover price $3.50.

  • Issue #47
    Cartoonist Profiles (1977) 47

    The 50th Anniversary of Blondie is cover-featured. Blondie is a much-loved comic strip created by Chic Young that has been syndicated in newspapers since 1930. Originally, the strip centered on Blondie Boopadoop, a carefree flapper girl who spent her days in dance halls. On February 17, 1933, after much fanfare and buildup, Miss Boopadoop was married to Dagwood Bumstead, a wealthy boyfriend of hers. Unfortunately for the Bumsteads, Dagwood was disowned by his upper-crust family for marrying beneath his class, and he has been slaving away in the office of the J. C. Dithers Construction Company to support his family ever since. Blondie and Dagwood have stayed together, living in suburbia next door to Herb and Tootsie Woodley. The Bumstead family has grown with the addition of a son Alexander (originally "Baby Dumpling"), a daughter Cookie, and a dog named Daisy. Alexander and Cookie have grown up into teenagers who uncannily resemble their parents. Blondie has received many honors throughout the years as a classic comic strip, including its own U.S. postage stamp in 1995. Chic Young drew Blondie until his death in 1973, when the control of the strip passed to his son Dean Young. Dean Young has collaborated with a number of artists on the strip, including Jim Raymond, Stan Drake, and most recently Dennis LeBrun. While the look of Blondie has been carefully preserved, a number of details have been altered to keep up with changing times. Blondie herself is no longer simply a house-wife, but she and Tootsie Woodley started a catering business in 1991. Dagwood still knocks heads with his boss, Mr. Dithers, but now he does it in his capacity as Webmaster for J. C. Dithers Construction Company. Cover price $4.00.

  • Issue #48
    Cartoonist Profiles (1977) 48

    Issue No. 48 has profiles or features covering the following artists: Henry Boltinoff, Gordon Campbell, John Canemaker, Al Capp, Jerry DeFuccio, Tony Di Preta, Bill Gallo, Johnny Hart, David Hilberman, Bil Keane, I. Klein, Harry Love, Ranan Lurie, Duncan Macpherson, Grim Natwick, Charles Schulz, Raeburn Van Buren, Mort Walker, and Zim. Cover price $4.00.

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    $25 Cartoonist Profiles #48 December 1980

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  • Issue #49
    Cartoonist Profiles (1977) 49

    Cover feature is an interview with writer Jim Lawrence and artist Ron Harris on producing the "Dallas" comic strip based on the popular TV series. Interview with BC's Johnny Hart. Hank Ketcham talks about thirty years of Dennis the Menace. Article on Tex Avery. Cover price $4.00.

  • Issue #50
    Cartoonist Profiles (1977) 50

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #51
    Cartoonist Profiles (1977) 51

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #52
    Cartoonist Profiles (1977) 52

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #54
    Cartoonist Profiles (1977) 54

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #55
    Cartoonist Profiles (1977) 55

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #57
    Cartoonist Profiles (1977) 57

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #59
    Cartoonist Profiles (1977) 59

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #61
    Cartoonist Profiles (1977) 61

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #65
    Cartoonist Profiles (1977) 65

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #66
    Cartoonist Profiles (1977) 66

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

    The listing below is from eBay, and MyComicShop is not responsible for this item in any way. Some listings shown here may no longer be available if they sold or were ended by the seller after we last retrieved the listing details.

    $40 CARTOONIST PROfiles #65,66,67,77 Yogi Mother Goose March 1985-March 1988 VF/NM

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  • Issue #67
    Cartoonist Profiles (1977) 67

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $5.00.

  • Issue #72
    Cartoonist Profiles (1977) 72

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. In this issue: Jim Davis interview, Dean Young/Stan Drake (Blondie) interview, John Richardson on cartooning in England, George Booth, Jonny Quest, Bob Clarke, and more. 8.5-in. x 11-in.; black and white; 88 pages on white paper. Cover price $6.00.

  • Issue #73
    Cartoonist Profiles (1977) 73

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $6.00.

    The listing below is from eBay, and MyComicShop is not responsible for this item in any way. Some listings shown here may no longer be available if they sold or were ended by the seller after we last retrieved the listing details.

    $9 CARTOONIST PROfiles #73 March 1987 Prince Valiant FINE

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  • Issue #74
    Cartoonist Profiles (1977) 74

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $6.00.

