Auctions: comic books 1980 or later

Original Art from First Guard #2 (2026 G-Man Comics) Page 3 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 4 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 5 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 6 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 7 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 8 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from First Guard #2 (2026 G-Man Comics) Page 9 Pencils and Inks by Ron Williams

Signed by Williams in lower margin. Pencil and ink on art board. 11" x 17".

Original Art from Ghost Rider #15 (2007) Page 1 Breakdowns by Javier Saltares, Finishes by Mark Texeira

A beautifully drawn opening page sets the scene for a shocking revelation as a small town single mother is about to get some unexpected news from her daughter! Signed and remarked by Texeria in top margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Ghost Rider #8 (2007) Page 6 Breakdowns by Javier Saltares, Finishes by Mark Texeira

It's not just New York City that has to contend with the extraordinary forces at play in the Marvel Universe! A grisly murder in small town Illinois has residents on edge and the only witness, a young girl named Emily, isn't in a position to give any details. Signed and remarked by Texeria in top margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4".

Original Art from Harvey Hits #123 (c. 1967) Complete Story 'The Jumps' (Unpublished)

Produced for what would have been the issue following Harvey Hits' last, K9 troop Muttsy sneaks aboard a mission flight and causes a commotion when the General brings along his cat. Pencil and ink on five sheets of art board. 13 3/4" x 20".

Original Art from Injustice 2 #5 (2017) Page 5 Inks Vicente Cifuentes, Printed Pencils by Bruno Redondo

Bruce Wayne. Ted Kord. Two normal humans who used nothing but their brains, brawn, and bottomless fortunate to fight crime as costumed vigilantes, but as time has passed things have changed. Batman now fights to heal the wounds Superman caused from his tyrannical regime, while Ted, retired from superheroics, trains the next generation of Blue Beetle. It is up to these two and select others chosen by batman specifically for their wealth and connections to guide the world out of the haze that was Superman's regime and into a new brighter world. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Injustice Gods Among Us Annual #1 (2014) Pg 10 Inks and Printed Pencils by Vicente Cifuentes

After having the bright idea to impersonate Jim Gordons long missing wife, Clayface now finds himself on the wrong side of a rightfully pissed off former police commissioner. Cifuentes does a great job of making Gordon into this imposing figure while the monstrous Clayface looks absolutely terrified. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Sad Sack #167 (1965) Partial Page Strip 'More! More! More!'

Pencil and ink on art board. 7" x 18 1/2"

Original Art from Sad Sack and the Sarge #69 (1968) Complete Story 'The Non-Com From Neptune Part One'

Extraterrestrial happenings are afoot as Sarge is replaced by a shape shifting alien named Glork in a story with quite a cliffhanger! Pencil and ink on five sheets of art board. 14 1/2" x 23 1/4".

Original Art from Sad Sack and the Sarge #69 (1968) Complete Story 'Weather Beaten!'

Sarge's reverence for the USPS and their famous motto is tested in this fun story with an unexpected reveal at the end! Pencil and ink on five sheets of art board. 13 3/4" x 19 3/4".

Original Art from Sad Sack and the Sarge #75 (1969) Partial Page Strip 'Getting Rid of HIm'

Pencil and ink on art board. 7 1/4" x 18 1/4"

Original Art from Secret Files of the Suicide Squad Digibook (2016) Page 8 Printed Pencils and Ink by Vincente Cifuentes

Deadshot gets his target in his sights and, after setting his face with an expression of determination, squeezes the trigger and fires through the window. Classic Deadshot. Ink over printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Secret Files of the Suicide Squad Digibook (2016) Page 9 Printed Pencils and Ink by Vincente Cifuentes

After Deadshot eliminates his target, the mans family rushes around the body as Deadshot holds his position. Later back home, Deadshot is reunited with his daughter as they embrace in a hug for a nice parallel. Inks over printed pencil on art board. 11 5/8" X 16 1/2".

