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Comic books in 'Binding: saddle stitched'

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    Issue #8 - second half of Apr. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #9
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    Issue #9 - first half of May 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #10
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #10


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    Issue #10 - second half of May 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #11
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #11


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    Issue #11 - first half of June 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #12
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    Issue #12 - second half of June 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #13
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #13


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    Issue #13 - first half of July 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #14
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #14


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    Issue #14 - second half of July 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #15
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    • Spine split 25%. Water damage: Moderate. Staple rust: Moderate.

    Issue #15 - first half of Aug. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #16
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    Issue #16 - second half of Aug. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #17
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #17


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    Issue #17 - first half of Sept. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #18
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #18


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    Issue #18 - second half of Sept. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #19
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    Issue #19 - first half of Oct. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #20
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #20


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    Issue #20 - second half of Oct. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #21

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    Issue #21 - first half of Nov. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #22

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    Issue #22 - second half of Nov. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #23
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #23


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    Issue #23 - first half of Dec. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1920, #24
    Der Orchideengarten (German 1919-1921 Dreilanderverlag) The Orchids Garden 1920, #24


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    Issue #24 - second half of Dec. 1920. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • This item is not in stock at MyComicShop. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available.

    Issue #1 - Jan. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Contents for this issue: "Ein Vampir" by E.T.A. Hoffman, illustrated by Otto Linnekogel, "Das Weissehaus" by Ferdinand Weinhandl, "Sterndeutung" by Karl Hans Strobl, spot illustration by Karl zu Eulenburg. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #2

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    Issue #2 - Feb. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #3

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    Issue #3 - Mar. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #4

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    Issue #4 - Apr. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #5

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    Issue #5 - May 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #6

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    Issue #6 - June 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #7

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    Issue #7 - July 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #8

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    Issue #8 - Aug. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #9/10

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    Issue #9/10 - Sept. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • 1921, #11/12

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    Issue #11/12 - Nov. 1921. NOTE: German language text. Der Orchideengarten or The Orchids Garden is considered the first magazine of the macabre and fantastic. Weird Tales, its nearest competitor, was first published in 1923, four years later. Subtitled Phantastische Blatter, loosely translated to Fantastic Pages. Edited by World War I correspondent Karl Hans Strobl and Alfons von Czibulka. Overall, the magazine published a selection of new and reprinted supernatural and horror stories from both domestic and foreign authors (Dickens, Pushkin, Maupassant, Poe, Valtaire, Wells, Hugo). The Orchids Garden is more well known as being one of the most beautiful fantasy magazines ever published. Artists included Heinrich Kley, Alred Kubin, Karl Ritter, Gustave Dore, Tony Johannot, Otto Linnekogel, Rolf von Hoerschelmann and many others. Extremely scarce. 8 3/4-in. x 12-in., 24 pages on rough book paper, black and white.

  • Vol. 2 #12
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    • Spine split 5%. Staple rust: Extensive.

    German language nudist magazine. Title translates: The Sun Man - Magazine for progressive and modern nudist culture. 8.25" x 11.5", 20 pages, B&W. NOTE: All text in German. MATURE Cover price $1.50.

  • Issue #1
    Der Vandale (1996) 1

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    Written by Richard Brindisi Art by Fred Antonacci - 32 Pages B&W Color Cover

  • Issue #2B
    Der Vandale (1996) 2B
    Published 1996 (est.) by Innervision.

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    Written by Richard Brindisi Art by Fred Antonacci - 32 Pages B&W Color Cover

  • Issue #3
    Der Vandale (1996) 3

    Written by Richard Brindisi Art by Fred Antonacci - 32 Pages B&W Color Cover

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    $10 Vandale, Der #3 FN; Innervision | w/Bag+Board

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  • Issue #3
    Desert Peach (2009 Fine Line Press) 2nd Edition 3

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    2nd Edition. "A Day at the Beach" by Donna Barr. The Peach uses a recent prisoner, from Hawaii, to talk his high-ranking brother into surfing for submarines. The Afrika Korps -- including Desert Fox Erwin Rommel -- in historically correct Afrika Korps bathing costume -- nothing and their hats. Donna Barr takes on the fear of nudity that is rampant in America by letting another people who is not so immature about the natural and normal take it all off. Sun, sand and coffin-lids; it never got funnier or weirder in the entire series. 36 Pages, B&W. Cover price $3.99.