  • Issue #75
    Cartoonist Profiles (1977) 75

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. Cover price $6.00.

  • Issue #101
    Cartoonist Profiles (1977) 101

    CARTOONIST PROfiles magazine allows syndicated cartoonists to tell, in their own words, what it took for them to become professionals. Comic artists explain their own unique method of creating a continuous flow of ideas, which have sustained them over long periods of time. This magazine explains how the cartoonist brought himself to the attention of the major syndicates. They tell their own life experiences have enabled them to speak with that unique voice. This issue features Cathy Guisewite, Leo Stoutsenberger, Charles Addams, and others. 82 pages. Cover price $8.00.

  • Issue #1968B
    Cartoonist Reuben Awards Program 1968B


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    • Staple rust: Slight.
    • Staple rust: Slight.

    The Cartoonist Reuben Awards Dinner Program (1968) is published by King Features. The National Cartoonist Society gathers to honor it's best and brightest members of the year. Also included are articles by world famous cartoonist such as Rube Goldberg, Jack Tippit, and many more. 60 pages, color cover with black and white illustraions and photos, 8.50-in x 11-in.

  • Issue #1974
    Cartoonist Reuben Awards Program 1974

    The Cartoonist Reuben Awards Dinner Program (1974) is published by King Features. Join the National Cartoonist Society as they honor the best artist and writers of the year. Also featured are several articles by many prominent members of the NCS. 72 pages, color cover with black and white photos and illustrations, 8.30-in x 11-in.

  • Issue #1975
    Cartoonist Reuben Awards Program 1975

    The Cartoonist Reuben Awards Dinner Program (1975) is published by King Features. Join the National Cartoonist Society as they honor the best artist and writers of the year. Also featured are several articles by many prominent members of the NCS. 60 pages, color cover with blavk and white photos and illustrations, 8.30-in x 11-in.

  • Issue #1982
    Cartoonist Reuben Awards Program 1982

    The Cartoonist Reuben Awards Dinner Program (1982) is published by King Features. A salute to Milton Caniff. 60 pages, color cover with black and white illustrations and photos, 8.25-in x 11-in.

  • Issue #1-1ST
    Cartoonist's Workshop SC (2004 Collins & Brown) 1-1ST


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    1st Printing. Written by Steve Marchant. From mastering the correct facial proportions to drawing believable scenes with human and animal figures: thats where this effective and engaging how-to course takes would-be cartoonists, whether they want to create a superhero or mock the latest political shenanigans. It teaches basic drawing skills, provides guidance on the necessary tools, covers a wide range of styles and techniques, and offers thoughtful projects that encourage experimentation and originality. The plentiful images delight while they instruct beginners on perspective and foreshortening; depicting the figure in movement and through body language; portraying furniture and common objects; and defining a sense of place. Develop a good sense of composition, see how to come up with ideas, and put together an effective portfolio. An artists gallery presents a range of enjoyable professional work, including caricature and political satire, childrens cartoons, slice-of-life sequences, and more! Softcover, 8 1/2-in. x 11-in., 128 pages, full color. Cover price $14.95.

  • Issue #1
    Cartoonist, The (1997) 1

    Stories, art and cover by Teri Sue Wood, aka Resa Challender, plus an introduction by Neil Gaiman. A collection of Teri Sue Woods Cartoonist strip from Amazing Heroes Magazine. Satirical comments on the various fads and trends of the comics industry in the late 80s and early 90s, a turbulent period for comics. 32 pages, B&W. Cover price $2.95.

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    $4 Cartoonist, The #1 FN; Sirius | Neil Gaiman Teri Sue Wood Dog Star - we combine

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  • Issue #1
    Cartoonists and Illustrators Portfolio (1978) 1

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    $103 CARTOONISTS AND ILLUSTRATORS PORTFOLIO #1, VF/NM, Magazine, Barry Smith 1977

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  • Issue #1931N
    Cartoonists Philosophy by Percy Crosby (1931) 1931N
    • Paper: Off white to white

    First printing, no dust jacket. A Cartoonist's Philosophy by Percy Crosby was self-published by the author after many publishers rejected the book. The book is illustrated with ten full page plates by Crosby, including three in color and one duo-tone image. The images include cityscapes, character studies, and political cartoons. A reflective, autobiographical work, full of touching details and keen observation. Part I describes Crosby's travels in France. In Part II, Crosby contrasts social conditions in Europe with those in the U.S. Crosby won great fame and wealth as the creator of the comic strip Skippy which, in its day, was as popular as Charles Schultz's Peanuts. Skippy was in syndication for two decades and served as the basis for several novels, comic books, Big Little Books, and films. Crosby also published Three Cheers for the Red, Red and the Red, which derided the New Deal.