Original Art from Spectre #25 (2003) Page 3 Pencils by Norm Breyfogle, Inks by Dennis Janke

The DEO's Agent Franco is tracking the monstrous meta known as Rabid as he tears across the country- but is there more to this than just another rampaging brute? Breyfogle and Janke present this scene nicely with the zoom in on on the ghostly image of The Spectre visible in the broken glass behind Rabid. Signed by Breyfogle in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Superboy #150 (1968) Page 10 Pencils by Bob Brown, Inks by Jack Abel

A dramatic page from this surprisingly creepy adventure of Superboy that finds the Kent family dealing with an uninvited houseguest- the mysterious "Uncle" Cipher! On this page we see Superboy putting together his plan to remove the stranger from his home as thunderstorms batter Smallville with some great images of the villain to close out the page. Pencil and ink on art board. 10 3/4" x 16 1/4".

Original Art from Teen Titans #11 (2012) Page 1 Pencils by Brett Boothe, Inks by Norm Rapmund

A powerful opening page for this issue finds Wonder Girl (Cassie Sandsmark) beginning to succumb to the power of her Silent Armor, an alien suit that requires an immense amount of willpower to keep it from consuming its wearer. Booth's posing on Cassie here evokes the classic Wonder Woman bondage trope, but the gruesome twist that the bonds are coming from within her body adds a whole new dimension to to harrowing scene. Pencil and ink on comic art board. 11" x 17".

Original Art from The Gift #5 (2004) Page 22 Pencils by Tyler Kirkham, Inks by Rich Bonk

A dramatic scene from the closing pages of this semi-anthology horror series focusing on Henry, an abused child who accepts the titular Gift, a pinwheel in this issue, and uses its power to to punish his father- though of course things go further than he intended! Includes certificate of authenticity from Tyler Kirkham. Pencil and ink on comic art board. 11" x 17".

Original Art from Titans #4 (2016) Page 12 Pencils by Brett Boothe, Inks by Norm Rapmund

A wonderfully laid-out page from this issue that sees the Titans (and Wally in particular) dealing with Kadabra, who has kidnapped Linda and set the Titans against each other. Pencil and ink on comic art board. 11" x 17".

Original Art from Titans #9 (2017) Page 20 Pencils by Brett Boothe, Inks by Norm Rapmund

A dramatic final page and a fantastic showcase for Bumblebee as she speeds away from Titans Tower to confront the Fearsome Five! Pencil and ink on comic art board. 11" x 17".

Original Art from Trinity of Sin Pandora #2 (2013) Page 1 Inks by Vicente Cifuentes Printed Pencils by Daniel Sampere

The sun sets on the pyramids as the sins Pride and Envy meet to discuss Pandora. Pride says Pandora seeks to destroy them and thanks to the now-dead Wizard, she has the box and the clue to figure out how to do it. Ink over Printed pencils on art board. 11 5/8" X 16 1/2".

Original Art from Trinity of Sin Pandora #3 (2013) Page 9 Inks by Vicente Cifuentes Printed Pencils by Daniel Sampere

With the Justice League possessed by the seven deadly sins, Pandora thinks back to her past and her training where she debates the necessity of evil and its place in the universe with her mentor Adalger. After debating the merits of Thomas Aquinas and Augustine, Adalger lets an arrow go right at Pandora's face. Ink over printed pencil. 11 5/8" X 16 1/2".

Original Art from World War Hulk #1 (2007) Pages 27-28 Pencils by John Romita Jr., Inks by Klaus Janson

An Incredible double page spread from two masters of comic art signals the official start of World War Hulk! After quickly dispatching Black Bolt on the moon and sending a message to earth demanding the presence of the Illuminati who shot him into space, it's time smash! Iron Man, clad in his Hulkbuster armor, and the Hulk collide in midair, sending shockwaves through New York City as some of the world's most powerful heroes cower in fear. The art is absolutely stunning in its original form, especially the care and detail put into the shockwaves in the central image. Pencil and ink on two sheets of Marvel Comics art board affixed to each other on the reverse with masking tape. 22" x 17 1/4".