  • Issue #4
    Desert Peach (2009 Fine Line Press) 2nd Edition 4

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    2nd Edition. "Is There a Nazi in the House?" by Donna Barr. The Peach finds out more about his soldiers' background than he wants to. The boys in Berlin are all jealous of the Desert Fox's pull with Hitler. They're coming for a fact-finding and dirt-digging visit. The Desert Peach has to find a genuine Nazi-party member in his unit, ASAP- but that may be easier said than done. Just because a man is wearing boots in the German army doesn't mean he's signed up for Nazi Party health insurance. 36 Pages, B&W. Cover price $3.99.

  • Issue #6
    Desert Peach (2009 Fine Line Press) 2nd Edition 6

    2nd Edition. "A Day Like Any Other" By Donna Barr. A new doctor is assigned to the 469th Half-track, Support and Grave-digging Battalion. In introducing the officer to the men, the Peach discovers the man has a disturbing specialty, and one that may not fit in - unless the Desert Fox's brother thinks fast. The issue includes the worst run of national jokes in the whole of drawn books, for which the author blames her husband. He got off the ferry from work one day with three of them in his head, and promptly infected her. That's her story, and she's sticking to it. 36 Pages, B&W. Cover price $3.99.

  • Issue #7
    Desert Peach (2009 Fine Line Press) 2nd Edition 7

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    2nd Edition. "Spoiled Fruit" By Donna Barr. With its black-and-orange cover, originally appeared as a Hallowe'en issue. And what could be more horrifying than the sweet, gentle, patient Peach being totally defeated by his Inner Monster? Corporal Dobermann's meth-based pills get in his tea and the Hellmouth opens right up, for the Peach's battalion, the Afrika Korps, and the British 8th Army. The Hulk's got nothing on this transformation. The author had been playing about with a computer imaging program; the crude machine-like line that results is a perfect representation of a mind and a small society gone off their tracks. 36 Pages, B&W. Cover price $3.99.

  • Issue #10
    Desert Peach (2009 Fine Line Press) 2nd Edition 10

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    2nd Edition. "Two-Timers" By Donna Barr. The Desert Peach is a tolerant man. He even tolerates the British soldier he discovers in his unit who has infiltrated in an attempt to assassinate the Desert Fox. But the Peach doesn't leave it be; he scares the spy out of his unit, then puts on a British officer's uniform and hunts down the spy in his own camp -- not to kill him, but to convince him never to try to come back. In the meantime, to keep the Enemy from discovering the 469th is leaderless, Leutnant Winzig is prevailed upon to take on the role of the Peach himself. Who else could take the job? Nobody else is as blond, blue-eyed and long-legged as Winzig, and that's a requirement.. Did you know he doesn't get along with Udo Schmidt? Everybody knew it, but nobody knew it went THIS deep. 36 Pages, B&W. Cover price $3.99.

  • Issue #14
    Desert Peach (2009 Fine Line Press) 2nd Edition 14

    2nd Edition. "Surprise, Surprise" By Donna Barr. The Peach didn't believe what Dobermann told him, either. But when he finds out where Udo really came from, and who he is, and what he knows -- who can get them both out of a deadly compromise but the Rosen Kavalier? They need a Nazi, and he's a prime bull Nazi -- once he gets rid of their compromise, they'll have nothing to fear. God help their Compromise, and his stomach. 36 Pages, B&W. Cover price $3.99.

  • Issue #18
    Desert Peach (2009 Fine Line Press) 2nd Edition 18

    2nd Edition. "The Desert Peach Musical" By Donna Barr. This issue is the Program book for the musical adaptation of "The Desert Peach" 36 Pages, B&W. Cover price $3.99.

  • Issue #20
    Desert Peach (2009 Fine Line Press) 2nd Edition 20

    2nd Edition. "Fever Dream" by Donna Barr. The last of the bad practical jokes set off the day before lands the Peach in a sick-cot for serious. While he lies there trying to win the back memories of beautiful pre-war Paris, he can't remember anything of his beloved City of Lights except that last time he saw her: with him wearing the uniform of the occupation forces, ashamed to enter his favorite cafes. He can't help but focus on the early-war Paree, because that is where he met the love of his life, the brutal and simply irresistible Leutnant Rosen Kavalier - who blew into his lonely existence and made of the Peach an unwilling and melting conquest. Ah, Paris, ah, l'amour. 36 Pages, B&W. Cover price $3.99.