  • Issue #0
    Cartoons and Crosswords (1971 Western Publishing) 0
  • Issue #NN
    Century of Comics (1933) NN
    • Paper: Cream to off white
    • Consignment. 3% buyer's premium charged at checkout.

    Stories and art by Ham Fisher and others. Edited by Max Gaines. Considered by many historians to be the third true comic book ever published, featuring reprints of newspaper comic strips - an innovative idea for the time. Produced as a promotional item, it was offered as a giveaway by Wheatena, Milk-O-Malt, Kinney Shoes, and other companies. Classic newspaper comics featuring Joe Palooka, Mutt and Jeff, and other popular strips of the day. An artifact of its era and a piece of comics history. 100 pages, Full Color.

  • Issue #1A
    Cerebus Archive (2009) 1A

    Written by Dave Sim. Art by Dave Sim. Various Dave Sim's Archives File Drawer #1 (1972-1979) provides the raw material for Cerebus Archive, the new light-hearted bi-monthly series from Cerebus creator Dave Sim, covering his career from 1972 to the present! It's a mortified (but tongue-in-cheek) look back by Dave Sim at the first prototype drawings of his earliest cartoon creations, The Beavers, along with his first professionally published comic-book story 'Cry of the White Wolf' (art by Stan Connerty), complete in this issue! In addition to Sim's commentary, you'll also find letters from Gene Day the year before he was accepted at Marvel Comics, a rejection letter from Gray Morrow, and a 1975 reproduction from the only comic book to feature - in one issue - the work of John Byrne, Gene Day, Frank Cirocco and Dave Sim. With six issues 'in the can' - and the creation of Cerebus as a cartoon mascot for a sword-and-sorcery/fantasy fanzine still a year away... Cerebus Archive might turn out to be Dave Sim's next 300-issue limited series! Cover price $3.00.

  • Issue #2A
    Cerebus Archive (2009) 2A

    Written by Dave Sim. Art by Dave Sim. 'From out of the slightly tarnished end of the Bronze Age of Comics,' it's the second issue of Cerebus Archive, chronicling Dave Sim's history as a cartoonist from 1972 to the present. This issue features 'Life Suit' and 'Justice' from 1974-75, a rejection letter from Gray Morrow, letters from Gene Day, and the next few steps in the history of 'The Beavers,' Sim's pre-Cerebus Canadian newspaper strip. Cover price $2.00.

  • Issue #3
    Cerebus Archive (2009) 3

    Story and Art by Dave Sim Three complete stories - 'The Necromancer,' 'The Company Man,' and 'Gravedigger's Banquet' - all from the 1970's including Dave Sim's abortive attempts to break in at Charlton Comics, complete with rejection letters from Charlton editor George Wildman. Cover price $3.00.

  • Issue #1A
    Cerebus High Society Notebook (2021 Aardvark-Vanaheim) 1A


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    2nd Printing. Black and white cover limited to 300 copies. Cerebus High Society 40th Anniversary 64 pages of unpublished Dave Sim sketchbook material, printed on premium paper. Cover price $20.00.

  • Issue #1C
    Cerebus High Society Notebook (2021 Aardvark-Vanaheim) 1C


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    2nd Printing. Color cover limited to 200 copies. Cerebus High Society 40th Anniversary 64 pages of unpublished Dave Sim sketchbook material, printed on premium paper. Cover price $20.00.

  • Vol. 4 #1
    Chaos Magazine Vol. 4 #1
    Chaos Magazine Vol. 4 #1
    Published 1994 by No Publisher Listed.

    Underground zine with comics, articles, and zine reviews. 6-5/8 in. x 10-1/8 in.; black and white; 32 pages. Cover price $3.00.