Original Concept Art for The Beyonder (Secret Wars) by Larry Hama

A perfect confluence of corporate synergy and creativity, Marvel Super Heroes Secret Wars was initially proposed to the publisher by Mattel who were interested in a line of Marvel action figures, but also wanted a comic book that directly related to the toy line. Dubbed Secret Wars by Mattel, Marvel was given almost total leeway for the story with the caveats that there must be a base for the heroes and vehicles for characters to pilot.

Though it sounds surprising in hindsight, Marvel had trouble finding a writer who wanted to write "the toy book" and eventually the role was filled by legendary Editor in Chief Jim Shooter who immediately began crafting the massive story. The comic was drawn by Mike Zeck and John Beatty with Bob Layton penciling a few issues, but it was an all hands on deck affair for Marvel in creating the concepts and aesthetics for the series. Zeck and Layton alongside John Byrne, John Romita Jr., and Hama all contributed designs for the series. The Beyonder, the cosmic entity responsible for stranding Marvel's heroes and villains on Battleworld, did not actually appear in physical form in the original 12-issue series. It wasn't until Secret Wars II #3 in mid-1985 that The Beyonder got corporeal for a bit and assumed his 'classic' look and he didn't don his battle armor until Avengers #260 in October of 1985 which makes it even more interesting that these pieces are dated and copyrighted 1984 showing that Shooter and Marvel were all in on the concept.

Hama's designs for the character in his two main forms are absolutely fantastic. In his "civvie outfit", which closely resembles how the character would eventually appear in publication, Hama perfectly captures the idea of an infinitely powerful being beyond human comprehension taking the form of man. There's an undeniably ethereal quality to the figure, long and lean with Hama's loose but intentional pencil work providing a sense of constant motion and barely contained energy to the draping of his outfit that rivals the literal energy in the palm of his hand. The battle armor that The Beyonder would don in the comics bears little resemblance to Hama's design here, but with all due respect to final design (and with the understanding that artists would potentially have to be drawing it on a monthly basis in many cases) Hama's is waaaaay cooler. Already accustomed to the intersection of comics and toys with his landmark work on GI Joe: A Real American Hero, Hama goes all out for the Beyonder's battle armor in a design that absolutely looks like something you'd want to rip out of a blister pack and play with. The large, shoulder-mounted turbines and futuristic stalk-like rocket boosters are an undeniably eye-catching element, drawing the eyes inward to the complex, greeble-covered suit which must be housing some incredible and inconceivable technology.

Along with a letter of provenance from Hama written on Marvel stationary featuring the iconic web-slinging menace Spider-Man, these pieces are an astounding window into the process of creating comic book history.

Design sheets are in pencil on comic art board with Marvel copyright stats affixed with tape, are signed by Hama, and measure 11" x 17". Letter of provenance from Hama is on Marvel Comics stationary and measures 8 1/2" x 11". Also included are copies of Secret Wars II #3 and Avengers #260.

Original Mysterymen (1999) 1 CGC 9.9

Paper: White

Label #4698813018

Cover by Bob Burden. "Who Are The Mysterymen?"; Essay discussing the history of the Mysterymen, their previous appearances in Flaming Carrot Comics, and an introduction to this mini-series. "Monster in a Shipyard," script by Bob Burden, pencils by Stephen Sadowski, inks by Christian Alamy; Bored and hung over, The Strangler, The Metro Marauder, and The Spleen go over to the shipyard to shoot guns and encounter a monster. 36 pgs., full color. $2.95. Cover price $2.95.

Out of This World (1989) 1 FN- 5.5

Scuffing.

Nifty sci-fi reprints from the 1950s. Cover by Bruce Timm. From Strange Worlds (1950 Avon) #9: "Ransom -- One Million Decimars," art by Everett Kinstler; "World of the Monster Brain," and "Radium Monsters," art by Michael Becker? From Strange Worlds (1950 Avon) #6: Kenton of the Star Patrol in "Monster Men of Space," art by Kinstler and "The Man Who Owned the Earth," art by John Rosenberger; from Tomb of Terror (1952) #6: "The Survivors," art by Joe Certa; and "Ten Thousand Years Old," art by Ross Andru, which originally appeared in Weird Tales of the Future #1. B&W, standard paper stock. Cover price $3.50.

