Auctions: comic books

Original Art for the Apartment 3-G Comic Strip (2/19/06 & 1/10/10) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (3/14 & 3/28 2010) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (4/18/04 & 7/1/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (4/4/04 & 6/10/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (5/11/03 &3/18/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (5/26/02 &9/30/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (5/30/04 & 9/2/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (6/15/01 & 1/28/06) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (6/20/04 &8/19/07) by Frank Bolle

Pencil and ink on art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (6/22/03 & 2/11/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (6/8/01 & 6/24/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (7/11/04 & 10/21/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (7/16/06 & 4/12/09) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (9/10/06 & 5/10/09) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (9/12/04 & 11/11/07) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art for the Apartment 3-G Comic Strip (9/17/06 & 5/3/09) by Frank Bolle

Pencil and ink on both sides of art board. 15 1/4" x 11 1/2".

Original Art from Action Comics #633 (1989) Page 6 Pencils by Mark Bright, Inks by Romeo Tanghal

Having just been been punched through an entire planet , by the mysterious and powerful ring-wielding Lord Malvolio, Hal Jordan happens upon a massive golden space station which inside houses a Lantern Battery- and a crowd of people who seem to worship Green Lanterns! Things must be looking up for old Hal, right? Right? A nice sci-fi page that delivers some well-drawn alien scenery and creature design as well as a great closeup of Hal. Pencil and ink on comic art board. 11" x 16 1/4".

Original Art from Adventures in the DC Universe #5 (1997) Page 12 Pencils by John Delaney, Inks by Ron Boyd

A great big action page that sees Martian Manhunter heading back towards the flying saucer he damaged in order to stop it from crashing into an abandoned house where children were (unwisely!) trying to observe the battle. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/2".

Original Art from Alien Encounters #7 (1985) Page 5 Pencils and Inks by Bo Hampton

Trapped in a literal fog of war, two human soldiers initiate a last-ditch plan to disguise one of themselves as an alien soldier. Just as the procedure is complete, Jenny is mistaken for one of the aliens and learns some harsh truths about what kind of war she's been fighting. Beautiful, emotive creature design and a grimly gorgeous fourth panel make this a fantastic sci-fi page. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Alien Encounters #7 (1985) Page 6 Pencils and Inks by Bo Hampton

Disguised as an alien soldier named Ulma in an endless, confusing war, human Jenny finds herself "reunited" with a fellow solider and romantic partner. As Jenny learns the truth- that the humans were the aggressors and that the war has raged so long that the planet is now a barren wasteland, an attack from her human partner shatters the brief respite from war. Signed by Hampton in lower margin. Pencil and ink on art board. 11" x 16 1/2".

Original Art from Aquaman #5 (1989) Page 14 Layouts by Keith Giffen, Pencils by Curt Swan, Inks by Al Vey

A powerful splash page from the climactic issue of this miniseries which saw Aquaman leading a resistance against an invasion of Atlantis perpetrated by giant, genocidal jellyfish! As the Atlantean forces make a last ditch charge to break the siege on Poseidonis, they find themselves aided by a massive army of sea life which is revealed here to be commanded by Aquaman. Swan and Vey do a tremendous job depicting the vast effort expended by the King of Atlantis here, perched atop one of the city's tallest buildings! Pencil and ink on DC Comics art board. 16 3/4" x 11 1/4".

Original Art from Archard's Agents The Case of the Puzzled Pugilist (2003) Pg 14 Pencils and Inks by Mike Perkins

On the run from some unsavory folks, bareknuckle boxer Peter Grimes takes refuge as a hired hand at a country estate- but is high society even more dangerous than organized crime? Signed by Perkins in lower right. Pencil and ink on Crossgen comic art board. 11" x 17".

Original Art from Archie's Joke Book Magazine #104 (1966) Page 19 by Dan DeCarlo (attributed)

Riverdale's premiere best frenemies look fantastic in this one-pager that highlights Veronica's dating philosophy. Absolutely stunning inks on this one and the final two panels, with the closeup on Ronnie and the playful panel break really make this page pop. Pencil and ink on art board. 13 1/2" x 20". NOTE: The art for this page is uncredited, but it is believed to be by Dan DeCarlo.