  • Issue #22
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    2nd Edition. "Lady Luck" By Donna Barr. A new soldier is assigned to the 469th -- a female telegraph operator. You'd think that a new soldier do her duty -- but no man would ever let a woman just settle in and do her job, especially if he thinks that a man should be doing it, and that her real job is to lie down under him for his pleasure. The German army called its female auxiliaries Gray Mice, or Field Mattresses. And don't You be pointing fingers if you think YOUR army behaves a bit better than this. 48 Pages, B&W. Cover price $3.99.

  • Issue #1968
    Desert Song Programme (1968 Cambridge Theatre) 1968




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    Playbill for the 1968 production of The Desert Song at the Cambridge Theatre in London. 6" x 9", 12 pages, B&W.

  • Issue #1968
    Desert Song Souvenir Magazine (1968 Cambridge Theatre) 1968




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    Souvenir magazine for the Cambridge Theatre production of The Desert Song, starting in February, 1968. The show started the season at the Palace Theatre in May, 1967. 8.5" x 11", 20 pages, B&W.

  • Vol. 41 #3
    Design (Design Publishing Co) Vol. 41 #3

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    Nov. 1939. Art magazine with a focus on education. 9-in. x 12-in., 34 pages, B&W. Cover price $0.35.

  • #NN, Printing 2-4
    Despair (1969 Print Mint/Last Gasp) Underground #NN, Printing 2-4

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    2nd Printing through 4th Printing. Copyright Information on inside front cover. By Robert Crumb. Includes autobiographical material like Its Really Too Bad, along with stories featuring Mr. Natural, Flakey Foont, Fuzzy the Bunny and the Ruff Tuff Cream Puff. 1st printing can be distinguished from later printings by the absence of copyright information at bottom of inside front cover. 28 pages, B&W. MATURE READERS NOTE: These Printings are considered Indistinguishable from each other. Cover price $0.50.

  • #NN, 5th Printing
    Despair (1969 Print Mint/Last Gasp) Underground #NN, 5th Printing

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    5th Printing - 60 Cent Cover Price. By Robert Crumb. Includes autobiographical material like Its Really Too Bad, along with stories featuring Mr. Natural, Flakey Foont, Fuzzy the Bunny and the Ruff Tuff Cream Puff. 1st printing can be distinguished from later printings by the absence of copyright information at bottom of inside front cover. 28 pages, B&W. MATURE READERS Cover price $0.60.

  • #NN, 6th Printing

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    6th Printing - 75 Cent Cover Price. By Robert Crumb. Includes autobiographical material like Its Really Too Bad, along with stories featuring Mr. Natural, Flakey Foont, Fuzzy the Bunny and the Ruff Tuff Cream Puff. 1st printing can be distinguished from later printings by the absence of copyright information at bottom of inside front cover. 28 pages, B&W. MATURE READERS Cover price $0.75.

  • #NN, 7th Printing
    Despair (1969 Print Mint/Last Gasp) Underground #NN, 7th Printing

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    7th Printing - 1.50 Cent Cover Price. By Robert Crumb. Includes autobiographical material like Its Really Too Bad, along with stories featuring Mr. Natural, Flakey Foont, Fuzzy the Bunny and the Ruff Tuff Cream Puff. 1st printing can be distinguished from later printings by the absence of copyright information at bottom of inside front cover. 28 pages, B&W. MATURE READERS Cover price $1.50.

  • Issue #0
    Destiny Update (1992 Destiny Graphics) Fanzine 0

    Destiny Update backed with Shadowfool. News of Destiny publications and Batman news. 5 1/4-in. x 8 1/2-in., 4 pages, black and white.

  • Vol. 1 #4
    Detective Cases (1971 Globe Communications Corp.) Magazine Vol. 1 #4


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  • Vol. 2 #6
    Detective Cases (1971 Globe Communications Corp.) Magazine Vol. 2 #6


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    This item is not in stock at MyComicShop. If you use the "Add to want list" tab to add this issue to your want list, we will email you when it becomes available.