Overwatch Tracer Signed Print by Jamie Tyndall

High quality print on heavy stock. Signed by the artist. COA from Jamie Tyndall Inc is included. 11" X 17".

Oz Fall of the Emerald City (2024 Zenescope) 1K CGC 9.8

Paper: White

Variant Cover K.

Label #4590220008

2024 April Leather, Lace, and Latex Collectible cover by Sun Khamunaki - limited to 299 copies. Written by David Wohl. When the fallen of Oz and Earth begin to return to the lands of the living, Dorothy, Glinda and all of their allies must join forces to discover the cause and fight against this fateful event, before the Emerald City falls forever. Don't miss this shocking new series that will change the world of Oz forever! 22 pages, full color. Rated T

Oz Fall of the Emerald City (2024 Zenescope) 2F CGC 9.8

Paper: White

Variant Cover F.

Label #4645979003

2024 May/June Collectors Club Topless Collectible Cover by Paul Green - limited to 100 copies. Written by David Wohl. Polychrome has arrived to save the Emerald City from all who threaten to harm it, and many of its citizens already worship this glorious and powerful deity. But Dorothy Gale has a feeling that Polychrome's promises of peace and resurrection are too good to be true. But can she do anything to stop the Goddess from taking control? 32 pages, full color. Rated T

Oz Fall of the Emerald City (2024 Zenescope) 3F CGC 9.8

Paper: White

Variant Cover F.

Label #4612765006

2024 July Spacepunk Collectible Cover by John Royle - limited to 200 copies. Written by David Wohl. Polychrome has taken control of Emerald City and all of the Kingdoms of Oz now bow to her seemingly benevolent will. But Dorothy Gale has discovered the dark secret that threatens to destroy everything and has begun to fight back-but with her allies already in the thrall of the Empress, is it already too late? 32 pages, full color. Rated T

Oz Fall of the Emerald City (2024 Zenescope) 3I CGC 9.8 SS DeBalfo

Paper: White

Signed by Mike DeBalfo on 3/22/25. Variant Cover I.

Label #4577057002

2024 San Diego Comic Con Topless Collectible Cover by Mike DeBalfo - limited to 99 copies. Written by David Wohl. Polychrome has taken control of Emerald City and all of the Kingdoms of Oz now bow to her seemingly benevolent will. But Dorothy Gale has discovered the dark secret that threatens to destroy everything and has begun to fight back-but with her allies already in the thrall of the Empress, is it already too late? 32 pages, full color. Rated T

Oz Kingdom of the Lost (2023 Zenescope) 1K NM 9.4

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2023 Art Book Kickstarter Exclusive Topless Collectible Cover by Meguro - limited to 50 copies. Written by David Wohl. 32 Pages of content! Dorothy and her team must venture far from the Emerald City in search of the missing Tin Man. What they uncover along the way will unlock mysteries that have been hidden from the citizens of Oz for generations and will change everything they believe about the so-called Wonderful Land they call home. 40 pages, full color. Rated T

Oz Kingdom of the Lost (2023 Zenescope) 2E CGC 9.8

Paper: White

Variant Cover E.

Label #4724781008

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2023 Fairy Tale "Snow White" Topless Collectible Cover by John Royle - limited to 100 copies. Written by David Wohl. 32 Pages of content! Deep in the heart of Winkie Country, Dorothy and her team have traveled far in search of their long lost (and feared dead) companion, Nicholas, the Tin Woodsman, and they have finally found him. Now they just need to survive the experience! 40 pages, full color. Rated T

Oz Return of the Wicked Witch (2022 Zenescope) 3F CGC 9.8

Paper: White

Variant Cover F.