Original Art from Batman Gotham Knights #25 (2002) Page 16 Pencils by Roger Robinson, Inks by John Floyd

Bruce Wayne's arrest on the charge of murder has rocked the inhabitants of Gotham City- none more than his closest allies Alfred Pennyworth and Dick Grayson. Here, the pair compare notes and discuss next steps in front of the court house. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Gotham Knights #49 (2004) Page 22 Pencils by Roger Robinson, Inks by John Floyd

It's been a tumultuous time for both The Bat and the man who broke him! Bane's search for his biological father led him to King Snake and when Bane was forced to choose between aiding his father's plans for domination or sacrificing himself to save the life of the Batman, he chose the latter. Healed by a damaged Lazarus Pit, Bane and his former nemesis take a moment to reflect on this hopeful final page. A Signed by Floyd on the reverse. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Gotham Knights #9 (2000) Page 19 Pencils by Roger Robinson, Inks by John Floyd

In the aftermath of an explosion that's seemingly killed Batman, Dick Grayson makes use of his acrobatics skills to get past emergency services- while Tim tries to maintain a modicum of opsec. Pencil and ink on DC Comics art board. 11 1/4" x 17".

Original Art from Batman Grendel II #1 (1996) Page 7 by Matt Wagner

One of the best visual storytellers in comics, Matt Wagner turns in a beautiful page for the inciting event for his creation's second crossover with the Dark Knight! The Gotham City Museum is hosting an exhibit dedicated to the many villains who have plagued the city over the decades and the centerpiece is the skull of Hunter Rose, the original Grendel. With mobs of protestors gathered outside, Commissioner Gordon and the GCPD are out to keep the peace- though they might need some assistance if say, an enhanced assassin from the future chooses this moment and place to travel back in time! Signed by the artist in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Batman Legends of the Dark Knight #108 (1998) Page 16 Pencils and Inks by Eddie Newell

A truly stunning action page with a great storytelling flow, rich in texture and as eye-catching as they come! Batman is finally hot on the tail of the motorcycle-riding terrorist who's been targeting Commissioner Gordon. Newell lays out this page beautifully with a fantastic head-on shot of Batman on his bike transitioning to a series of 'widescreen' panels that enlarge by the end of the page as the action continues. Newell's crosshating and expert deployment of white ink creates a perfect Gotham atmosphere, as if anything visible is emerging from blackness and along with the onomatopoeia give this page an amazing sense of texture that really pops in person. Signed by the artist in lower margin. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Birds of Prey #112 (2008) Page 9 Pencils by David Cole, Inks by Doug Hazelwood

A great action page from this Lady Blackhawk spotlight story! Mourning the recent death of Big Barda in her own way (getting wasted at a bar, starting a fight, and then hijacking a cab in Metropolis to take her to California), Zinda and her unwilling chauffeur are suddenly attacked by False Face and White Star. The highlight here is the third panel with a great image of Lady Blackhawk in a stone cold western gunfighter pose just before she effortlessly hits the cab's gas tank, buying herself some time to escape. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Birds of Prey #52 (2003) Page 11 Pencils and inks by Casey Jones

A downright iconic splash page for the Element Man! It also serves as a shocking reveal- in the middle of battle with a merged entity made up of Simon Stagg, Sapphire Stagg, and little Joey it's revealed that Black Canary has not been fighting alongside Java, but Metamorpho himself! Jones' trademark bold, ultra-clean linework shines here, giving an energetic pop-art vibe to the story. Signed by the artist in lower right margin. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Blaze # 7 (1995) Page 7 Pencils by Henry Martinez, Inks by Bud Larosa

If Johnny Blaze thought being free of the Spirit of Vengeance would mean a nice quiet life, he was sorely mistaken! After rejecting the talents of trick-shooter Double Tap for the Quentin Carnival, Johnny's stunt performance is violently interrupted by the shootist in this action packed page! Also includes a copy of the original issue. Pencil and ink on Marvel Comics art board. 11 1/4" x 17 1/4", B&W.

Original Art from Conan #8 (1996) Page 14 Pencils by Joe Bennett, Inks by John Floyd

Tensions are high after the army of men Conan was hired to lead were slaughtered in a sneak attack by the Picts, the survivors regroup as one of the scouts meant to report on the Picts movements returns- and Conan's got some choice words for him! Signed by Floyd on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Conan #8 (1996) Page 17 Pencils by Joe Bennett, Inks by John Floyd

Though their numbers have been cut from over 300 to 13 in a surprise attack by the Picts, Conan refuses to retreat and instead proposes what some might call a suicide run! Signed by Floyd on the reverse. Pencil and ink on Marvel Comics art board. 11" x 17".

Original Art from Doom Patrol #20 (2011) Page 2 Pencils by Ron Randall, Inks by Art Thibert

A great shot of Robotman, Mister Negative, and Elasti-Woman looking heroic as ever...even though they've just been deported! Having failed in their job as protectors of Oolong Island, the team arrives in Plinkett, Nevada looking for a fresh start- and a place to crash. Signed by Thibert in lower right. Pencil and ink on DC Comics art board. 11" x 17".

Original Art from Flash #12 (1988) Page 10 Pencils by Mike Collins, Inks by Larry Mahlstedt

A Cold War victory for capitalism! Former Red Trinity speedster Anatole and his teammates have moved to the USA and formed the Kapitalist Kouriers! Hired to deliver a package at super speed, Anatole is shocked when he's set upon by a pair of speeding highwaymen. Guess it comes with the territory! Signed by Mike Collins in bottom right margin. Pencil, ink, and screentone on DC comics art board. 11" X 16 1/2".

Original Art from Ghost Rider/Blaze: Spirits of Vengeance #2 (1992) Pages 28-29 Pencils by Adam Kubert, Inks by Chris Warner

An exciting, action-packed double page spread that's just dripping with cool! From the cyborg femme-fatale Steel Vengeance (though she's called Steel Wind here, that's actually her sister) to the very Gen X "Yeah, right." delivered by a smoking Johnny Blaze, this spread is pure 90's greatness. The fantastic art team shows off their skills wonderfully here, beautifully depicting the final fight between our (anti)heroes and the cyborg mercenary as she drives herself off of a cliff to escape. Signed by Kubert in lower left margin of page 28/ Pencil and ink on two sheets of art board affixed with tape on the reverse. 26" x 19".

Original Art from God the Dyslexic Dog Breakdowns by Philip Phillipson, Pencils and Inks by Alex Niño

This page is labelled "Chapter 3 Page 21" at the bottom and likely appears in the Volume 2 Trade Paperback. Pencil and ink on comic art board. 11" x 17".

Original Art from Hal Jordan and the Green Lantern Corps #15 (2017) Page 3 Pencils and Inks by Ethan Van Sciver

"Somebody find Gardner!" reads the opening caption on this page, coming from John Stewart on Mogo. Turns out Guy Gardner is right where you might expect him to be, on a backwater world sans Ring and looking for a fight. An absolutely fantastic page, opening with a a brutal close shot of Guy's fist making impact before revealing Gardner in all his glory! Signed by the artist in lower right margin. Blue line pencil and ink on DC Comics art board. 11" x 17".

Original Art from Incredible Hulk #319 (1986) Page 7 Art by John Byrne, Background Inks by Keith Williams

With Bruce Banner separated from the Hulk, the story itself splits as well! On the top half of the page, we see The Hulkbuster squad getting busted by the Hulk- and by Doc Samson who arrives to claim the Hulk's hide for himself! While the battle rages on, Bruce Banner prepares for his wedding to Betty Ross and shares a moment with the recently returned Rick Jones! Fantastic work from Byrne here, especially in terrifying power of just the Hulk's hand as it breaches the Hulkbuster cockpit and in the facial expressions on Bruce as he reflects on his life with Betty. Pencil and ink on Marvel Comics art board. 11" x 16 1/2".

Original Art from Justice League Task Force #9 (1994) Page 5 Pencils by Greg Larocque, Inks by Kevin Conrad

A delightful title page splash that promises a bit of irony coming J'onn's way as the Martian Manhunter prepares for a cozy night in! Though Justice League comics were beginning to leave the Bwa-Ha-Ha era behind, its influence is still felt here! Signed by Conrad on the reverse. Pencil and ink on DC Comics art board. 11 1/2" x 16 1/4". NOTE: The credits box appears to be a recreation and affixed to a plastic flap which taped to the reverse with masking tape. Also affixed to the reverse is what may be the original credits box which is glued to the board.

Original Art from Lady Death The Wild Hunt #3 (Unpublished) Page 12 Pencils by Jim Cheung, Inks by Mark Pennington

A moody, gorgeously inked page that finds Lady Death in mystical chains as a fight between her captors ensues. Pencil and ink on Crossgen Comic art board. 11" x 17".