Label #4490649002

2023 March Artist Remix Collectible Cover by Michael Dooney - limited to 99 copies. Written by David Wohl. Cover by Daniel Maine. After a devastating loss, Dorothy and the remaining heroes of Oz finally join forces with Glinda, but will that even be enough against Mombi and her ever-growing undead army bent on the destruction of all they hold dear! 40 pages, full color. Rated T+

Oz Return of the Wicked Witch (2022 Zenescope) 3J CGC 9.8

Paper: White

Variant Cover J.

Label #4646009010

2023 Diamond Retailer March Platinum Collectible Cover by Mike Krome - Limited to 99 copies. Written by David Wohl. Cover by Daniel Maine. After a devastating loss, Dorothy and the remaining heroes of Oz finally join forces with Glinda, but will that even be enough against Mombi and her ever-growing undead army bent on the destruction of all they hold dear! 40 pages, full color. Rated T+

Pacific Presents (1982) 2 VF+ 8.5

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Cover by Dave Stevens. Edited by David Scroggy. Stories by Dave Stevens, Robin Snyder and Steve Ditko. Art by Dave Stevens and Steve Ditko. An early anthology series from influential independent publisher Pacific Comics. In the fourth chapter of Dave Stevens beloved Rocketeer series, Cliff meets two familiar-looking gents who turn out to work for the Man of Bronze himself, Doc Savage. Also, Missing Man, another offbeat hero from Marvel legend Steve Ditko. Lettering by future superstar artist Andy Kubert. The Rocketeer saga continued in Rocketeer Special Edition (1984) #1. Rocketeer Chapter 4; The Missing Man Meets The Payne Family. 32 pages, Full Color. Cover price $1.00.

Pacific Presents (1982) 2 VG/FN 5.0

Cover by Dave Stevens. Edited by David Scroggy. Stories by Dave Stevens, Robin Snyder and Steve Ditko. Art by Dave Stevens and Steve Ditko. An early anthology series from influential independent publisher Pacific Comics. In the fourth chapter of Dave Stevens beloved Rocketeer series, Cliff meets two familiar-looking gents who turn out to work for the Man of Bronze himself, Doc Savage. Also, Missing Man, another offbeat hero from Marvel legend Steve Ditko. Lettering by future superstar artist Andy Kubert. The Rocketeer saga continued in Rocketeer Special Edition (1984) #1. Rocketeer Chapter 4; The Missing Man Meets The Payne Family. 32 pages, Full Color. Cover price $1.00.

Painkiller Jane Signed Lot of 6

Issue 1A of Painkiller Jane vs. The Darkness (1997) signed by Amanda Conner and Jimmy Palmiotti, issues 1A, 1B, 1C, 1D of Painkiller Jane vs. The Darkness (1997) signed by Joe Quesada and Palmiotti, and issue 1B of Painkiller Jane (1997) signed by Quesada and Palmiotti. No autograph certification is included. Most will grade in the VF to NM range.

Painkiller Jane Signed Prints Lot of 5 by Jimmy Palmiotti

Signed by Joe Quesada and Jimmy Palmiotti. No autograph certification is included. High quality print on heavy stock. 6 3/4" X 10 1/2"

Palace of the Golden Princess (2025 Pocket Jack) 3C CGC 9.8

Paper: White

Paint Naughty Gold Foil Edition.

Label #4733729014

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Written by Preston Poulter. Art by Ediano Silva (Pencils), Jag Kumar (Inks), Blond. Cover by Whisky Paint Thrill at the battle in the throne room versus the evil Queen Arika and her army of warrior women. Marvel at the Queen s dedication to the ritualistic subjugation of men. Witness Thora seducing her innocent squire, Gretchen, on the altar of the Mistress of Oblivion! 24 pages, not rated, full color Cover price $9.50.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164018

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164019

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164009

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164004

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164005

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.

Paper Girls (2015 Image) 1 CGC 9.8

Paper: White

Label #3860164006

Written by Brian K. Vaughan. Art and Cover by Cliff Chang. In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure! 48 pages, full color. Rated T+ Cover price $2.99.