Original Art from Marc Spector: Moon Knight #52 (1993) Page 20 Pencils by James Fry, Inks by Chris Ivy

Marc Spector is finally getting his life back together and after handling deferred business at Spectorcorp, it's time for Moon Knight to hit the streets on patrol! On this frenetic and beautifully drawn action page, Moon Knight takes on two strange villains- Cubist and Glaze who were doing...something in Central Park. Fry and Ivy make a dynamite team here delivering some memorable panels, notably the second in which the entombed civilian has a very EC horror-esque face and in the following third panel with a great top-down shot of Moon Knight blastin' away! Signed by Fry in lower margin. Pencil and ink on Marvel Comics art board. 11 1/2" x 17 1/4".

Original Art from New Avengers #47 (2009) Page 23 Pencils by Billy Tan, Inks by Matt Banning

Much of Brian Michael Bendis' revolutionary run on Avengers centered around Luke Cage, an 'everyman' type of hero in comparison to many of the other heroes who quickly became the heart of the team and the fan favorite. Here, Tan and Banning perfectly capture the shock and heightened emotion that readers would feel along with Luke when learning that his newborn daughter had been kidnapped by Skrull posing as Jarvis during Secret Invasion. It's framed wonderfully with massive devastation visible in the background that still doesn't seem to compare to the pain on Luke's face, powerfully depicted through Banning's heavy inks. Pencil and ink on Marvel Comics art board. 11" x 17 1/2".

Original Art from Notti & Nyce Halloween Special 2019 Page 15 Pencils and Inks by Ron Williams

It was all a dream! For the last several pages, Nastee has been fighting off a horde of zombie trick or treaters before being overrun! Here we see her woken up by Notti and Nyce returning from their night out. Pencil and ink on art board. 11" x 17". NOTE: The reverse features pencil art for a Justice League project by Williams, possibly a tryout page.

Original Art from Notti & Nyce Halloween Special 2019 Page 3 Pencils and Inks by Ron Williams

Though Notti and Nyce are ready to hit the town for some trick or treating on Halloween, Nastee is feeling a bit tired- much to Notti's displeasure! their Pencil and ink on art board. 11" x 17".

Original Art from Notti & Nyce Halloween Special 2019 Page 5 Pencils and Inks by Ron Williams

It's Halloween and with Notti & Nyce out on the town, Nastee is hoping for a quiet night at home before being interrupted by trick or treaters. They're probably just normal kids though. Surely. Pencil and ink on art board. 11" x 17".

Original Art from Notti and Nyce Unidentified Issue (2020) Page 1 by Ron Williams

A fantastic action splash of Nastee, in full superspy gear, running from a hail of bullets being fired at her from behind! Signed by the artist and top margin. Pencil and ink on art board. 11" x 17".

Original Art from Notti and Nyce Unidentified Issue (2020) Page 14 by Ron Williams

A great action page that sees Nastee confronted by Notti, who is actually aiming for the goon standing behind Nastee. Fantastic inking on the headshot in the final panel from Williams! Signed by the artist and top margin. Pencil and ink on art board. 11" x 17".

Original Art from Papa Midnite #4 (2005) Page 17 Pencils by Tony Akins, Inks by Dan Green

A grim, brutal scene from colonial New York as the consequences of Papa Midnite's schemes hits home. With (supposed) aid from the trickster god Anansi, Papa Midnite has incited a slave rebellion- one intentionally meant to fail in order to strengthen the power of white Englishmen as Midnite's immortality comes from a curse that remains in place as long as white men rule the new world. With the colonial powers on the warpath, an innocent slave is caught in the streets and beaten as Fortune, one of them men aiding Midnite, begins to rethink his allegiances. Pencil and ink on DC Comics art board. 11 1/2" x 17".

Original Art from Peter Parker Spider-Man #44 (2002) Page 3 Pencils by Humberto Ramos, Inks by Wayne Faucher

A powerful splash from this intense issue that sees the return of the Green Goblin to Pete's life! In the midst of a torrential storm, Pete is troubled by a recurring nightmare and where else does one plagued by nightmares go than to their mother (figure)! A great example of Ramos' ability to create powerful and energetic figures, even in a 'civilian' scene! Signed by the artists in lower margin. Pencil and ink on Marvel Comics art board. 11" x 17 1/4". NOTE: Title logo, credits, and indicia stats are reproductions.